Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Sir Sampson Legend. The sketch shows one male figure wearing the costume. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Tattle. The sketch shows one male figure wearing the costume and holding a walking stick. The sketch is cut out and mounted on a dark orange matboard.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Angelica. The sketch shows one female figure wearing the costume. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Valentine. The sketch shows one male figure wearing the costume. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Trapland. The sketch shows one male figure wearing the costume and holding a walking stick. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Ben. The sketch shows one male figure with a beard wearing the costume and leaning on a ledge. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character called "The Fly" and the sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character called "The Fly" and the sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Captain Hannibal Jackson and the sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named the "Reverend" Jimmy Dexter and the sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Bill Cracker and the sketch shows one male figure wearing the costume and holding a hat. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Brother Ben and the sketch shows one male figure wearing the costume and holding a book. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Baby Face and the sketch shows one male figure wearing the costume and holding brass knuckles. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Major Stone and the sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Sam, dressed as a woman. The sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Sam to wear in Act I. The sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character called the Professor and the sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Nakamura to wear in Act I. The sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Miriam to wear in Act I. The sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for two characters named Sister Mary and Sister Jane. The sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Lillian Holiday in undress. The sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Lillian Holiday and the sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character called "The Fly, dressed as a newsboy. The sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character called the Conjure Woman and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character called the White Witch and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character called the Dark Witch and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The design is for three witch headdresses and the sketch shows three female figures from the shoulders up wearing them.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character named Barbara Allan and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character called the Conjure Man and the sketch shows one male figure wearing the costume and holding a staff.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a witch boy selkie and the sketch shows one male figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for Witch #3 and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for Witch #1 and the sketch shows one female figure wearing the costume.
File contains a tourism booklet for Green Gables at the Prince Edward Island National Park. The booklet contains photographs of the interior and exterior of Green Gables, as well as the surrounding area. The booklet is research material for a production of Anne of Green Gables.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
File contains a folder of pamphlets from the Bermuda Department of Tourism, a bulletin of the Canadian Federation for the Humanities, a sabbatical leave and research grants information brochure, a folder of information about a course in writing for children and teenagers from the Institute of Children's Literature, and photocopies of information about historical hats.
File contains seven brochures from the Government of Canada about clothing labels and sizing; the Fall 1978 issue of "Theatre Design & Technology" from the United States Institute for Theatre Technology; and a catalogue and a folder of promotional material from E. R. A. Display Co. Ltd.
File contains posters for the "1864" Historical Costume Showcase, a letter about the 1864 Costume Workshop, a schedule for Charlottetown Heritage and History Day, a paper called "Re-creating our Heritage: A paper, presented to the Charlottetown Confederation Players on the merits of recreating an image of the island historical heritage," other correspondence with the Charlottetown Confederation Players and the Historical Costume Initiative, correspondence with the Capital Commission, several fabric samples, and photocopies of a notebook with notes about the construction of various objects (possibly set pieces). The file also contains documents related to Doyle's participation in the Citizen Ambassador Program Theatre Education Delegation to the People's Republic of China, including an application for life and disability insurance and information about a short term travel grant from the Canada Council.
File contains documents related to the Louisbourg costuming program, such as instructions on how to make stockings and other items, a notepad with handwritten notes, progress reports, correspondence, invoices, and telegrams. The file also includes notes for readers from the Victoria and Albert Museum Library, coorespondence from the Nova Scotia Department of Culture Recreation & Fitness about summer programs that Doyle led, information about Nova Scotia Textiles Limited, and Nova Scotia Textiles lecture notes and slide cues.
File contains documents about the 4th Annual Costume Society Symposium at Bath, other documents related to the Costume Society, a project proposal for the Dalhousie Craft Fashion Project, information about a Dalhousie Theatre Department fashion show, criteria for promotion from the University of Regina Theatre Department, information about an exhibit called "Women of Invention" at the Manitoba Museum of Man and Nature including two slides, photographs and sketches of the Salvation Army building on Cunard Street, a letter about a development on Hollis Street, a price list from Weaver's Loft, a list of contact information for various services, documents about the Louisbourg Calendar Project,
File contains some of Robert Doyle's financial documents. The documents include invoices from Robert Doyle Designs, invoices from Golder Silk-Screening, limited indenture papers between Weaver's Loft Limited and Industrial Development Bank, limited loan documents between Weaver's Loft Limited and Industrial Development Bank, mortgage documents from the Toronto-Dominion Bank, payment and expense documents from the Nova Scotia Tattoo and Targe Productions Ltd., correspondence with J. H. Longmire and Sons Real Estate and Insurance Brokers, documents from the Nova Scotia Trust Company, and receipts from the Royal Bank of Canada. The file includes contracts from Neptune Theatre, the Nova Scotia Tattoo, Theatre Plus, Upper Clements Family Theme Park, Meet the Navy, Saint John Tattoo, and Manitoba Theatre Centre. The file also includes a designing artists agreement from the Associated Designers of Canada.
File contains correspondence about the Dr. Basil Cooke Award, a lecture schedule, correspondence from students, a list of student addresses, a memorandum about the faculty academic priorities ranking process, departmental meeting agenda and minutes, student assessment of instruction forms, unit reviews and unit review responses. The file includes reference letters for Mark De Coste; Freda Larade; Gail Worobey; Beata Slesinski; and Amanda Stapells. The file also contains letters from Avery Anderson; Monique B. Moffatt; Vivien Lau; James A. W.; Alison West; Tanya Shaw; and Patsy, which are mostly letters accepting invitations to return to the program.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1987 production of The Hostage. The costume is for a character named Mulleady. The sketch shows one male figure wearing the costume. The sketch is mounted on a photocopied background, which is mounted on a dark red matboard.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1987 production of The Hostage. The costume is for a character called Kate the pianist. The sketch shows one female figure wearing the costume. The sketch is mounted on a photocopied background, which is mounted on a dark red matboard.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1987 production of The Hostage. The costume is for a character named Meg. The sketch shows one female figure wearing the costume. The sketch is mounted on a photocopied background, which is mounted on a dark red matboard.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1987 production of The Hostage. The costume is for an IRA volunteer. The sketch shows one male figure wearing the costume. The sketch is mounted on a photocopied background, which is mounted on a dark red matboard.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1987 production of The Hostage. The costume is for a character named Miss Gilchrist. The sketch shows one female figure wearing the costume. The sketch is mounted on a photocopied background, which is mounted on a dark red matboard.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for a male dancer and the sketch shows a male figure wearing the costume while dancing and holding a mask. The sketch is mounted on a dark red matboard.
