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Nova Scotia
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The Promised Land administrative records

File contains project grant applications and correspondence for Christopher Heide's "Poor People," which evolved into "The Promised Land," produced by Mulgrave Theatre in 1988. File also contains a tour schedule and contract between Christopher Heide and Mulgrave Road Co-op Theatre.

Correspondence, notes and playwright's agreement re. Bring Back Don Messer!

File includes correspondence between Christopher Heide, Michel Fahey and Ed McKenna of the Mulgrave Road Co-op. There is also a letter written from Heide to Larry Lillo, at Tamahnous Theatre, Vancouver, as well as a chronology of events between September 1970 and March 1983 regarding the script's creation and possible remounting.

Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald

File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

Manuscripts, correspondence, and contract for film adaptation of Letter from Matt Arthur's Fishpond

File contains multiple drafts of a teleplay adapted by Chris Heide from the short story published in Canadian Fiction Magazine, as well as correspondence, a contract, and a chronology of events beginning with the submission to CBC Television Drama and ending with a cancelled contract with National Film Board.

With Sirens Wailing — CBC produced

File contains four drafts copies of The Sound of Sirens, broadcast three times by CBC Radio, the first time as "With Sirens Wailing." File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.

The 100 Year Old Man — CBC produced

File contains an original manuscript draft of The One Hundred Year Old man, first produced for radio by CBC Halifax. File also contains a contract, correspondence and a chronology outlining the evolution of the script including various submissions, rejections, acceptances and prizes.

For Independence — CBC produced

File contains six manuscript copies of For Independence, broadcast by CBC Radio in 1982. File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.

Once Around — CBC Morningside

File contains manuscript drafts of episodes 1-5 of Once Around, a radio drama series broadcast by CBC Radio in 1983. File also contains outlines, correspondence, notes and a chronology of events outlining the evolution of the project.

Only the Old and Dying — CBC produced

File contains five annotated manuscript copies of Only the Old and Dying, a radio drama commissioned and broadcast by CBC Radio in 1988. File also contains a story outline, contract, and notes.

The Flood — CBC produced

File contains three drafts copies of The Flood, broadcast by CBC Radio in 1977. File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.

The Waiting's Over — CBC produced

File contains three manuscript drafts of The Waiting's Over, which was originally written as a stage play titled Ed & Molly, based on an idea conceived by Barry Stuart. The radio version was broadcast by CBC Radio in 1982. File also contains a manuscript copy of Ed & Molly, an outline for its adaptation to radio, a contract, correspondence and a chronology outlining the evolution of the script and its production.

The Truth about Mrs Van Haiden — CBC produced

File contains five manuscript drafts of The Truth About Mrs Van Haiden, broadcast by CBC Radio in 1979. File also contains an outline, contract, correspondence and a chronology outlining the evolution of the script and its production.
Ronald St. John Macdonald's correspondence regarding Qing-nan Meng's studies at Dalhousie Law School

Ronald St. John Macdonald's correspondence regarding Qing-nan Meng's studies at Dalhousie Law School

File contains correspondence and clippings from 1981 to 1986 related to Quing-nan Meng's studies at Dalhousie University, with correspondence between Ronald St. John Macdonald, Meng Qing-nan, Wang Fusun, Edgar Gold, Sachiko Kuwabara, Joseph C. Wheeler, Elisabeth Mann Borgese, John Vandermeulen, J.D. Kingham, David A. Golden, H.L. O'Brien, Peter Hoffman, S.P. Jagota, Michael Waldichuk, Sergio Gonzalez Galves, Kenneth Leffek, Danford Middlemiss, W.H. Charles, and W.A. Mackay.

Also includes the text of a memorandum agreement between Dalhousie Law School and the Institute of International Law at the University of Beijing and Procedures for the Approval of Institutional Cooperation Programmes between Canadian and Chinese Institutions.

Second Canadian artist series exhibition

File consists of records related to the 'Canadian Artist Series' exhibition, loaned from the National Gallery of Canada in November 1959.

Records consist of a loan agreement, exhibition description, packing lists, and biographies of Ghitta Caiserman and Ron Spickett.

Carceri d'Invenzione of Piranesi exhibition

File consists of records related to the 'Carceri d'Invenzione of Piranesi' exhibition loaned from the National Gallery of Canada in February 1960. Records consist of correspondence from Ruth Henderson (Maritime Arts Association), a loan agreement, packing list, exhibition itinerary, and exhibition text.

Historic buildings of Canada exhibition

File consists of a records related to the exhibition 'Historic Buildings in Canada' organized by the National Gallery of Canada and presented at Dalhousie in March 1966.

Records consist of an exhibition catalogue, correspondence between Evelyn Holmes and the National Gallery of Canada, contractual documents, and a press release from the National Gallery regarding the exhibition.

Massey landscapes collection exhibition

File consists of records related to the exhibition 'Massey Collection: Landscapes', organized an circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1966.

Records consist of an exhibition catalogue, box list, contractual documents, invoices, and correspondence.

Traditional landscape painting in Canada

File consists of records related to the exhibition 'Traditional Landscape Painting in Canada' organized and loaned by the National Gallery of Canada. The exhibition showed at Dalhousie Art Gallery in March 1969.

Records consist of exhibition documents including biographies for the included artists, a packing list, exhibition loan agreement, condition report, and list of artworks. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

March 11, 1971 inaugural exhibition Dalhousie art gallery - arts center

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

Massey bequest

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

Image 6/Federation des centres culturels de la province de Quebec inc. December 1971

File consists of records relating to the presentation of 'Image 6', an exhibition organized by the Still Photography Division of the National Film Board, and circulated through the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report, correspondence between Dalhousie Art Gallery and staff of the National Film Board, a review of the exhibition, French-language documents regarding the reservation of the exhibition, a price list, and French-language descriptive text for the exhibition.

22nd annual student, staff and alumni exhibition

File consists of records related to 22nd annual student, staff and alumni exhibition held at Dalhousie Art Gallery from February 1 to February 14, 1976.

Records consist of insurance documents, a list of photography prize winners, letters to prize winners, a blank exhibition entry form, correspondence regarding insurance, invoices, invitations and envelopes purchase order, interdepartmental memos, a short bio of Peter van S. Lange (photographer/filmmaker), list of alumni association board of directors 1975-76 with contact information, and lists of artworks including paintings, sculptures, photographs, jewellery, and slides. Also includes some documents from the previous student, staff and alumni photographic exhibition in 1971, including a list of selected slides for exhibition and press release for University News.

Miserere by Rouault exhibition

The file consists of records related to the exhibition 'Miserere by Rouault' organized and circulated by the National Gallery of Canada and shown at Dalhousie Art Gallery from January 4-28, 1968.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including packing and mounting instructions, floor plans, packing lists, agreement forms, exhibition text, and a list of accompanying slides (not included in the file).

B.C. paintings 1966

File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.

Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.

Hart House collects 1968-69 exhibitions

File consists of records related to the exhibition 'Hart House Collects: Recent Acquisitions' organized by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 28 - April 20, 1969.

Records consist of a condition report and attached packing list and booking agreement, descriptive exhibition text, and two photocopied journal articles: 'The Hart House Collection' by Donald Buchanan, published in Canadian Art Volume 5, No. 2, and 'The Hart House Collection of Canadian Art' by Ian Montagnes, published in Canadian Art Volume 20, No. 4.

Tony Urquhart drawings

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

Suburbia : Bill Owens

File consists of records related to the Suburbia exhibition featuring works by photographer Bill Owens, organized and circulated by the Western Association of Art Museum in Oakland. The exhibition was held at Dalhousie Art Gallery from December 9, 1975 - January 4, 1976.

Records consist of draft press releases, reviews, contract documents, correspondence, and a floor plan.

Canadian canvas

File consists of records related to a travelling exhibition of 85 Canadian paintings representing 46 artists from across the country. The exhibition was initiated and sponsored by Time Canada Ltd., and was presented at Dalhousie Art Gallery from November 6 to December 4, 1975.

Records consist of box list, correspondence, condition reports, unpacking and repacking instructions, installation instructions, shipping receipts, catalogue and sales list, contractual documents, magazine and newspaper clippings, interdepartmental memos, and a list of expenses.

Nicolas Poussin exhibition

File consists of records related to the exhibition of paintings by Nicolas Poussin, selected from the National Gallery of Canada. The exhibition was circulated and presented at Dalhousie Art Gallery from October 10 and November 2, 1975.

Records consist of correspondence, a biography, condition reports, insurance documents, loan agreement forms, a floor plan, and interdepartmental memos.

Shiryu Morita exhibition

File consists of records related to the exhibition 'Shiryu Morita' organized by Mr. Tetsuo Yamada, Director of the Yamada Art Gallery, Kyoto, Japan, and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie Art Gallery from October 13 - November 15, 1970.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and National Gallery staff, an exhibition agreement contract, a cumulative condition report, shipment invoice, and a packing list.

E.S.P. (John K. Esler and Charles Pachter)

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

Canadian watercolours of the 19th century exhibition

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

French paintings exhibition

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

Walter Richard Sickert exhibition

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

Andre Bieler

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

Massey medals 1970

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

The photograph as object

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

Exhibition - Douglas Duncan bequest

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

William Kohn exhibition

File consists of records related to the planning of an exhibition of works by William Kohn, organized by the Dalhousie art Gallery through Kohn's gallery representative, The Graphics Gallery, san Francisco. The exhibition was presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between The Dalhousie Art Gallery, Kohn, and The Graphics Gallery. Additional records consist of a new release from the Oakland Museum, press about the Graphics Gallery, a loan agreement form, a C.V., biography, and list of artworks for Kohn, a photocopy of a newspaper article titled 'Austere Forms at the Graphics' about Kohn's artwork, and a copy of a review of Kohn's work by Lucian Krukowski.

Stonedgloves - photographs poems Roy Kiyooka

File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 1-31, 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.

Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.

Vera Frenkel - printmaking plus exhibition

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

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