File contains copies of each of the four compositions: "Titania's Waltz"'; "Weeping Willows"; "In the Rushes"; and "Soughing Pines." The work was dedicated to Paolo Gallico (1868–1955). Each piece bears an inscription to Ellen Ballon, Goldmark's student in 1909. The pieces were published by the Oliver Ditson Company in Boston in 1908.
File contains a copy of the 1906 publication of Anna Magdalena's 1725 Notebook with various short piano compositions, edited by Dr. Richard Batka. The book is inscribed to Ellen Ballon by Clara Lichtenstein, her teacher at McGill Conservatorium of Music, and dated April 7, 1910 in Montreal.
File contains copies of the manuscripts for two untitled pieces by George Barati (born Gyorgy Braunstein), written at the MacDowell Colony between June 19 and June 22, 1948. The first composition is dedicated to his wife, Ruth.
File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.
File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.
File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.
File includes correspondence from Elinor Remick Warren. The scores are: "Sea Rhapsody for Piano" (1946); "The Fountain" (1934); and "Dark Hills" (1946).
Subseries contains scores and parts for Villa-Lobos's first piano concerto, dedicated to Ellen Ballon. It includes the autograph manuscript, copies of the manuscript, a two-piano reduction of the concerto, and parts for each of the orchestral instruments (piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 4 trombones, tuba, timpani, tam-tam, triangle, bass drum, harp, strings). The concerto premiered on October 11, 1946 at the Teatro Municipal in Rio de Janeiro, featuring Ellen Ballon as the piano soloist with Heitor Villa-Lobos conducting the Orquestra do Teatro Municipal. The score and orchestral parts were presumably used at the premiere performance as well as a few subsequent performances, indicated on several of the individual instrumental parts.
File contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the first flautists. The parts were copied by Fran Averede.
Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the second flautists. The parts were copied by Fran Averede.
Item is one of two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first clarinets.
Item is one of two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second clarinets.
File contains two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
File contains the piccolo and oboe parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The piccolo part was copied by Henrique Martins and the oboe parts were copied by Fran Averede.
File contains two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first bassoonists.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
File contains two copies of the first and second French horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
Item is one of two copies of the first and second French horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first French horn players.
Item is one of two copies of the first and second French horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second French horn players.
File contains two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the third French horn players.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the fourth French horn players.
File contains two copies of the first and second trumpet parts and one copy of the third trumpet part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
File contains one of two copies of the first and second trumpet parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trumpet players.
File contains one of two copies of the first and second trumpet parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trumpet players.
File contains two copies of the first and second trombone parts and one copy of the third and fourth trombone part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trombone players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trombone players.
![Polonaise, Op. 71, no. 3 : [piano score]](/uploads/r/dalhousie-university-archives/a/7/9/a79e851b7f87ddea0c5154b77ec36c99f9d5eee51c5abc99211545dd28880337/MS-5-2_7_12_3_access_142.jpg)
![Polonaise, Op. 71, no. 1 : [piano score]](/uploads/r/dalhousie-university-archives/c/f/8/cf8565955f9b15db5199ae9281317146db0be7c0bd097b54252ac0d8e2c0c97f/MS-5-2_7_12_1_access_142.jpg)
![Polonaise, Op. 71, no. 2 : [piano score]](/uploads/r/dalhousie-university-archives/2/c/1/2c14ed10ddb3ee8f1d5c5329ec7ac3231b6797a2983e3803fc3fbebfbec3b1e6/MS-5-2_7_12_2_access_142.jpg)
