Application to Nova Scotia Arts Council for Operating Grant
- MS-5-16, Box 6, Folder 2
- File
- 1999
Part of Upstream Music Association fonds
File contains Upstream Music Association's application and related correspondence.
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Application to Nova Scotia Arts Council for Operating Grant
- MS-5-16, Box 6, Folder 6
- File
- 2000
Part of Upstream Music Association fonds
Application to Nova Scotia Arts Council for Operating Grant
- MS-5-16, Box 6, Folder 9
- File
- 2001
Part of Upstream Music Association fonds
File also contains a letter from the Nova Scotia Arts Council regarding Upstream's application to the Commissioning program.
Application to Nova Scotia Arts Council
- MS-5-16, Box 6, Folder 7
- File
- 2000-2001
Part of Upstream Music Association fonds
File contains correspondence regarding Upstream Music Association's application to the Touring Program for Grants to Organizations and Small Groups, and the Production/Presentation Program for Grants to Organizations and Small Groups. File also includes a signed copy of the Terms and Conditions for Sustaining Grants to Organizations.
Application to Canada Council for Upstream CD project
- MS-5-16, Box 9, Folder 39
- File
- 1991
Part of Upstream Music Association fonds
File contains a copy of the grant application and supporting documents sent to Canada Council by the Upstream Music Association for funding to record a CD. The proposed works for the CD were: "Nocturne" by Steven Naylor; "Don't Hold Back" by Jeff Reilly; "Chipper" by Don Palmer; "Immortal Coil" by Paul Cram; "Change is a Time for Celebration" by Sandy Moore; "Valse Triste" by Robert Bauer; and "Available Light" by Steve Tittle. At the point of application, the Undercurrent Recording label did not exist, but Steven Naylor, Jeff Reilly, and Paul Cram were discussing its creation.
Application to Canada Council for the Arts Sound Recording Program
- MS-5-16, Box 4, Folder 16
- File
- 1992
Part of Upstream Music Association fonds
File contains Upstream Music Association's application for funding for their second CD and the rejection letter from the Canada Council for the Arts.
Application to Canada Council for the Arts Sound Recording Program
- MS-5-16, Box 4, Folder 12
- File
- 1991-1992
Part of Upstream Music Association fonds
File contains Upstream Music Association's application for funding for their CD, "Open Waters" (1992). File also contains correspondence between Upstream and the Canada Council relating to the application and budgets for the production of the CD.
Application to Canada Council for the Arts Sound Recording Program
- MS-5-16, Box 4, Folder 21
- File
- 1993, September 1
Part of Upstream Music Association fonds
File contains letter acknowledging receipt of Upstream's application for the recording "Sing Like you Don't Need the Money."
Application to Canada Council for the Arts Small Ensembles Program
- MS-5-16, Box 4, Folder 17
- File
- 1992-1993
Part of Upstream Music Association fonds
File contains Upstream Music Association's application for funding for the 1992-1993 season (including draft versions) and related correspondence.
Application to Canada Council for the Arts Small Ensembles Program
- MS-5-16, Box 4, Folder 20
- File
- 1993
Part of Upstream Music Association fonds
Application to Canada Council for the Arts Small Ensembles Program
- MS-5-16, Box 2, Folder 15
- File
- 1994-1995
Part of Upstream Music Association fonds
File contains rough notes for the application, copies of newspaper articles about the Upstream Ensemble, and related correspondence.
Application to Canada Council for the Arts Small Ensembles Program
- MS-5-16, Box 4, Folder 27
- File
- 1996-1997
Part of Upstream Music Association fonds
Application to Canada Council for the Arts New Music Presenting Program
- MS-5-16, Box 6, Folder 1
- File
- 1999
Part of Upstream Music Association fonds
File contains Upstream Music Association's application and related correspondence. File also contains correspondence from the Canada Council for the Arts regarding Upstream's application to the Residencies and Commissioning of Canadian Compositions Program.
- Ms-5-16, Box 4, Folder 28
- File
- 1996-1998
Part of Upstream Music Association fonds
File contains correspondence from the Canada Council and two annotated copies of the application for funding for Upstream's 1996-1997 and 1997-1998 seasons.
Application to Canada Council for the Arts Japan-Canada Fund
- MS-5-16, Box 4, Folder 13
- File
- 1991-1992
Part of Upstream Music Association fonds
File contains correspondence between the Upstream Music Association and the Canada Council relating to Upstream's request for funding to support a collaborative project between themselves and two Japanese artists, Akikazu Nakamura and Miwa Inaba. File also includes budgets for the project and a description of the project.
Application to Canada Council for the Arts Explorations Program
- MS-5-16, Box 4, Folder 14
- File
- 1991-1992
Part of Upstream Music Association fonds
File contains Upstream Music Association's application (including draft versions), correspondence, an interim report, and the final report from Upstream for the 1991-1992 season.
Application to Canada Council for the Arts Explorations Program
- MS-5-16, Box 4, Folder 10
- File
- 1990-1991
Part of Upstream Music Association fonds
File contains Upstream Music Association's application, draft versions of the application, and related correspondence.
Application to Canada Council for the Arts Contemporary and New Music Organizations Program
- MS-5-16, Box 4, Folder 29
- File
- 1997-1998
Part of Upstream Music Association fonds
Application to Canada Council for the Arts Commissioning of Canadian Compositions Program
- MS-5-16, Box 4, Folder 31
- File
- 1997-1998
Part of Upstream Music Association fonds
File contains Upstream Music Association's application and correspondence with the Canada Council regarding funding to commission a new work from Tom Walsh.
Application to Canada Council for the Arts Commissioning of Canadian Compositions Program
- MS-5-16, Box 4, Folder 30
- File
- 1997, July 14
Part of Upstream Music Association fonds
File contains correspondence from the Canada Council regarding Upstream's grant application for commissioning a work by Don Palmer.
Application to Canada Council for the Arts
- MS-5-16, Box 6, Folder 4
- File
- 2000
Part of Upstream Music Association fonds
File contains Upstream Music Association's applications for, and correspondence related to, the Canada Council for the Arts Classical Contemporary/ New Music Organizations Program and Commissioning of Canadian Compositions.
- MS-5-16, Oversize Folder 26
- Item
- 1990
Part of Upstream Music Association fonds
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
Moore, Sandy
Agenda for an Artistic Directors meeting
- MS-5-16, Box 1, Folder 23
- File
- June 14, 1994
Part of Upstream Music Association fonds
Against the flow : proposal for a documentary film on Upstream Music Association
- MS-5-16, Box 6, Folder 22
- File
- [1993-1994]
Part of Upstream Music Association fonds
File contains annotated proposals and notes regarding a documentary film about the ecology of Upstream.
Administrative, funding, and promotional records of the Upstream Music Association
- MS-5-16, Box 3, Folder 1
- File
- 1994-2004
Part of Upstream Music Association fonds
File contains correspondence, a copy of the Upstream Handbook, press releases, concert reviews, and a copy of the Memorandum of Association and By-Laws of Upstream Music Association (adopted September 28, 2000).
6 of one : performance instructions
- MS-5-16, Box 9, Folder 8
- Item
- 1997
Part of Upstream Music Association fonds
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
Adams, Norman
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