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Poetry
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Fathom : creative writing journal

  • MS-1-Ref
  • Series
  • 1981-1999
Series consists of duplicate issues of Fathom, a creative writing journal published by the Dalhousie University Department of English.

Dalhousie University. Faculty of Arts and Social Sciences. Department of English

Terry Ryan fonds

  • MS-2-579
  • Fonds
  • 1982-1987, 1992-1998
Fonds consists primarily of documents related to the production of the movie Bayo, an adaptation of the book Lightly, by Chipman Hall. Materials include manuscripts, scripts, contracts, memos, correspondence, newspaper clippings, a videocassette copy of the movie, and photographs. There are also two poems written by Ryan and documents related to his development of a one-handed computer keyboard.

Ryan, Terry

Robert Keith Muir fonds

  • MS-13-65
  • Fonds
  • 1982-1998
Fonds consists of poetry written by Dr. Muir, articles, correspondence, manuscripts, and a book of poetry.

Muir, Robert Keith

Bourbon Street Poetry Society (BSPS) administrative records

Series contains documentation pertaining to the administration of the Bourbon Street Poetry Society, including business cards/letterheads, biographical information, certificates of incorporation, memorandum of association, letters of resignation, resumes, general meetings minutes and motions, and financial final reports.

BSPS literary journals

Series contains one copy of each journal produced by the BSPS, which began with its first issue as the Bourbon Street Journal, then became BSPS Journal, before being renamed Poetry Halifax Dartmouth in 1988.

Bourbon Street Poetry Society (BSPS) publications

File contains three BS Poetry Society newsletters (October 1988; March 1989; December 1989); one BS Poetry Society publication (1989 Nova Scotia Poetry Awards Anthology); two publications in affiliation with Joe Blades (Reflections, 1987; New Muse of Contempt, 1988); and a New Muse of Contempt publication (Great Expectations, vol.3, no.2, 1990).

Owl's Head Press correspondence and publications

Series includes Owl's Head Press correspondence with the Bank of Montreal regarding their trade name and manuscripts and print publications: After the Image, by Jonathan Wright; Ten Poems of Francis Ponge, translated by Robert Bly; Ten Poems of Robert Bly Inspired by the Poems of Francis Ponge, by Robert Bly; Where the Fields End, by Leigh Faulkner; and The Guest Touches Only Those Who Prepare, by Edward Gates.

Manuscripts and published works by Owl's Head Press

Subseries contains partial and full annotated drafts, photographs, and published works by Owl's Head Press, including Jonathan Wright's "After the Image," Robert Bly's "Ten Poems of Francis Ponge Translated by Robert Bly & Ten Poems by Robert Bly Inspired by the Poems of Francis Ponge," Leigh Faulkner's "Where the Fields End," and Edward Gates' "The Guest Touches Only Those Who Prepare."
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