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Costume design for Albertine and Charlotte

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1986 production of Bonjour, La, Bonjour. The costumes are for two characters named Albertine and Charlotte. The sketch shows two female figures wearing the costumes and looking at each other.

Costume design for Allison

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for Allison from "The Miller's Tale." The sketch shows one female figure wearing the costume.

Costume design for Althybiades

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is for Althybiades and the sketch shows one male figure wearing the costume and holding a scroll.

Costume design for Andromache and son

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costumes are for Andromache and her son and the sketch shows one female figure and one young male figure wearing the costumes.

Costume design for Angelica

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Angelica. The sketch shows one female figure wearing the costume. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.

Costume design for Anna : Act I, scene I

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Anna in Act I, scene I, played by Paulina Sillis. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Anna : Act II, scene II

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Anna in Act II, scene II, played by Paulina Sillis. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Anne

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Anne and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.

Costume design for Antonio

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Antonio and the sketch shows one male figure wearing the costume. The sketch is drawn on dark blue heavyweight paper.

Costume design for Antonio

Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Antonio. The sketch shows a figure wearing the costume.

Costume design for Ariel

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Ariel and the sketch shows one figure wearing the costume and swimming. The sketch is drawn on dark blue heavyweight paper.

Costume design for Arkadina

Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina. The sketch shows a female figure wearing the costume.

Costume design for Arkadina : Act II

Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina to wear in the second act. The sketch shows a female figure wearing the costume.

Costume design for Armande : second costume

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is the second costume for a character named Armande. The sketch shows a female figure wearing the costume.

Costume design for Audrey

Item is a pencil sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The costume is for Audrey from As You Like It. The sketch shows one figure wearing the costume.

Costume design for Baby Face : Act I

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Baby Face and the sketch shows one male figure wearing the costume and holding brass knuckles. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Balthazar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for Balthazar and the sketch shows a male figure wearing the costume. The sketch is mounted on a dark red matboard.

Costume design for Barbara Allan

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1988 production of Dark of the Moon. The costume is for a character named Barbara Allan and the sketch shows one female figure wearing the costume.

Costume design for Basho

Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costumes are for a character (or characters) named Basho. The sketch shows two figures wearing the costumes.

Costume design for Basho as Court Judge

Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costume is for a character named Basho as a court judge. The sketch shows a figure wearing the costume as well as a detail of the figure's profile.

Costume design for Basic Peasant Clothes

Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The sketch shows a figure wearing a design for basic peasant clothes.

Costume design for Baylor

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1991 production of A Lie of the Mind. The costume is for a character named Baylor. The sketch shows one male figure wearing the costume.

Costume design for Bearjest

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1994 production of The Lucky Chance. The costume is for a fop named Bearjest. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch. The sketch is covered by a clear plastic sheet which is taped on around the edges with masking tape.

Costume design for Beatrice

Item is a pencil sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The costume is for Beatrice from Much Ado About Nothing. The sketch shows one figure wearing the costume.

Costume design for Belville

Item is a watercolour sketch of a costume design for Brock University's production of The Rover. The costume is for a character named Belville who is a soldier.

Costume design for Ben

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Ben. The sketch shows one male figure with a beard wearing the costume and leaning on a ledge. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.

Costume design for Benedick, Hamlet, Romeo, Orsino

Item is a pencil sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The sketch shows two costumes for an actor named John Beale who played Benedick, Hamlet, Romeo, and Orsino. The sketch shows two figures wearing the costumes.

Costume design for Benvolio

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for Benvolio and the sketch shows a male figure wearing the costume. The sketch is mounted on a dark red matboard.

Costume design for Beth : Act I, scene II

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1991 production of A Lie of the Mind. The costume is for Beth to wear in Act I, scene II. The sketch shows one female figure wearing the costume.

Costume design for Beth : Act III

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1991 production of A Lie of the Mind. The sketch shows two costumes for Beth to wear in Act III. The sketch shows two female figures wearing the costumes.

Costume design for Beth in a vision : Act II

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's 1991 production of A Lie of the Mind. The costume is for Beth in a vision in act II. The sketch shows one female figure wearing the costume.

Costume design for Betty

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1989 production of Cloud Nine. The costume is for a character named Betty. The sketch shows one figure wearing the costume and holding a parasol.

Costume design for Betty : Act II

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1989 production of Cloud Nine. The costume is for a character named Betty in Act II. The sketch shows one figure wearing the costume. The sketch was torn from a spiral bound sketch book and the torn edge has not been cut off.

Costume design for Bianca

Item is a pencil sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The costume is for Bianca from the Taming of the Shrew. The sketch shows one figure wearing the costume.

Costume design for Bigod

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.

Costume design for Bill Cracker

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Bill Cracker and the sketch shows one male figure wearing the costume and holding a hat. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Bob Acres : first costume

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is the first costume for a character named Bob Acres. The sketch shows one male figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for Bob Acres in a new suit

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a character named Bob Acres wearing a new suit. The sketch shows one male figure wearing the costume.

Costume design for Bonville and Madame Bonville

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Bo'sun

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for a character called the Bo'sun and the sketch shows one male figure wearing the costume and standing on a ship's deck. The sketch is drawn on dark blue heavyweight paper.

Costume design for Bottom

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1983 production of A Midsummer Night's Dream. The costume is for Bottom, played by Andrew Cox. The sketch shows one male figure wearing the costume.

Costume design for Boutros Brother #1

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his left leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Brother Ben

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Brother Ben and the sketch shows one male figure wearing the costume and holding a book. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.

Costume design for Buckram

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Buckram. The sketch shows one male figure wearing the costume and holding a book. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.

Costume design for Caliban

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Caliban and the sketch shows one male figure wearing the costume. The sketch is drawn on dark blue heavyweight paper.

Costume design for Callimaco

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Callimaco. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

Costume design for Captain Hannibal Jackson

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Captain Hannibal Jackson and the sketch shows one male figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
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