Showing 439 results

Item is a catalogue for the exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Catalogue includes an introduction, descriptions of each painting, and biographical notes.

File consists of records related to general planning and organizing of exhibitions for the 1971-1972 academic period at the Dalhousie Art Gallery.

Records consist of correspondence, packing lists, insurance slips, and itineraries for various exhibitions including: Sketches by the Group of Seven, Six Paris Artists, The Salvation Army's 90th Year in Canada: National Art Cavalcade, Alex Colville Serigraphs, Roy Kiyooka, and Invitational Photographers.

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

File consists of records related to presenting the exhibition 'Fritz Brandtner 1896-1969: A Retrospective Exhibition', sponsored by Sir George Williams University, Montreal. The exhibition was presented at Dalhousie Art Gallery in February 1972, through circulation in the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report and handwritten condition notes, an essay on Brandtner's work, an itinerary, and correspondence between Dalhousie Art Gallery and other APAC member galleries.

File consists of records related to the exhibition 'Scrapbook Oddities' organized and circulated by the Confederation Art Gallery and Museum, Charlottetown, P.E.I.. The exhibition was presented at Dalhousie Art Gallery from February 28 to March 20, 1972.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Confederation Center Art Gallery and Museum.

File consists of records related to the exhibition 'TOYS TOYS TOYS by Denis LePage', organized and circulated by Memorial University Art Gallery. The Exhibition was presented at Dalhousie Art Gallery in April 1972.

Records consist of an exhibition report, exhibition statement, photocopy of a newspaper clipping containing a review title 'Toy exhibition turns art gallery into playhouse' by Gretchen Pierce, correspondence between the Dalhousie Art Gallery and other APAC member galleries, and between Dalhousie Art Gallery and Le Page, and a catalogue for 'High-speed Signals', containing a biography for Le Page.

File consists of records related to the 'People of eight seasons' exhibition, organized by the Memorial University Art Gallery and circulated by the Art Gallery of the University of Manitoba and presented at Dalhousie Art Gallery in August 1972.

Records consist mainly of correspondence amongst Ernest Smith (Director, Dalhousie Art Gallery), Professor V. Hammock (Director, The University of Manitoba Art Gallery), and Mr. Peter Bell (Curator, Memorial University Art Gallery). Additional records consist of an invoice, three copies of the article "The Lapps in Sweden"(published in August 1971), and correspondence between Barbara Leaman (Secretary, Memorial University Art Gallery) and Mrs. Alberta Mayo (Secretary, Dalhousie Art Gallery).

File consists of records related to the North American Black Artists exhibition organized by Dalhousie Art Gallery. The exhibition was shown at Dalhousie in November 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and directors at Brockman Gallery, lists of slides, and letters to the artists requesting samples of artworks in slide form. Records also include four slides of artworks from Manuel Hughes (Professor Art Department, Florissant Valley Community College) and four from Benny Andrews.

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of exhibition loan agreement letters and forms from the loaners of John's portraits and drawings for the exhibition and correspondence between Karen Wilkin (Curator, Edmonton Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery). In addition, records include a photocopy of a paper titled 'Artists and eccentrics' from the book called 'Times thievish progress: Autobiography III' by Rothenstein, John (1970).

File consists of a catalogue for the exhibition 'Scrapbook Oddities', organized and circulated by the Confederation Art Gallery and Museum, Charlottetown, P.E.I.. The exhibition was presented at Dalhousie Art Gallery from February 28 to March 20, 1972.

Catalogue contains an introduction by Moncrieff Williamson (Curator, Confederation Center Art Gallery), list of artworks, exhibition schedule, and an accompanying text to the exhibition's 'riddles'.

File consists of catalogues for the exhibition 'Notations in Passion, 1970: Photographs by Nathan Lyons from the collection of the National Gallery of Canada', circulated by the National Gallery of Canada between 1971-1972. The exhibition was presented at Dalhousie Art Gallery in August 1972.

Catalogues contain an exhibition statement by Lyons, an introduction essay by James Borcoman, a catalogue, 12 b&w plates of Lyon's photographs, a chronological biography and C.V., and a selected bibiography. All text is provided in both English and French.

File consists of records relating to the exhibition 'The Venus Suite' of works by J. Carl Heywood. The exhibition was organized by Dalhousie Art Gallery under the direction of the new Director, Ernest Smith. The exhibition was presented in October 1970.

Records consist mainly of correspondence between Smith and Heywood, in addition to a C.V. and resume for Heywood.

File consists of records relating to planning an exhibition of artworks by Max Lyle at the Dalhousie Art Gallery in October 1971.

Records consist of an exhibition catalogue containing Lyles work from the 1970 Comalco Invitation Award for Sculpture in Aluminum, as well as correspondence between Lyle and Ernest Smith (Director, Dalhousie Art Gallery).

File consists of records related to the annual exhibition of works by student, staff, and alumni of Dalhousie University.

Records consist of lists of entries and subsequent lists of artworks chosen for the exhibition and for prize winners.

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

File consists of one pamphlet for the exhibition of ceramics by NSCAD professor Walter Ostrom, presented by the Dalhousie Art Gallery in November 1971.

Pamphlet contains a photo of Ostrom, biography, and list of recent shows.

File contains two brochures for the exhibition 'Phillip Sultz', organized and presented by the Dalhousie Art Gallery in October 1971.

Brochure contains a photograph of Sultz, biography, curriculum vitae, description of the exhibition, and catalogue of works shown.

File consists of two single-sided exhibition brochres for an exhibiton of works by William Kohn, presented by the Dalhousie Art Gallery in December 1971.

Brochures contain am image of Kohn's work, a list of artworks in the exhibition, a biography, and a description of Kohn's art practice.

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

File consists of correspondence records between Ernest Smith and William (Bill) Lovell spanning August 1970 to October 1971.

Records consist of letters between Lovell and Smith (Director ,Dalhousie Art Gallery) regarding plans to have a showing of Lovell's prints at the art gallery in 1971.

File consists of records relating to the planning and preparation of an exhibition of artworks by Phillip Sultz in October 1971, organized and presented by the Dalhousie Art Gallery.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Philip Sultz (Professor, painter), a curriculum vitae and two photographs of Sultz, a list of artworks and a newspaper clipping of a revew of Sultz's work. Many letters are handwritten.

File consists of records related to an exhibition of works by Lawrence (Larry) Weissmann organized and presented by the Dalhousie Art Gallery in October 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Weissmann. Additional records consist of a news release for a show of Weissmann's work at George Eastman House, a C.V. and a biography.

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

File consists of three exhibition brochures for 'Lawrence Weissmann: Photographs of Peggy's Cove', organized and presented by Dalhousie Art Gallery in October 1971.

Brochures contain a black and white photograph of Weissmann's, a biography, and a C.V.

File consists of three catalogues for the exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Catalogues contain a biography, exhibition description, and C.V.

File consists of two catalogues for the exhibition ' Cosmological Series' of artworks by Graham Cantieni, organized by The New Brunswick Museum and the Dalhousie Art Gallery. The Exhibition was presented at Dalhousie in December 1971.

Catalogues contain a portrait of Cantieni, an illustration of his work, a biography, description of the exhibition, a catalogue list of artworks, and a C.V.

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.