Showing 436 results

File consists of records related to the exhibition ‘Non-figurative Paintings 1961-1964 by Lawren P. Harris’, held at the Dalhousie Art Gallery in January 1965.

Records consist of a list of artworks, artist biography, and correspondence between Mirko Usmiami and Lawren P. Harris.

File consists of records related to the Nova Scotia X 15 exhibition, consisting of large paintings by fifteen Nova Scotian artists, presented at Dalhousie Art Gallery from July 30 to August 25, 1974.

Records consist of letters to the artists from staff of Dalhousie Art Gallery, insurance documents, a list and pricelists of paintings, and a newspaper clipping.

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.

File consists of records related to the Overlord Tapestries Exhibition, held at Dalhousie Art Gallery from April 9 to April 21, 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Gordon S. Way (Director, Department of Veterans Affairs), a letter from Bernard Pothier (Curator, National Museum of Canada), a memo to Erik Perth regarding the exhibition opening, insurance documents, press release, and newspaper clippings.

File consists of records related to the exhibition of Owen Fitzgerald's photographs organized and presented by Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Owen Fitzgerald and Mark Holton (Assistant Curator, Dalhousie Art Gallery), a list and pricelist of 25 photographs, and handwritten notes from Owen Fitzgerald. Records also include insurance files and a newspaper clipping.

File consists of records related to the exhibition 'Paintings by Molly and Bruno Bobak' organized by the University of New Brunswick and circulated by the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at the Dalhousie Art Gallery in December 1966.

Records consist of correspondence between Evelyn Holmes and Bruno Bobak, a review of the exhibition by Carole Fraser, a Dalhousie newsletter, biographies of the artists, a newspaper clipping, and an invitation.

File consists of records related to the exhibition 'Paintings and Drawings by Miller Brittain' held at the Dalhousie Art Gallery in February 1965.

Records consist of one newspaper clipping titled ‘Connoisseur [Daniel O’Keefe] Praises Works of Miller Brittain’; correspondence between Mirko Usmiami and Stuart Smith (Curator, Beaverbrook Art Gallery), Mrs. Paul (Celia) Toomik (Assistant to Mr. Brittain), Lawren Harris (Head, Department of Fine Arts, Mount Allison University), Miller Brittain, Dr. Charles Comfort (Director, National Gallery of Canada), and R. F. Wodehouse (Curator, War Collection, National Gallery of Canada); a loan agreement between Dalhousie Art Gallery and the National Gallery of Canada; an biography and artist statement of Miller G. Brittain; exhibition notes; a list of artworks; an invitation list; exhibition reviews; and draft press release and publicity texts.

File consists of a catalogue for the exhibition 'Paintings by Guido Molinari', organized by Dalhousie Art Gallery for circulation through the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie in 1972.

The catalogue contains a photograph of Molinari, a biography, a catalogue of works, and an artist statement.

File consists of records related to the exhibition 'Paintings - Jack Wise' presented at Dalhousie Art Gallery in November 1967 through the Atlantic Provinces Art Circuit.

Records consist of a draft press release and correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery), and Peter Bell (Curator, Art Gallery, Memorial University).

File consists of records pertaining to the exhibition 'Paintings 1965 by Jeffrey E. Poklen' presented at the Dalhousie Art Gallery in December 1965.

Records consist of a biography of Poklen, artwork price list, newspaper clipping of an exhibition announcement, correspondence between Evelyn Holmes (Acting Curator, Dalhousie art Gallery) and Poklen, and two Dalhousie University newsletters discussing Poklen's show.

File consists of records related to the exhibition 'Paintings, Drawings and Prints by Christopher Pratt' arranged and presented by Dalhousie Art Gallery in February 1966.

Records consist mainly of correspondence, including a letter from Pratt to Evelyn Holmes. Records also include newspaper clippings, receipts, a list of artworks, and an exhibition itinerary.

File consists of records related to the exhibition 'Paintings, Drawings, Sculpture by David Paton and Alex Tissington' organized by and presented at the Dalhousie Art Gallery from April 1-18, 1968. This exhibition was a part of the Know Your Artist Series.

Records consist of correspondence with Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), and Curators of other galleries in the Atlantic Provinces Art Circuit, a photocopy of a newspaper article titled 'Perspectives in Art' by Rae Perlin, two newspaper clippings promoting the exhibition, a packing list, a guest list, biographies for Paton and Tissington with handwritten notes, and a draft exhibition pamphlet.

File consists of records related to the 'People of eight seasons' exhibition, organized by the Memorial University Art Gallery and circulated by the Art Gallery of the University of Manitoba and presented at Dalhousie Art Gallery in August 1972.

Records consist mainly of correspondence amongst Ernest Smith (Director, Dalhousie Art Gallery), Professor V. Hammock (Director, The University of Manitoba Art Gallery), and Mr. Peter Bell (Curator, Memorial University Art Gallery). Additional records consist of an invoice, three copies of the article "The Lapps in Sweden"(published in August 1971), and correspondence between Barbara Leaman (Secretary, Memorial University Art Gallery) and Mrs. Alberta Mayo (Secretary, Dalhousie Art Gallery).

File consists of records related to the exhibition 'Paintings by Peter Bell' circulated by the Atlantic Provinces Art Circuit and shown at Dalhousie Art Gallery in February 1968.

Records consists of a draft exhibition pamphlet, correspondence from Evelyn Holmes to Peter Bell, and between Holmes, James Little (Curator, Confederation Art Gallery), and Ian James (Professor, Acadia University), and confirmation of receipt of artworks from Confederation Art Gallery.

File consists of three catalogues for the exhibition 'Peter Bell: The Greenhouse & After' organized and presented by Dalhousie Art Gallery in May 1972.

Catalogues contain a list of works in the exhibition, a biography of Bell, and an artist statement.

File consists of records relating to the planning and preparation of an exhibition of artworks by Phillip Sultz in October 1971, organized and presented by the Dalhousie Art Gallery.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Philip Sultz (Professor, painter), a curriculum vitae and two photographs of Sultz, a list of artworks and a newspaper clipping of a revew of Sultz's work. Many letters are handwritten.

File contains two brochures for the exhibition 'Phillip Sultz', organized and presented by the Dalhousie Art Gallery in October 1971.

Brochure contains a photograph of Sultz, biography, curriculum vitae, description of the exhibition, and catalogue of works shown.

File consists of records related to a series of exhibitions organized by the George Eastman House of Photography.

Records consist mainly of informational pamphlets about the exhibition offerings, in addition to a news release from George Eastman House regarding the exhibition 'Photographs by Mario Giacomelli' which the Dalhousie Art Gallery loaned and presented in October 1968.

File consists of records related to the Nineteenth Annual Dalhousie Student, Staff, and Alumni exhibition held at Dalhousie Art Gallery from February 6 to February 18, 1973.

Records consist of letters from Evelyn Holmes (curator, Dalhousie Art Gallery) to the judges for the photographic section of the exhibition. Records also include the list of artworks.

File consists of records related to the exhibition 'Plaskett', a collection of pastel drawings by Joseph Plaskett organized by the Art Center of the University of New Brunswick for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in May 1970.

Records consist of two condition reports and an accompanying drawing depicting areas of damage, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of other APAC member galleries .

File consists of records related to the exhibition '11 Pop artists: The New Image' organized by the Confederation Art Gallery for the Atlantic Provinces art Circuit (APAC), and sponsored by Benson & Hedges (Canada) Ltd. The exhibition was presented at Dalhousie Art Gallery in December 1968.

Records consist of an exhibition statement written by Antonio Toledo (Executive Vice-President, Benson & Hedges), a list of artworks, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, and a condition report.

Items are catalogues for a juried exhibition of printed matter from an selection of international artists, organized by the Owens Art Gallery, Mount Allison University. The exhibition was presented at Dalhousie Art Gallery in April and May 1975.

Catalogues contain images of work in the exhibition, an introduction by Christopher Youngs (Director, Owens Art Gallery), and short biographies for artists included in the show.

File consists of records related to the Printed Matter exhibition, organized by the Owens Art Gallery, Mount Allison University in Sackville, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from April 22-May 11, 1975.

Records consist of an invoice, correspondence, a newspaper clipping, condition reports, and a price list.

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

File consists of a catalogue for the exhibition 'Progress in conservation'. The exhibition was presented at Dalhousie University in May 1974.

Catalogue contains a table of contents, acknowledgements, introduction, col. and b&w photographs, list of artworks and notes, and an itinerary. The catalogue contents are divided into six sections.

File consists of records related to the Progress in Conservation Exhibition, organized by the National Conservation Research Laboratory and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in May 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and George Rogers (National Museum of Canada), newspaper clipping, floor plan, insurance documents, condition report, press release, and event calendar of the exhibition at Rothmans Art Gallery of Stratford in November 1973.

Item is a catalogue for an exhibition of quilts by Teruko Inoue, organized by the Beaverbrook art Gallery. The exhibition was presented at Dalhousie Art Gallery from November 16 to December 9, 1979.

Catalogue contains an introduction by Ian G. Lumsden (Curator, Beaverbrook Art Gallery) and a list of works.

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.

Item is a catalogue for an exhibition of prints by Karl McKeeman, presented at the Dalhousie Art Gallery from September 4-28, 1975.

Catalogue contains an excerpt from McKeeman's notebook, two images of artworks, and a list of artworks.

Item is a catalogue for an exhibition of work by Richards Jarden, organized and presented at the Dalhousie Art Gallery from March 7 to April 1, 1978.

Catalogue contains a list of works, essay by Marcia Ross Jarden, biography of Richards Jarden, and images of his works.

File consists of catalogues for an exhibition of artworks by Robert Annand, organized and presented by the Dalhousie Art Gallery from April 30 to June 2, 1974.

Catalogues consist of images of Annand's paintings, a portrait of Annand, a biography, artist statement, list of artworks in the exhibition, and a biographical sketch written by Ian Muncaster.