Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
File consists of three audio recordings containing recorded CBC radio broadcastings of the opera "The Prodigal Son" at the Guelph Spring Festival in 1968 and the opera "The Widow" at the CBC Toronto Summer Festival in 1967, and backstage interviews at the Toronto Canadian Opera Festival. Originally labelled "the widow" and handwritten notes on the label inserted in the case read: Joan Maxwell(mezzo-soprano), Sheila Piercey(soprano), Maurice Brown(baritone), John Arab(tenor)
(Track) 1. The prodigal son / by Benjamin Britten / music directed by Nicholas Goldschmidt - Peter Ginkel, Maurice Brown, Garnet Brown, John Arab (Track ) 2. The widow / by Calixa Lavallée - John Arab and Sheila Piercey duet, 1967 CBC festival - Barbini
Item is an audio recording of recorded CBC radio backstage interviews with opera singers and the stage makeup artist for the opera "Othello" at the Toronto Canadian Opera Festival at the Royal Alexandra Theatre. The interviews include John Arab, who played the role of Roderigo. The original track was untitled and undated.
Item is an audio recording of CBC radio broadcasts at the CBC Toronto Summer Festival. The first part of the recording is the "Movement for Orchestra" and an interview with Harry Somers(composer). The second part of the recording (13:00) is the opera "The Widow" by Calixa Lavallée.
Item is an audio recording of CBC radio recording for "The Prodigal Son" at the Guelph Spring Festival in 1968. The Prodigal Son is a music drama by Benjamin Britten / music directed by Nicholas Goldschmidt.
Item is an audio recording of Orpheus in the Underworld by Sheila Piercey made on April 5, 1971, at a Sudbury performance. Labelled: Bacchus - Alan Crofoot, Eurydice - Sheila Piercey . The recording is on side B of audio cassette.
Item is an audio recording of Orpheus in the Underworld by Sheila Piercey made on April 5, 1971, at a Sudbury performance. Labelled: Bacchus - Alan Crofoot, Eurydice - Sheila Piercey. The recording is on side A of audio cassette.
File is an audio cassette tape with recordings of Orpheus in the Underworld by Sheila Piercey made on April 5, 1971, at a Sudbury performance. Labelled: Bacchus - Alan Crofoot, Eurydice - Sheila Piercey
File is an audio cassette tape with recordings of Sheila Piercey and Alex Gray performing "Come Scoglio" from Mozart's opera Cosi fan Tutte at Peterborough Opera Guild, on May 30, 1969. Label says tape recorder on floor pick up all the noise.
Item is an audio recording of Sheila Piercey and Alex Gray performing "Come Scoglio" from Mozart's opera Cosi fan Tutte at Peterborough Opera Guild, on May 30, 1969. Label says tape recorder on floor pick up all the noise. The recording is on side A of audio cassette. (Side B is blank)
Item is an audio recording of the performance of Wolf-Ferrari’s "The Secret of Susanna," which was presented at Mimico High School in Toronto on February 26, 1969. Sheila Piercey performed the role of Countess Susanna. The recording is on side B of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey singing in the operas "The Old Maid and the Thief" and "The Secret of Susanna." These were student productions by the Metro School Board of Toronto as part of their educational program.
Item is an audio recording of an opera, "The Old Maid and the Thief," produced by Canadian Opera Company(COC) members and presented to the students at the Givins Senior Public School in Toronto on March 27, 1968. Shiela Piercy performed the role of Laetitia, Miss Todd’s Young Maid. The recording is on side A of audio cassette.
Item is a reel-to-reel recording of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano). The recording is tape 2 of 2.
File contains two audio reels containing sound recordings of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano).
Item is a reel-to-reel recording of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano). The recording is tape 1 of 2.
Series contains sound recordings of Sheila Piercey's opera performances, dress rehearsals, auditions, practice sessions, radio broadcast, as well as concert and recital performances with the Canadian Opera Company (COC). Most recordings are on audio reels and cassette tapes.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.
File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.
File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.
File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).
File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.
File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.
The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.
File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).
File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.
File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.
File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.
File contains three letters from Gena Branscombe Tenney. Her letters include references to Logan's article on "Canadian Women," her family, and her compositions.
File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.
Item is an audio cassette with a recording of a recording of a performance by the Hemispheres Ensemble at the Music Gallery in Toronto, Ontario. The container label lists the songs performed: "The Dice are Loaded" - Peter Hatch, "Darkness and Grace" -Rainer Wiens, "3-D Head" -Tom Walsh, "Beyond Benghazi" -Paul Cram, and from the Nutcracker Suite "Arabesque Cookie", "Chinoiserie", and "Dance of the Floreadores" -Ellington/Strayhorn/Tchaikovsky (1960).
Item is an audio cassette with a recording of the concert work "Fortress America" composed by Paul Cram and performed by the Hemispheres Ensemble at a concert in the Great Hall of the Music Gallery in Toronto, Ontario.
Item is an audio cassette with a recording of the Upstream Ensemble performing at Gallery 101. The container label lists Jeff- "Sunrise", Bob- "Valse Triste", Tittle- "Available Light", Naylor- "Nocturne", Moore, and Cram- "Immortal". The inside of the container label notes Clifford Ford- "Halifax Songs".
Item is an audio cassette with a recording of the work "Beyond Benghazi" (copyright 1989) performed by the Hemispheres Ensemble at the Music Gallery in Toronto, Ontario.
File contains photographs of the Nova Scotia Mass Choir performing at Glenn Gould Studio in Toronto, Ontario.
Photographs feature Sue Taylor, Linda Carvery, Tim Edmonds, Joe Colley, Tim Dunn, John Dalton, musical director Woody Woods, Viki Samuels, and other choir members.
File contains documents related to the Nova Scotia Mass Choir in 2000.
Documents include programs, pamphlets, and newspaper clippings related to the East Coast Music Association awards, Musique Royale concerts, Le Festival de musique sacrée de Saint-Roch, boarding the South African ship, SAS Drakensburg, Nova Scotia Music Week, Onstage at Glenn Gould Studio, the African Nova Scotian Music Association awards, and WinterTide Festival.
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.
Series contains audio recordings of musical performances featuring Stephen Pedersen's compositions and/or his performances on flute and piccolo. Series includes recordings of Pedersen's solo performances and performances by musical ensembles including Scotia Wind and the Halifax Woodwind Quintet. Most recordings are on audio reels; series includes two audio cassettes of a radio play featuring Pedersen's music. Recordings include several made for radio or television broadcast.
