File contains annotated copies of the set designs and light plot for Neptune Theatre's production of "Hosanna," directed by Richard Donat and designed by Stephen Osler (set) and Leigh Ann Vardy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "The Love List," directed by Ron Ulrich and designed by Corey Mullins. Eleanor Creelman was the technical director.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Cat on a Hot Tin Roof," directed by Ron Ulrich and designed by Doug Paraschuk. Eleanor Creelman was the technical director.
File contains original set and light designs for Neptune Theatre's production of "Divinity Bash," directed by Bryden MacDonald and designed by Brock Lumsden. The designs were drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs and drawings for Neptune Theatre's production of "The Government Inspector," directed by Linda Moore and designed by Patrick Clark. The technical director for the production was Scott Miller. The designs were drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "God of Hell," directed by Richard Donat and designed by Lorenzo Savoini. Eleanor Creelman and Robbin Cheesman were the technical directors. The designs were drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Harlem Duet," directed by Alison Sealy Smith and designed by Denyse Karn. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "War Brides," directed by Anne Allan and designed by Denyse Karn. The technical director for the production was Scott Miller. The designs were drawn to the scale of 1/2" = 1'. The file includes Karn's original drawings and annotated copies.
File contains original and annotated copies of set designs for Neptune Theatre's production of "A Few Good Men," directed by Ted Dykstra and designed by Patrick Clark. Eleanor Creelman was the technical director.
File contains set designs for Neptune Theatre's production of "The Sound of Music," directed by Marcia Kash and designed by John Dinning. Eleanor Creelman was the technical director.
File contains set designs for Neptune Theatre's production of "War Brides," directed by Anne Allan and designed by Denyse Karn. The designs are drawn at a scale of 1/2" = 1'. The file includes on original drawing and other annotated copies.
File contains original and annotated copies of set designs for Neptune Theatre's production of the"For the Pleasure of Seeing Her Again," directed by Marcia Kash and designed by Michael Egad. Scott Miller was the technical director. The designs are drawn to the scales of 1/4" = 1', 1/2" = 1', and 1" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Dinner with Friends," directed by Ron Ulrich and designed by Art Penson. Brian Dawe and Brent Frison were the technical directors. The designs are drawn to a scale of 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Chicago," directed by Ron Ulrich and designed by Art Penson. Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "One for the Pot," directed by Ron Ulrich and designed by Patrick Clark. Brent Frison was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Tuesdays with Morrie," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney. Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/2" = 1'.
File contains set and prop designs for Neptune Theatre's production of "Cabaret," directed by Ron Ulrich and designed by Art Penson. The designs are drawn to the scales of 1/4" = 1', 1/2" = 1', and 1" = 1'. The file includes original drawings and annotated copies. The technical director for the production was Scott Miller.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf?," directed by Ron Ulrich and designed by Art Penson. Eleanor Creelman was the technical director.
File contains set designs for Neptune Theatre's production of "The Gospel at Colonus," directed by Linda Moore and designed by Brock Lumsden. The designs are drawn to the scale of 1/2" = 1'. The file includes original drawings and annotated copies.
File contains annotated copies of set designs for Neptune Theatre's production of "Rough Waters," directed by Richard Donat and designed by Kim Nelson. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "Death, The Musical," directed by Lina Moore and designed by Patrick Clark. The designs are drawn to the scale of 1/4" = 1'. The technical director for the production was Scott Miller.
File contains annotated copies of set and lighting designs for Neptune Theatre's production of "A Gift to Last," directed by Jean Morpurgo and designed by Michael Gianfrancesco. Eleanor Creelman was the technical director. The designs are drawn to a scale of 1/4" = 1'.
File contains set designs for Neptune Theatre's production of "Gypsy," directed by Ron Ulrich and designed by Art Penson. The file includes original drawings and colour sketches by Penson as well as annotated copies.
File contains original and annotated copies of set, prop, and lighting designs for Neptune Theatre's production of "Kilt," directed by Scott Burke and designed by Denyse Karn. Eleanor Creelman was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Wit," directed by Ron Ulrich and designed by Art Penson, with Scott Miller as the technical director. The designs were drawn to the scale of 1/2" = 1'. The file includes Penson's original drawings and annotated copies.
File contains set and prop designs for Neptune Theatre's production of "Beauty and the Beast," directed by Jean Murphy and designed by Patrick Clark. The file includes Clark's original drawings and annotated copies.
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "What the Butler Saw," directed by Bryden MacDonald and designed by Patrick Clark (set) and Leigh Ann Vardy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains set designs for Neptune Theatre's production of "Three in the Back, Two in the Head," directed by Daryl Cloran and designed by Lorenzo Savoini. The designs were drawn to the scale of 1/2" = 1'.
File contains annotated copies of set and lighting designs for Neptune Theatre's production of "The Syringa Tree," directed by Ron Ulrich and designed by Corey Mullins. Robbin Cheesman and Eleanor Creelman were the technical directors.
File contains set designs for Neptune Theatre's production of "War Brides," directed by Anne Allan and designed by Denyse Karn with Scott Miller as the technical director. The file includes original drawings and annotated copies. The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "The Best Little Whorehouse in Texas," directed by Ron Ulrich and designed by Art Penson. Brent Frison was the technical director. The designs were drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Jean Morpurgo and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Sandy's bedroom in act I, scene IV. The sketch shows a bed with a heart-shaped headboard and a canopy. There are additional sketches and notes on the back of the sketch.
Item is a set design sketch for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High sign. The sign reads "Rydell High Welcomes Class of '59." The lettering on the sign is printed while the rest of the design is executed with pen and markers.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for outside the gym at Rydell High in act I, scene II. The sketch shows a large door with steps in front of it and a sign that says "GYM." There are notes about the design on the front and back of the sketch.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.
Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."
Item is a program from an exhibit called "Design is a Six Letter Word: Works of Robert Doyle." The exhibit ran from March 25th 1988 to June 26th 1988 at the Dalhousie Art Gallery. The program features a black and white reproduction of a set design painted by Robert Doyle.
Item is a watercolour sketch of a set design for Dalhousie Theatre's 1989 production of little Mary Sunshine. The sketch shows the entire stage design, with a teepee, a cabin, several pine trees, and a sign reading "Colorado Inn."
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
