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Archival Description
Halifax (N.S.) Exhibitions
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Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2020
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Centre for Art Tapes presents the inaugural exhibition for the Centre for Art Tapes local curatorial residency : lies that tell the truth

Item is a poster for The Lies That Tell the Truth, an exhibition presented by the Khyber Institute for Contemporary Arts from July 15 to August 14, 2011. The exhibition was curated by Claire Hodge and Suzanne Caines and featured artists: Adad Hannah; Yam Lau; Alison S. M. Kobayashi; Johanna Householder and b.h. yael; Aoife Collins and Jeanne Ju.

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

35 Days of non-Organized art

Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Reclining landscapes

Item is a poster for Reclining Landscapes, an exhibition of works by Ryan Sluggett presented by the Khyber Institute for Contemporary Arts from September 10 to October 9, 2009.

35 Days of non-Organized art

Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

Ordinary people

Item is a poster for the annual members' exhibition entitled "Ordinary people," held from June 28- July 27, 2008, at Eyelevel Gallery.

Billboards

Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.

Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Life or something like it

Item is a poster for a new media exhibition featuring works by Ian Ingram, John Slepian, and Brandon Vickerd, held from March 18 - April 23, 2005, presented by the Centre for Art and Tapes and Eyelevel Gallery.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.

Y Level summer symposium on validation

Item is a poster for exhibitions part of Y level summer exhibition series held from June 19-August 19, 1993. The exhibitions at Eye Level Gallery featured works by Vida Simon, Jane Williams, Jordan Broadworth, Leo Toner, Robert Nock, Jane Mothersell, Kelly Mark, Iris Seyler, Kate Monroe, Hall Smith, and Gordon Whiteside.

Photographs of an exhibition on abortion

FIle contains 31 photographic slides of an exhibition on abortion at the Centre for Art Tapes' Alexandra Centre location in 1993. The exhibition featured wall-mounted newspaper clippings about abortion.

Photographic slides from exhibitions

File includes slides from exhibitions including Peggy's Cove Syndrome, Satire as Discontent, and Locations/National. Artists include Robert Bean, David Merritt, Rosemary Macaulay, Sean McQuay, and Barbara Lounder.

Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.

Black wimmin: when and where we enter : [poster]

Item is a poster for Black Wimmin: When And Where We Enter, a group exhibition presented by the Diasporic African Women's Art collective. The exhibition toured Canada in 1989 and was presented in Halifax, Nova Scotia by Eyelevel Gallery from September 6 - 23, 1989.
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