Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
Item is a watercolour sketch of a costume design for Brock University's production of The Rover. The costume is for a character named Belville who is a soldier.
Item is a program from a production of Ain't Misbehavin' that was put by The Grand Theatre in London, Ontario in 2001. Robert Doyle designed the costumes for the production.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.
Item is a program from an exhibit called "The Myth and Magic in Costuming for the Stage." The exhibit took place at the Mary E. Black Gallery in Halifax. The exhibit was created by Robert Doyle. The program features black and white reproductions of costume designs by Robert Doyle.
File contains the Nova Scotian section from the April 12, 1996 issue of the Chronicle Herald. The front page of the section features an article about a Dalhousie University Costume Studies project. The project was a re-enactment of a wedding that took place on December 29, 1764 between Joseph Goreham and Ann Spry. The article is divided between two pages of the newspaper section and features three black and white photographs of the event.
File contains posters for the "1864" Historical Costume Showcase, a letter about the 1864 Costume Workshop, a schedule for Charlottetown Heritage and History Day, a paper called "Re-creating our Heritage: A paper, presented to the Charlottetown Confederation Players on the merits of recreating an image of the island historical heritage," other correspondence with the Charlottetown Confederation Players and the Historical Costume Initiative, correspondence with the Capital Commission, several fabric samples, and photocopies of a notebook with notes about the construction of various objects (possibly set pieces). The file also contains documents related to Doyle's participation in the Citizen Ambassador Program Theatre Education Delegation to the People's Republic of China, including an application for life and disability insurance and information about a short term travel grant from the Canada Council.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.
File contains 16 photographs of costumes from "The Myth & Magic in costuming," an exhibition which took place at the Mary Black Gallery. Robert Doyle curated this exhibit and designed several of the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
File contains information about the construction of items for Parks Canada, a paper called "Scenography" by Peter Perina, a short story called "The Annotated Women" by Robert Doyle, "The History of Competitive Sports and the Modern Olympics" by Robert Doyle, rejection letters from various Canadian and America book publishers, and correspondence about the deferral of Doyle's appointment to full professorship. The file also contains documents about Sheila Stivens and her position as Craft Officer with the Nova Scotia Department of Recreation, including letters to Sheila Stiven from various people, correspondence from Robert Doyle about her position, and her curriculum vitae.
File contains a program and review from a production of "Ruddigore" by the Savoy Society of McGill; an open letter about the proposed phase out of music and theatre at Dalhousie University; documents and a program from the Paris American Academy; a photograph of Pierre Trudeau watching a woman weaving at the Fortress Louisbourg; correspondence and a job posting from the University at Buffalo Department of Theatre and Dance; Robert Doyle's curriculum vitae from 1985; submissions to the Writers Federation 15th Annual Atlantic Writing Competition; "Tan, the Tartan Teddy" by Robert Doyle; and "Teddy MacBear" by Doyle Robertson (Robert Doyle's pen name). The file also contains a plastic folder that holds two Sackville crest patches; designs for military logos; and a program for Musikkorps der Fallschirmjager.
File contains a program and other promotional material from Andre's Dreamworld and Ploom's Adventures, performed at Lunenburg Theatre; a supervisor's bulletin for line & staff; a brochure for a series of books called "History of Costume"; a brochure for a series of books called "Architecture, Interiors & Furniture"; promotional material and an application for EF Educational Tours; and a world map.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
File contains documents related to Doyle's position as Chair of the Advisory Committee on the Chair of the Department of English, including letters of recommendation, correspondence, schedules, meeting minutes, the final report, and a notepad with handwritten notes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.
File contains correspondence about the Dr. Basil Cooke Award, a lecture schedule, correspondence from students, a list of student addresses, a memorandum about the faculty academic priorities ranking process, departmental meeting agenda and minutes, student assessment of instruction forms, unit reviews and unit review responses. The file includes reference letters for Mark De Coste; Freda Larade; Gail Worobey; Beata Slesinski; and Amanda Stapells. The file also contains letters from Avery Anderson; Monique B. Moffatt; Vivien Lau; James A. W.; Alison West; Tanya Shaw; and Patsy, which are mostly letters accepting invitations to return to the program.
