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New York (State) Music
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Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Selections from Syracuse Liederkranz, 108th anniversary concert

File is a vinyl audio disc with recordings of the Syracuse Liederkranz 108th anniversary concert on May 16th, 1963.

"Featuring the Liederkranz Mens's and Women's Choruses in music from the lyric stage of Germany. Paul H. Dieke, director; Carol Ann Crumrine and David S. Bowman, accompanists. Guest artists courtesy of the Canadian Opera Co., Sheila Piercey, soprano; Thomas Clerke, tenor; Alexander Gray, baritone; member soloists: Lorraine Bluhm, soprano; Lorraine Caruso, soprano; Conrad Hess, tenor."--sleeve.

Correspondence sent to John Daniel Logan

File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.

Correspondence from Marian MacDowell

File contains three letters from Marian MacDowell to John Daniel Logan. The letters concern her husband's death and work (the American composer and pianist Edward MacDowell) and Logan's poetry. The file also includes a compilation of press notices about a series of lectures that Marian MacDowell gave in 1910 on Edward MacDowell's music.

Correspondence from Kathleen Parlow

File contains two letters from the Canadian violinist Kathleen Parlow concerning reviews of her performances by John Daniel Logan and Logan's poetry. One of the letters (dated April 19, 1912), mentions the sinking of the Titanic in passing. One of the letters originally contained two photographs of Parlow, one for the press and one for Logan.

Parlow, Kathleen

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Daniel G. Mason

File contains a letter from Daniel G. Mason of Columbia University concerning a poem that John Daniel Logan submitted for publication in the "New Music Review." The file includes the copy of the poem that Logan submitted, which is on the work of the composer Lowell Mason (1792-1872), Daniel G. Mason's grandfather. The file also includes a manuscript copy of a poem, possibly by Jean Grey, dated June 15, 1913.

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.

Correspondence from Clarence Lucas

File contains five letters from the Canadian composer Clarence Lucas of the Musical Courier Company concerning his and John Daniel Logan's respective writing, music, and research on Canadian music. Two of the letters thank Logan for sending Lucas poems, and one letter mentions their mutual acquaintance W.O. Forsyth.

Lucas, Clarence

Fortress America

Item is an audio cassette with a recording of the concert work "Fortress America" composed by Paul Cram and performed by the Manhattan New Music Project at the Great Hall, Cooper Union in New York, New York,

My love she walks not with me : [manuscript]

File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.

Music notebook

File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.
If love were all : [sheet music]

If love were all : [sheet music]

Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."

The willows are new (after Wang Wei's Yang Kuan) : piano solo

Item is a photostat copy of Chou Wen-Chung's composition, based on "Yang Kuan," a composition for ch'in attributed to Wang Wei (689-759). The work for solo piano was sent to Ellen Ballon by the New York publishers, C.F. Peters, with an accompanying letter that indicated that the composition was undergoing publication.

Chou Wen-Chung

Novellette : etude in seconds : op. 22, no. 1

Novellette : etude in seconds : op. 22, no. 1

File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.

Jonàs, Alberto

Konzert etüde, op. 22 no. 1

Konzert etüde, op. 22 no. 1

Item is the original score inscribed to Ellen Ballon by Alberto Jonas. Ballon was one of Jonás' students in New York from c. 1916 until 1925.

Jonàs, Alberto

Etude de concert, Op. 1, no. 1

Etude de concert, Op. 1, no. 1

Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.

Joseffy, Rafael

Csárdás no. 2

Csárdás no. 2

Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.

Joseffy, Rafael

Bachianas Brasilieras no. 3 : [conductor's score]

Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.

Villa-Lobos, Heitor

Achtamar

Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).

Hovhaness, Alan

Dark hills

Item contains a composition for piano inspired by Edwin Arlington Robinson's poem "The Dark Hills."

Sea rhapsody

Item contains a composition for piano inspired by Walt Whitman's poem, "Songs for All Seas, All Ships."

Guia prático : [for piano]

File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.

Villa-Lobos, Heitor

In the rushes, Op. 12, no. 3

In the rushes, Op. 12, no. 3

Item contains the third piece in Rubin Goldmark's composition "In the Forest: Four Piano Compositions." This piece is dedicated to Paolo Gallico.
Weeping willows, Op. 12, no. 2

Weeping willows, Op. 12, no. 2

Item contains the second piece in Rubin Goldmark's composition "In the Forest: Four Piano Compositions." This piece is dedicated to Paolo Gallico.
Soughing pines, Op. 12, no. 4

Soughing pines, Op. 12, no. 4

Item contains the fourth piece in Rubin Goldmark's composition "In the Forest: Four Piano Compositions." This piece is dedicated to Paolo Gallico.

In the forest : four piano compositions, Op. 12

File contains copies of each of the four compositions: "Titania's Waltz"'; "Weeping Willows"; "In the Rushes"; and "Soughing Pines." The work was dedicated to Paolo Gallico (1868–1955). Each piece bears an inscription to Ellen Ballon, Goldmark's student in 1909. The pieces were published by the Oliver Ditson Company in Boston in 1908.

Goldmark, Rubin

Titania's waltz, Op. 12, no. 1

Titania's waltz, Op. 12, no. 1

Item contains the first piece in Rubin Goldmark's composition "In the Forest: Four Piano Compositions." This piece is dedicated to Paolo Gallico.

Harmony workbooks

File contains eleven harmony workbooks used by Ellen Ballon, including notes and exercises. Two books are labelled "Mr. Goldmark Harmony Book," in reference to her harmony teacher in New York, Rubin Goldmark. Another book includes an inserted repertoire list of piano compositions, composers, and times, presumably related to her piano lessons with Rafael Joseffy.
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