File contains records from an Upstream performance that included compositions by Bob Bauer, Jeff Reilly, Steven Naylor, Steve Tittle, and Sandy Moore. The date of the concert is not identified.
File includes contact information for members of the Upstream Music Association: Bob Bauer, Mark Bursey, Paul Cram, Laura Hoffman, Mike LaLeune, Don Lawrence, Steven Naylor, Jeff Reilly, Ken Rozee, Suzanne Saul, Steve Tittle, and Paul E. Vandall, Jr.
File contains biographies and CVs for the following musicians who performed with, or were part of, the Upstream Ensemble: Karen Young, Bob (Robert) Bauer, Jeff Reilly, Paul Cram, Don (Donald Charles) Palmer, Steven Naylor, Sandy Moore, Tom Roach, Norman Adams, Steve Tittle, and Jerry Granelli.
Fonds contains the administrative, performance, and recording records of the Upstream Music Association; its ensemble, Upstream Ensemble or Orchestra; and its recording label, Undercurrent Recordings.
Subseries contains all scores found within the Upstream Music Association fonds, including compositions by Upstream musicians, commissioned works, and scores used in recording sessions, workshops, and performances.
Series reflects the various music-making activities of Upstream Ensemble and Upstream Orchestra, specifically those relating to performing, composing, and improvising. Records include those from the musicians’ concerts, tours, workshops, and the Open Waters Festival.
Item is a publicity poster for Upstream featuring a photograph of the ensemble: Paul Cram, Sandy Moore, Bob Bauer, Steve Tittle, Tom Roach, Don Palmer, Steven Naylor and Jeff Reilly. The poster also features a prominent graphic of an ear and a logo for Paiste 2000, a cymbal line.
File includes draft programs, ticket stubs, budgets, speaking notes about each composition, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File also contains correspondence with the Nova Scotia Department of the Attorney General regarding the Appoint of Agent; revisions to the Associations' memorandum and by-laws; a copy of the board meeting minutes from February 12, 1992; and a copy of the 1991-1992 season brochure for the Upstream Ensemble.
File includes minutes of Artistic Directors meetings; Board meetings; budgets and project descriptions by performance season; a copy of the Memorandum of Association and By-Laws of Upstream Music Association; an Upstream mailing list; and copies of grant applications. These documents were likely used by Jeff Reilly during his term as Artistic Director for the association, given the various annotations on the records.
Subseries contains correspondence, budgets, and supporting documents for grant applications. The Upstream Music Association applied to these grants to help cover the operational costs of the association, concert seasons, workshops, tours, visiting artists, and commissions from composers. Granting agencies include the Canada Council for the Arts; Nova Scotia Department of Tourism and Culture; Canadian Department of Communications; Nova Scotia Department of Economic Development; Nova Scotia Arts Council; and SOCAN (Society of Composers, Authors and Music Publishers of Canada).
Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.
File includes a media release; program; digital tape cue sheet; notes on musician's contracts and publicity; notes on the concert budget; ticket stubs; draft poster; and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
Item is a copy of Naylor's composition for flute, saxophone, clarinet, bass clarinet, vibraphone, electric guitar, piano, and percussion. The composition is dedicated to Earle Hagen
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"
Series contains materials relating to the responsibilities of the Board of Directors and the management of the organization. The Board of Directors includes the chairperson, artistic directors, secretary, and treasurer of the Upstream Music Association (UMA).
Subseries contains minutes of board meetings, budgets, correspondence, receipts, and tax documents from the executive of the Upstream Music Association, including the Board of Directors and Artistic Directors. These records are not always separated; some files include two or more types of records, while others contain only minutes, or only receipts. Occasionally, files from the Artistic Directors also include information about concerts and season planning (e.g., repertoire of concerts, dates, and venues).
File includes biographies for some of the Upstream Ensemble musicians (Robert Bauer, Jerry Granelli, Sandy Moore, Donald Charles Palmer); a letter sent from Ken Aucoin, Performing Arts Consultant, to Ted Bairstowe, Head of the Performing Arts, Nova Scotia Department of Tourism and Culture, concerning funding for Upstream's first season; and a pamphlet for concerts at Saint Mary's University Art Gallery, including Upstream on May 13, 1990.
File includes draft programs, press releases, diagram of stage set-up and effects mix, speaking notes about each composition, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Tom Roach, Paul Cram, and Bob Bauer).
Item is a copy of the performance instructions for an improvised composition with sixteen possible sets, each defined by four words, that are performed in any order.