Archives Catalogue

Open waters / Upstream : a new music collective : [poster]

MS-5-16, OS Folder 25, Item 12
Item
2015

Part of Upstream Music Association fonds

Item is a poster advertising Upstream's recording Open Waters, which was released on compact disc and cassette on November 4, 2015.

Paul Cram's CONVOY HFX : [poster]

MS-5-16, OS Folder 25, Item 14
Item
2006

Part of Upstream Music Association fonds

Item is a poster advertising a concert held at Alderney Landing Theatre on Monday, October 30, 2006. It was presented in association with Eastern Front Theatre and the Canadian Music Centre's New Music in New Places initiative on the set of Michael Melski's play Corvette Crossing.

My 20th century multimedia concert : music/video/theatre : [poster]

MS-5-16, OS Folder 25, Item 16
Item
2009

Part of Upstream Music Association fonds

Item is a poster for a Bradyworks ensemble concert featuring Tim Brady (music and texts), Stephané Zarov (stage direction), and Martin Messier and Oana Suteu (video). The concert was held in the CBC Radio Room on Thursday, October 22, 2009, one of nine concerts in a Canadian tour.

Upstream Music season finale! : [poster]

MS-5-16, OS Folder 25, Item 18
Item
1992

Part of Upstream Music Association fonds

Item is a poster for Upstream Music's seasonal finale concert, presented by Dalhousie University Music Department and CKDU 97.5 FM, on Wednesday, April 8, 1992 at the Sir James Dunn Theatre.

Winter summit : a Love Upstream featuring Lori Freedman

MS-5-16, OS Folder 25, Item 16
Item
2009

Part of Upstream Music Association fonds

Item is a poster for a concert and workshop presented by Upstream Music and held at the Sir James Dunn Theatre on January 9 and 10, 2009.

Winter summit : 21st century music concerts : [poster]

MS-5-16, OS Folder 25, Item 13
Item
2010

Part of Upstream Music Association fonds

Item is a poster advertising Upstream Music Association's series of winter concerts, which include: "New Music for a New Year," with Symphony Nova Scotia under the direction of Bernhard Gueller; "Halifax Calling!", with the Temporal Follies, featuring Janice Jackson, suddenlyListen Trio & Upstream 6.0; and "Away all Boats!!", with Geordie Haley, Motion Ensemble (NB) and Forum Improvisation Ensemble.

Fred Frith & friends : where rock and new music meet : [poster]

MS-5-16, OS Folder 25, Item 15
Item
2007

Part of Upstream Music Association fonds

Item is a poster advertising three concerts featuring Fred Frith at Upstream Music's 2007 Sonic Courage International Festival.

Upstream : [poster]

MS-5-16, OS Folder 25, Item 20
Item
1990

Part of Upstream Music Association fonds

Item is a poster for an Upstream Ensemble concert at Saint Mary's University Art Gallery on Sunday, May 13, 1990.

Upstream : [poster]

MS-5-16, OS Folder 25, Item 19
Item
1990

Part of Upstream Music Association fonds

Item is a poster for an Upstream Music Ensemble concert at Saint Mary's University Art Gallery on Sunday, September 23, 1990.

Upstream Ensemble poster

MS-5-16, OS Folder 25, Item 4
Item
[ca. 1990s]

Part of Upstream Music Association fonds

Item is a publicity poster for Upstream featuring a photograph of the ensemble: Paul Cram, Sandy Moore, Bob Bauer, Steve Tittle, Tom Roach, Don Palmer, Steven Naylor and Jeff Reilly. The poster also features a prominent graphic of an ear and a logo for Paiste 2000, a cymbal line.

The Upstream ensemble in concert with special guest Conrado Del Rosaria : [poster]

MS-5-16, OS Folder 25, Item 7
Item
1995

Part of Upstream Music Association fonds

Item is a poster advertising a concert held at Saint Mary's University Art Gallery.

The song project : a Love Upstream featuring Erin Costelo : [poster]

MS-5-16, OS Folder 25, Item 9
Item
2008

Part of Upstream Music Association fonds

Item is a poster for concerts held November 14 & 15, 2008 at 1313 Hollis Street, the first of which included an artist talk and the second an interactive performance.

Saint Mary's University Arts Gallery presents : Upstream : [poster]

MS-5-16, OS Folder 25, Item 1
Item
1991

Part of Upstream Music Association fonds

Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.

Upstream : October Summit : [poster]

MS-5-16, OS Folder 25, Item 2
Item
1994

Part of Upstream Music Association fonds

Item is a poster for an Upstream concert at Sir James Dunn Theatre on Sunday, October 23, 1994, featuring the Upstream Ensemble, members of Symphony Nova Scotia, and special guests Jamie Gatti and Jim Faraday.

Upstream Music Association presents : Tightening the traces : [poster]

MS-5-16, OS Folder 25, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a poster advertising a concert featuring Upstream Ensemble held at Denton Hall, Acadia University on December 1, 2001 and again at Saint Mary's University Art Gallery on December 2, 2001.

Upstream live in concert [at] Faculty des Beaux Arts, University of Moncton : [poster]

MS-5-16, OS Folder 25, Item 3
Item
[ca. 1990]

Part of Upstream Music Association fonds

Item is a poster advertising an Upstream concert at the Faculty des Beaux Arts, University of Moncton, sponsored by Canada Council for the Arts, Nova Scotia Arts Council, Saint Mary's University Art Gallery and Dalhousie University Department of Music.

Upstream Music presents spring fever weekend : [poster]

MS-5-16, OS Folder 25, Item 6
Item
[ca. 2005]

Part of Upstream Music Association fonds

Item is an undated poster for a JazzEast all-ages concert featuring the Pierre Labbe Ensemble, Upstream Orchestra with the Pierre Labbe Ensemble, and The Guerilla Orchestra with Harris Eisenstadt.

The Upstream ensemble in concert with special Japanese guests Akikazu Nakamura and Michiyo Yagi : [poster]

MS-5-16, OS Folder 25, Item 8
Item
1993

Part of Upstream Music Association fonds

Item is a poster advertising a concert held at Saint Mary's University Art Gallery.

Ugly Beauties, featuring Matt Brubeck, Nick Fraser and Marilyn Lerner : [poster]

MS-5-16, OS Folder 25, Item 10
Item
2009

Part of Upstream Music Association fonds

Item is poster advertising an Upstream Music concert held on May 15 and 16, 2009 at 1313 Hollis Street, as well as a workshop held Saturday, May 16, 2009.

Open Waters festival of new and improvised music : [poster]

MS-5-16, OS Folder 25, Item 11
Item
[1998 or 1999]

Part of Upstream Music Association fonds

Item is a poster advertising the Open Waters Festival, held at the Maritime Conservatory of Performing Arts on November 1, 3, 6 & 7, 1998 or 1999.

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 24, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. The score was used by the drummer in the premiere performance.

Guy, Barry

Nasca lines : part 6 : drums

MS-5-16, Oversize Folder 24, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is the drum part for part 6 of Nasca Lines used in the premiere performance. This part is entirely improvised with some basic directives from the composer, e.g. "more fragmented."

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 24, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation, used by the drummer in the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

MS-5-16, Oversize Folder 24, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is the graphic notation score used by the rhythm section for part 3 of Nasca Lines. The score was used by the drummer for the premiere performance. As the drums are tacet for the first page, this page is not included.

Guy, Barry

Nasca lines : part 4 : drums

MS-5-16, Oversize Folder 24, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Drums / Part 4 / Tacet" written in black marker.

Guy, Barry

Nasca lines : parts 2 and 3 : drums

MS-5-16, Oversize Folder 24, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Drums / Part 2 - Tacet / Part 3/pg. 1 - Tacet" written in black marker.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 24, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 23, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. This score was used by the electric bassist in the premiere performance.

Guy, Barry

Nasca lines : part 6 : electric bass

MS-5-16, Oversize Folder 23, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is the electric bass part for part 6 of Nasca Lines used in the premiere performance. This part is entirely improvised with some basic directives from the composer, e.g. "pitch free" and "more fragmented."

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 23, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation, used by the electric bassist in the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : parts 3, 3A, and 4 : electric bass

MS-5-16, Oversize Folder 23, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Electric Bass / Part 3 - Tacet / Part 3A - Tacet / Part 4 - Tacet" written in black marker.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 23, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation. This score was used by the electric bass player in the premiere performance.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 23, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 23, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 6 : bass clarinet in B-flat

MS-5-16, Oversize Folder 22, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the bass clarinet part for part 6 of Nasca Lines in standard notation. This part combines composed sections with freely-improvised sections.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 22, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 22, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts. This score was used by Jeff Reilly for the premiere performance.

Guy, Barry

Nasca lines : part 4 : bass clarinet in B-flat

MS-5-16, Oversize Folder 22, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last two pages of the full score of part 4 in graphic notation.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 22, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 22, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 22, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 22, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 6 : baritone saxophone in E-flat

MS-5-16, Oversize Folder 21, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 6 of Nasca Lines in standard notation. The majority of this part is improvised with basic directives from the composer, e.g. "more fragmented" or "pitch free."

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 21, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 21, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : baritone saxophone in E-flat

MS-5-16, Oversize Folder 21, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last page of the full score of part 4, which has graphic notation.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 21, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 21, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 21, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 21, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Narrow your results by:

Part of

Name

Place

Subject

Genre

Media Type

Showing 209 results