Item is a program from Theatre New Brunswick's production of The Hobbit. The production was part of Theatre New Bunswick's 2003-2004 season. Robert Doyle was the set and costume designer for this production.
Item is a program from Theatre New Brunswick's production of Dear Santa. The production was part of their 2003-2004 season. Robert Doyle designed the set and costumes for this production. The cover of the program features an illustration by Robert Doyle.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
Item is a watercolour sketch of a costume design for Brock University's production of The Rover. The costume is for a character named Belville who is a soldier.
Item is a program from a production of Ain't Misbehavin' that was put by The Grand Theatre in London, Ontario in 2001. Robert Doyle designed the costumes for the production.
Item is a promotional postcard for "Waisted Efforts: An Illustrated Guide to Corset Making", a book by Robert Doyle. The book was published by Sartorial Press in 1997. The front of the postcard features a picture of a woman wearing a corset. The back of the postcard has an order form for the book.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.
Item is a program from an exhibit called "The Myth and Magic in Costuming for the Stage." The exhibit took place at the Mary E. Black Gallery in Halifax. The exhibit was created by Robert Doyle. The program features black and white reproductions of costume designs by Robert Doyle.
File contains the Nova Scotian section from the April 12, 1996 issue of the Chronicle Herald. The front page of the section features an article about a Dalhousie University Costume Studies project. The project was a re-enactment of a wedding that took place on December 29, 1764 between Joseph Goreham and Ann Spry. The article is divided between two pages of the newspaper section and features three black and white photographs of the event.
File contains posters for the "1864" Historical Costume Showcase, a letter about the 1864 Costume Workshop, a schedule for Charlottetown Heritage and History Day, a paper called "Re-creating our Heritage: A paper, presented to the Charlottetown Confederation Players on the merits of recreating an image of the island historical heritage," other correspondence with the Charlottetown Confederation Players and the Historical Costume Initiative, correspondence with the Capital Commission, several fabric samples, and photocopies of a notebook with notes about the construction of various objects (possibly set pieces). The file also contains documents related to Doyle's participation in the Citizen Ambassador Program Theatre Education Delegation to the People's Republic of China, including an application for life and disability insurance and information about a short term travel grant from the Canada Council.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.
File contains 16 photographs of costumes from "The Myth & Magic in costuming," an exhibition which took place at the Mary Black Gallery. Robert Doyle curated this exhibit and designed several of the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.
