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Toronto (Ont.) Music
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Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 2000.

Documents include programs, pamphlets, and newspaper clippings related to the East Coast Music Association awards, Musique Royale concerts, Le Festival de musique sacrée de Saint-Roch, boarding the South African ship, SAS Drakensburg, Nova Scotia Music Week, Onstage at Glenn Gould Studio, the African Nova Scotian Music Association awards, and WinterTide Festival.

Photographs of the Nova Scotia Mass Choir in Toronto

File contains photographs of the Nova Scotia Mass Choir performing at First Baptist Church in Toronto, Ontario on November 5, 2000.

Photographs feature Linda Carvery, Jeremiah Sparks, Joe Colley, and other choir members.

Photographs of the Nova Scotia Mass Choir in Toronto

File contains photographs of the Nova Scotia Mass Choir performing at Glenn Gould Studio in Toronto, Ontario.

Photographs feature Sue Taylor, Linda Carvery, Tim Edmonds, Joe Colley, Tim Dunn, John Dalton, musical director Woody Woods, Viki Samuels, and other choir members.

Beyond Benghazi

Item is an audio cassette with a recording of the work "Beyond Benghazi" (copyright 1989) performed by the Hemispheres Ensemble at the Music Gallery in Toronto, Ontario.

Music Gallery performance

  • MS-5-21, Box 7, Cassette 31
  • Item
  • December 8, 1989
  • Part of Paul Cram fonds

Item is an audio cassette with a recording of a recording of a performance by the Hemispheres Ensemble at the Music Gallery in Toronto, Ontario. The container label lists the songs performed: "The Dice are Loaded" - Peter Hatch, "Darkness and Grace" -Rainer Wiens, "3-D Head" -Tom Walsh, "Beyond Benghazi" -Paul Cram, and from the Nutcracker Suite "Arabesque Cookie", "Chinoiserie", and "Dance of the Floreadores" -Ellington/Strayhorn/Tchaikovsky (1960).

Fortress America: Music Gallery concert

  • MS-5-21, Box 7, Cassette 19
  • Item
  • December 9, 1988
  • Part of Paul Cram fonds

Item is an audio cassette with a recording of the concert work "Fortress America" composed by Paul Cram and performed by the Hemispheres Ensemble at a concert in the Great Hall of the Music Gallery in Toronto, Ontario.

The night bell, CBC broadcast - May 21, 1958

File contains two audio reels containing sound recordings of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano).

Part of "The Old Maid and the Thief" performance (side A)

Item is an audio recording of an opera, "The Old Maid and the Thief," produced by Canadian Opera Company(COC) members and presented to the students at the Givins Senior Public School in Toronto on March 27, 1968. Shiela Piercy performed the role of Laetitia, Miss Todd’s Young Maid. The recording is on side A of audio cassette.

"The Secret of Susanna" by Wolf-Ferrari (side B)

Item is an audio recording of the performance of Wolf-Ferrari’s "The Secret of Susanna," which was presented at Mimico High School in Toronto on February 26, 1969. Sheila Piercey performed the role of Countess Susanna. The recording is on side B of audio cassette.

Old Maid and Secret of Susanna

  • MS-5-20, Box 1, Cassette 41
  • File
  • March 27, 1968 and February 26, 1969
  • Part of Sheila Piercey fonds

File is an audio cassette tape with recordings of Sheila Piercey singing in the operas "The Old Maid and the Thief" and "The Secret of Susanna." These were student productions by the Metro School Board of Toronto as part of their educational program.

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Ernest MacMillan : [autographed photograph]

File contains an autographed photograph of Sir Ernest MacMillan, the conductor of the Toronto Symphony Orchestra, in commemoration of a performance with Ellen Ballon of Heitor Villa-Lobos' first piano concerto.

Passacaglia : piano solo

File includes a copy of Duchow's piano composition, accompanied by a note to Ellen Ballon from [Guanni?].

Duchow, Marvin

Newspaper clippings concerning concerts and other topics

File contains newspaper clippings that mention Ellen Ballon. Topics range from concert reviews, her favourite recipes, lifestyle, the death of her mother (Charlotte Ballon, nee Klein), and her contributions during the Second World War. One of the articles reports on her premiere performance in Rio de Janeiro of Heitor Villa-Lobos' first piano concerto.

Program from the University of Toronto

File contains two copies of a program from the "Address to the Graduating Classes and Opening of the Organ" (June 6, 1912). The program includes an organ recital by Mr. F.A. Moure, bursar of the university, as well as the organ's specifications and a picture. The organ was built by Cassavant Freres of St. Hyacinth, Quebec.

Program from the Toronto Conservatory of Music

File contains programs from concerts presented at the Toronto Conservatory of Music, including performances by the Flonzaley Quartet (Adolfo Betti, Alfred Pochon, Ugo Ara, Iwan D'Archambeau); Toronto String Quartette (Frank E. Blachford, Roland Roberts, F. Converse Smith, Frederic Nicolai); and Constance Martin (piano).

Promotional pamphlet for W.O. Forsyth

File contains a promotional pamphlet for W.O. Forsyth, including a list of his publications, reviews of his compositions and performances, and reviews of some of his students (Jessie McApine-Dempster, Myrtle Webber, Leila Preston, and Elsie Bennett).

Program from Massey Hall

File contains programs from concerts given at Massey Hall in Toronto, Ontario: Columbian Conservatory Orchestra, conducted by Alfred Bruce with E.H. Painty on piano; the Mendelssohn Choir, conducted by A.S. Vogt; the Mendelssohn Choir, directed by H.A. Fricker; Toronto Symphony Orchestra, conducted by Frank S. Welsman with Margaret Huston (soprano); Toronto Symphony Orchestra with Louise Homer (contralto); Toronto Symphony Orchestra with Mischa Elman (violin); John McCormack (tenor) with Edwin Schneider (piano); and the Oratorio Society of Toronto, conducted by Edward Broome, with the Cleveland Symphony Orchestra, conducted by Nikolai Sokoloff.

File also contains a compilation of all of the programs from the Toronto Symphony Orchestra's 1911-1912 season, inscribed to John Daniel Logan. File also contains some newspaper clippings of concert reviews by "A.E.S.S."

Programs from Hart House Theatre

File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).

Prospectus for the Hambourg Conservatory of Music

File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).

Program from the Arena in Toronto

File contains an official souvenir programme from the Toronto Musical Festival, commemorating the opening of the Arena in Toronto, Ontario. The program includes performances by Nahan Franko and members of the Metropolitan Opera and Philharmonic Orchestras of New York.

Autographs of Mark Hambourg and Boris Hambourg

File contains the autographs of two brothers, Russian pianist Mark Hambourg and the Russian cellist Boris Hambourg, addressed to Dr. J.D. Logan on behalf of the Colonel W.E. Thompson Library of Music and Musical Literature at Dalhousie University. Each of the Hambourg's signatures are accompanied by short musical incipits. The autographs are dated March 5, 1925 in Toronto, Ontario.

Correspondence sent to John Daniel Logan

File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.

Correspondence from Frank S. Welsman

File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.

Welsman, Frank

Correspondence from A.S. Vogt

File contains a letter from A.S. (Augustus Stephen) Vogt, thanking John Daniel Logan for his review of a performance by the Toronto Mendelssohn Choir.

Vogt, Augustus Stephen

Correspondence from R.S. Pigott

File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

Correspondence from W.H. Greenwood

File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Correspondence from Edward Broome

File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.

Broome, Edward

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