Item is an audio recording of CBC radio regarding the opera "Le Rossignol/The Nightingale" that Sheila Piercey (title role) performed in 1957, followed by a recording on April 8, 1994, of Sheila talking about the early days of her music career as well as her personal life. The recording is on side B of audio cassette.
Item is an audio recording of CBC radio regarding the opera "Le Rossignol/The Nightingale " that Sheila Piercey (title role) performed in 1957, followed by a recording on April 8, 1994, of Sheila talking about the early days of her music career as well as her personal life. The recording is on side A of audio cassette.
Item is an audio recording of Sheila Piercey practice sessions. The recording is on side A of audio cassette. Labelled: (0-50) November 15, 1979 Studio at Dalhousie. Practice session for Dr. Kempt's Xmas wreaths concert. December 6. St Paul's room not sound proof - so much noise around me(Sheila) affecting my ear.
Item is an audio recording of Sheila Piercey practice sessions. The recording is on side B of audio cassette. Labelled: (0-20) Nov 16/79 practice (20-100) Dec 1/79 1st practice on Dr. Kemp's Xmas wreaths - at St Paul's
Item is an audio recording by Sheila Piercey in 1981. The first part of the recording is an MPBN radio recording of "Vanessa," an American opera produced by Samuel Barber, aired on September 21, 1981. The second part of the recording (13:22) is Sheila Piercey's practice session with mum and nanny. Handwritten notes on the label inserted in the cassette case read: "concert for Nanny Mack and Agnes, mum playing piano, “Alleluia" Mozart, O mio babbino/Jewel Song. Nanny died five months later." The recording is on side A of audio cassette.
Item is an audio recording of Sheila Piercey's rehearsal sessions. Handwritten notes on the label inserted in the cassette case read: "Dec 12/1983: Star Candles and Holy Boy - Melva Graham and Sheila Piercey rehearsal for UCW candlelight service at Bethany United Church, Rehearsal Jan 22/1984: solo "Cry in the Wilderness" (mum taping)." The recording is on side B of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey rehearsing for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito in October 1993 and for the CBC radio play "Road to Rankin's Point " in October 1998.
Item is an audio recording of Sheila Piercey's rehearsal session: The first part of the recording is a rehearsal with Helen Murray for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito. The second part of the recording (22:42) is a rehearsal for a CBC radio play called "Road to Rankin's Point" in October 1998. The recording is on side A of the audio cassette and continues on side B.
Item is an audio recording of Sheila Piercey's practice session for "Oh quante volte" composed by Vincenzo Bellini. The recording is on side A of audio cassette.
Item is an audio recording of Sheila Piercey's practice session for "O sleep, why dost thou leave me?" and other songs. The label reads: Practice on March 9, 2002 for MATS recital, Practice on March 17: body not in shape, 68 years old (no sleep). The recording is on side B of audio cassette.
File is an audio recording by Sheila Piercey (undated) with handwritten notes on the label inserted in the case that reads: John Arab and Sheila Piercey, Traviata, CBC, John Arab: Where'er you walk (by Handel), Now Joined by God. The recording is on side A of audio cassette. Side B is blank.
Item is a reel-to-reel recording of John Arab and Sheila Piercey singing "Oh adorable angel" - La Boheme at Sunday Morning Serenade on CHNS FM radio station in Halifax on February 18, 1962.
Item is a reel-to-reel recording of John Arab (baritone) and Sheila Piercey (soprano) singing at CHNS Solitude radio broadcast on February 18, 1962. Handwritten notes on the reel box read: featuring Ray Calder at Hammond Organ 1. Serenade - Ray 2. John : The World Is Mine Tonight 3. Ray : Romance 4. Sheila : "Getting to Know You" from the King and I (#165 on tape) 5. Ray : Persuaisan Waltz C.O.C. The Capital Theatre, Le Boheme February 19, 1962
Item is a reel-to-reel recording of "The Student Prince" produced by The Rotary Club of Sydney, Cape Breton. Sheila Piercey performed the role of Kathie(niece of Ruder).
Item is a reel-to-reel recording of a Sunday recital by Sheila Piercey on CBC Live. Handwritten notes on the label inserted in the box read: Pianist, Gorden McPhearson Michaela's aria - Carmen Nell - Fauré Air de Lia - Debussy Compositions by Norman Peterkin: A)The Tide Rises, The Tide Falls B) Sleep, White Love Turina, Spanish composer - 4 songs 25 years old (Sheila Piercey)
File contains one audio reel containing sound recordings of CKWM-FM radio broadcast for "Carousel" (musical) presented at the Acadia Summer Playhouse at Acadia University, aired on July 17, 1969, and recorded by Sheila Piercey. Typed notes on the label inserted in the case read: Acadia Summer Playhouse production of Carousel, week of July 15-19, 1969 Aired on CKWM-FM, Kentville, Thursday July 17, 8:15-11:30 P.M. Commentator - Loran Fevens Technical production - Willard Bishop Assisted by Diana Bishop and Robert Bishop Dub of master tape - air check recorded on Ampex 1021 at speed of 7.5 ips. This tape speed is 3.75 ips. Recorded half track stereo
Item is a reel-to-reel recording of CKWM-FM radio broadcast for "Carousel" (musical) presented at the Acadia Summer Playhouse at Acadia University, which aired on July 17, 1969. The recording is part 1 of 2.
Item is a reel-to-reel recording of CKWM-FM radio broadcast for "Carousel" (musical) presented at the Acadia Summer Playhouse at Acadia University, which aired on July 17, 1969. The recording is part 2 of 2.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
File contains an original handwritten score for Paul Cram's "Wrapped Around Eternity," written for concert saxophone, synthesizer, pipes, bass, and drums. There is also an original handwritten score for "Jazz in the Zebra Zone," for four instruments.
File includes a poster for an Open Waters festival featuring the Paul Cram Trio; two posters for Paul Cram, Lyle Ellis and Gregg Simpson at the Music Gallery; a poster for Benghazi Sax Redux; and a poster for the Paul Cram Trio.
File contains original handwritten scores for Paul Cram's "Hammer and Tongs," written for two altos, bass and drums, and "Down to Earth," written for soprano, tenor and bass.
File contains an annotated one-page score for "Halifax—i," written for clarinet, bass clarinet, soprano sax, baritone sax, trumpet in Bb, drums, guitar, piano, violin and bass, and a transposed score for "Halifax—iii." There are also Bb parts for "Halifax—ii", "Halifax iv," and "Halifax v,"; and a drum part for "Halifax—ii."
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, flute, clarinet, violin 1 & 2, viola, cello, bass, timpani, guitar, piano, bass, drums.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.
