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Visual artists
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Photographs of an exhibition on abortion

FIle contains 31 photographic slides of an exhibition on abortion at the Centre for Art Tapes' Alexandra Centre location in 1993. The exhibition featured wall-mounted newspaper clippings about abortion.

Steve Walker's art for Wayves Magazine

File contains two copies of a pamphlet containing information about the visual artist Steve Walker, whose work features romantic images of gay men; one poster featuring images of Walker's art; and one page of accompanying correspondence.
On the periphery

On the periphery

Item is a poster for a public performance art series presented by Eyelevel Gallery from October 1-3, 2005. This performance art series showcases Canadian artists exploring voyeurism, surveillance, critical action, entertainment and subtle intervention, and the participating artists question nature and our use of public urban spaces. The event includes performances by the Halifax Scavenger Society (Dennis Hale, Adam Kelly, Dustin Pritchard and Will Robinson), Andrew Forster, Diane Borsato and Eleanor King.
Where have all the radicals gone? / by Tanya Mars

Where have all the radicals gone? / by Tanya Mars

Item is a poster for the public lecture by Tanya Mars as part of Eyelevel's lecture and exhibition series held on May 22, 2009, at the Nova Scotia College of Art and Design Bell Auditorium. Tanya Mars is a feminist performance and video artist who has been involved in the Canadian art scene since 1973.

Photographs of 20th Century Student

File contains four photographs taken by Peter Dykhuis of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Photograph of 20th Century Student sculpture

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Photograph of 20th Century Student sculpture

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Photograph of 20th Century Student sculpture

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Photograph of 20th Century Student sculpture

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

The Impossible Museum fonds

  • Fonds
  • 2018-2020

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

Wilson, D'Arcy

Photographs of artwork of Mary Celeste

File includes photographs of artwork of the Mary Celeste by Rudolph Ruzicka, Leslie Victor Smith, and John Worsley; a painting of the Amazon ship; and models of the Mary Celeste held at the Atlantic Companies, Mariners Museum, and Mystic Museum.

Catherine Creighton and family fonds

  • MS-2-656
  • Fonds
  • [18--]-1989

Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.

The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.

Creighton Family

Photographs of Tom Sherman and John Orentlicher

File contains photographs of Tom Sherman and John Orentlicher. File includes two photographs of a person sitting on a couch watching television and two photographs of three men standing in a gallery looking at two televisions mounted on the wall.
Minutes of a meeting of the Eye Level Gallery Board of Directors

Minutes of a meeting of the Eye Level Gallery Board of Directors

Item is a typed set of minutes from a meeting the Eye Level Gallery Board of Directors held on January 30, 1975. Members present included John Greer, Karl MacKeeman, Hatti Prentiss, Joyce Hanson, Julia Healy and Roger Savage. The meeting was mainly regarding future exhibition work at the gallery space. Michael Fernandes' show was discussed in terms that the artist would account for the $150 advertising and opening fee. Board members should also have the possibility of having an exhibition at the Eye Level when they are a member of the Board. The members voted on seven potential shows to have at the gallery, which included shows by Jeanne Arsenault, Karl McKeeman, Ken Curran, Ron Shuebrook, and Roger Savage. It was decided that a letter was to be sent to Mary Kenny requesting her to fulfil her obligations as a board member, a later decision would be made regarding her resignation.
Agenda for a members meeting

Agenda for a members meeting

Item consists of an agenda for a general members meeting. Topics listed for discussion are: the gallery's progress, grant applications, Parallel Gallery meeting in Ottawa, summer closure of the gallery, event proposals and volunteers.
Agenda and minutes from a Board of Directors meeting held on September 6, 1983

Agenda and minutes from a Board of Directors meeting held on September 6, 1983

Item consists of an agenda and minutes from a Board of Directors of Eye Level Gallery meeting. Members present included David Craig, John Murchie, John Greer, Gary Conway, Michael Fernandes, Brian Paul, Stephen Horne and Marina Stewart. Topics discussed at the meeting consisted of exhibiting student artwork, financial reports, gallery methods and procedures, and programming. Item also includes a handwritten copy of the meeting minutes.
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