File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
File includes concert parts for "Ambulatory"; "Lamnations"; "The Problem"; "Groucho Joe"; "Happy Talk"; "Caravan"; "In the Bosom of the Bubble"; "Somewhere in Between"; "Wave Surface"; "Volga Boat Race"; "Walk!!!"; and "Campin Out."
File contains parts for "Eye of the Storm," composed by Paul Cram for the Paul Cram Orchestra,and include: alto saxophone (reed 1), tenor saxophone (reed 2), clarinet (reed 2), bass clarinet (reed 3), trombone, cello, trumpet, piano, guitar, bass, and drums.
File contains parts for "Taiwanese Bootleg," by Paul Cram for the Paul Cram Orchestra, and include: alto saxophone (reed 1); tenor saxophone (reed 2); bass clarinet (reed 3); trombone; cello; trumpet; piano, guitar; bass; and drums.
File contains drum parts for Paul Cram compositions for the Paul Cram Orchestra, including "High Ground"; "Walkin' the Wall"; "Zebra Zone"; "Have a Heart"; "Campin Out"; "Life of Crime"; "Trouble in Paradise"; "Immortal Coil"; and "Urban Desperado." There is also a page of handwritten notes for "Kafka's Chair" and loose sheets of manuscript scores for "Side Order from B-flat Restaurant" and "March of the Philistines" for concert-pitch instruments.
File contains parts for "Tip of the Iceberg," composed by Paul Cram for the Paul Cram Orchestra, and include: soprano saxophone (reed 1); tenor saxophone (reed 2); bass clarinet (reed 3); trombone; cello; trumpet; piano, guitar; bass; and drums.
File contains an original handwritten score for Paul Cram's "Wrapped Around Eternity," written for concert saxophone, synthesizer, pipes, bass, and drums. There is also an original handwritten score for "Jazz in the Zebra Zone," for four instruments.
File contains annotated drum, trombone and bass parts for "1963," "Revolutions" and "Under the Double Standard"; trumpet part for "Under the Double Standard"; bass part for "Zones"; Tenor and alto sax parts for "Tango Oreo"; clarinet parts for "March of the Philistines" and "Get up and Go"; Bb and concert parts for "Monk on Time"; concert parts for "On the Lam";"Telescope"; "Live it Up"; "Mandarins"; "Lonely Woman"; "In the Bosom of the Bubble"; "Round Trip"; "Heads Up"; and "In Mufti." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains annotated bass and concert parts for "Campin' Out"; "Under the Double Standard"; "Heads Up"; "In Murti"; "Monk on Time"; "On the Lam"; "Tango Oreo"; "Telescope"; "Zones"; "Confederation"; "Live it Up"; "Nijinsky's Dancing Shoes." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
File contains the manuscript and four annotated copies of the tone row for "Kafka's Chair" by Paul Cram in prime, retrograde, inversion, retrograde inversion, and transposed forms. The manuscript also includes the "Entree" from Cram's "B-flat Restaurant" at concert pitch.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.
File contains the score for "Mail-Order Mantis"; concert, Bb tenor and Eb saxophone parts for John Coltrane's "A Love Upstream/Resolution"; Eb part for "Monk on Time"; Bb score for "Beyond Benghazi"; Bb instrument parts for "Bb Restaurant Redux"; "Free Delivery"; "Silent Movies"; "Telescope"; "Monk on Time"; "Long Distance"; and tenor sax part for "Back of the House."
File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.
File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.
File contains an annotated facsimile handwritten score for Paul Cram's "Pendulum," written for flute, clarinet, bass and drums, written in 1985 and revised in 1993. There is also an undated, original handwritten composition titled "Dromedaries."
File contains annotated parts for Paul Cram's "Beyond Benghazi," first copyright in 1981 and revised in 1993. Parts include: soprano/flute; tenor/clarinet; bass; oboe; bass clarinet; bassoon; trumpet; violin 1; violin 2; viola; cello; guitar; harp/synthesizer; piano/synthesizer; and drums.
File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."
File contains pages 1-36 and 57-108 of a score for clarinet solo, grand piano, and solo cello; and parts for clarinet solo, grand piano, and solo cello.
File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.
File contains two annotated copies of Paul Cram's composition, "Kickers," in five parts. Each of the five parts is a short phrase. The composition was funded by SOCAN.
File contains two annotated copies of Paul Cram's composition, "Les Mouton à L'Abbatoir," an atonal composition funded by SOCAN, which consists of a monophonic melody.
