Item consists of three recordings by Rose Vaughan,"Shades of Blue", "Journey’s End" and "Lilac Rain". The recordings were produced by Alan MacLeod at the Centre for Art Tapes.
Item consists of a video recording entitled "Distant Voices" by Barbara Badessi. In "Distant Voices", Badessi she links her contemporary experiences as an immigrant with the historic influx of immigrants arriving at Pier 21 in Halifax between 1928 and 1971. Badessi herself emigrated to Canada from her native Italy in 1985.
Item consists of a video recording by Steve Comeau "The Nightmare". The video is described as: "Comeau juxtaposes his original music with acquired footage of Stalin and the USSR during WWII and the immediate postwar period. "
Item consists of a video recording by Kathleen Flanagan entitled "Gunning the Economy". The video offers a brief socio-economic analysis of the structure of arms production and consumption as it relates to Nova Scotia and underdeveloped nations.
Item consists of a collaborative video project produced by black Haligonian women for the Halifax-Jamaica Exchange Program. Through archival photographs, film footage and newspaper clippings the history of the black population of Nova Scotia is recounted. Contemporary poverty and discrimination are shown to have a long history beginning with slavery and broken promises.
Item consists of a compilation of video recordings entitled "New Tools for Imaging". The tape features: "Round Earth's Imagined Corners" (4 min., 23 sec.) by Bryan Maycock, "Amoeba Culture" (4 min., 23 sec.) by James MacSwain, "In Search of the Sacred" (10 min., 40 sec.) by Felicity Redgrave and "Deus Ex Machina" (6 min.) by Andrew Terris.
Item consists of a compilation of video recordings which include "I'd Like To Move On If I Could Please" (5 min., 3 sec.) by Doug Porter, "Conjunction" (5 min., 50 sec.) by Kim Truchan, "Amoeba Culture" (4 min., 25 sec.) by James MacSwain (from 1989), and "Distant Voices" (7 min.) by Barbara Badessi.
Items consist of a video recording by Ann Verrall', entitled "Born Natural". The VHS copy is a part of the "Into the Centre" collection, which was a series of works created by NSCAD alumni at the Centre for Art Tapes.
Item consists of two video recordings by David Askevold, "Small Craft Harbours: Scotia Fundy Region" (11 min.), and "Experimental Silver Hake Fishery" (8 min., 30 sec.)/
Item consists of a compilation video recording tape for the Centre for Art Tapes. The tape features: "My Mother's Movie" (12 min., 30 sec.) by Thom Fitzgerald, "Face to Face" (4 min., 30 sec.) by Lori Meserve, "I Don't Remember You Holding Me" (4 min., 23 sec.) by Julia MacLean., "Go Pitch, Go Patch, Go Pepper" (14 min., 41 sec.) by Rosemary MacAulay, "Just Exposure" (5 min., 17 sec.) by Kim Smith, and "Home for the Homeless" (12 min., 33 sec.) by Solid Women Acting Out.
Item consists of a compilation video recording tape for the Centre for Art Tapes. The tape features: "Born Natural" (10min.) by Ann Verrall, "Time to Heal" (27 min.) by Liz MacDougall, "Lorsque Cesse le Vacarme" (7 min.) by Dian Poitras, and "Time Has No Image" (8 min., 24 sec.) by Doug Porter.
Item consists of a compilation video recording tape for the Centre for Art Tapes. The tape features: "Small Craft Harbours" (11 min.) and "Experimental Silver Hake Fishery" (8 min.) by David Askevold and "Fourty Years of Service" (26 min.) by Kevin Walker.
Item consists of a video recording by Renee Penney and Michael Weir entitled "Lily & Christian "Dish"" which was proucded at through the Centre for Art Tapes.
Item consists of a short video recording by Rick Jansen that aimed at introducing the Halifax North Branch Library as a community-based institution. Through a series of interviews the video looks at Adult Upgrading, Reading Support, inter-organizational co-operation and the need to focus events such as puppet shows in local history. As well, the video provides short excerpts of library programs in action and a short look at the community in which the branch is located.
Item consists of a video recording by Chris Clarke entitled "The Unbbearable Lightness of Recycling", which was produced for the Raven Recycling Centre of Whitehorse, Yukon.
