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Robert Doyle fonds
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Correspondence between Robyn Campbell, Program Officer, Dance Section of the Canada Council for the Arts and Robert Doyle concerning his grant application for writing a book on costuming of dance
Correspondence between Robyn Campbell, Program Officer, Dance Section of the Canada Council for the Arts and Robert Doyle concerning his grant application for writing a book on costuming of dance
Correspondence from Robert Doyle concerning returning the Elgin Marbles from the British Museum to the new Acropolis Museum
Correspondence from Robert Doyle concerning returning the Elgin Marbles from the British Museum to the new Acropolis Museum
Correspondence from Robert Doyle to Clarice Smith, Performing Arts Centre at the University of Maryland applying for the draper/tailor position
Correspondence from Robert Doyle to Clarice Smith, Performing Arts Centre at the University of Maryland applying for the draper/tailor position
Correspondence from Robert Doyle to K. Richardson, Richardson Foundation concerning his book on "Costuming the Dance" and his ballet "Algonquin Suite, The Life and Mysterious Death of Tom Thomson"
Correspondence from Robert Doyle to K. Richardson, Richardson Foundation concerning his book on "Costuming the Dance" and his ballet "Algonquin Suite, The Life and Mysterious Death of Tom Thomson"
Correspondence from Robert Doyle to Neil Bregman, Sartorial Press, concerning the Algonquin Suite - A dance biography of Tom Thomson
Correspondence from Robert Doyle to Neil Bregman, Sartorial Press, concerning the Algonquin Suite - A dance biography of Tom Thomson
Correspondence from Robert Doyle wishing everyone a merry Christmas
Correspondence from Robert Doyle wishing everyone a merry Christmas
Correspondence from various museums and galleries responding to Robert Doyle's request for permission to reproduce
Correspondence from various museums and galleries responding to Robert Doyle's request for permission to reproduce
Correspondence sent to Robert Doyle thanking him for speaking to various people and groups
Correspondence sent to Robert Doyle thanking him for speaking to various people and groups
Correspondence to obtain permissions to use illustrations in Robert Doyle's book "The Art of the Tailor"
Correspondence to obtain permissions to use illustrations in Robert Doyle's book "The Art of the Tailor"
Correspondence to Robert Doyle congratulating him on receiving the Order of Canada
Correspondence to Robert Doyle congratulating him on receiving the Order of Canada
Correspondence to Robert Doyle from a friend expressing concern about Doyle's accident
Correspondence to Robert Doyle from a friend expressing concern about Doyle's accident
Correspondence to Robert Doyle from Charlotte Stewart, Archives and Special Collections Review Committee thanking Doyle for his input
Correspondence to Robert Doyle from Charlotte Stewart, Archives and Special Collections Review Committee thanking Doyle for his input
Correspondence to Robert Doyle from Gale Tower, Halifax Defence Complex, inviting Doyle to submit a bid for tailoring services for the Halifax Citadel National Historic Park
Correspondence to Robert Doyle from Gale Tower, Halifax Defence Complex, inviting Doyle to submit a bid for tailoring services for the Halifax Citadel National Historic Park
Correspondence to Robert Doyle from Ian Fraser, Producer/Director, The Nova Scotia International Tattoo, thanking Doyle for his help in 2005 and looking forward to working with him in 2006
Correspondence to Robert Doyle from Ian Fraser, Producer/Director, The Nova Scotia International Tattoo, thanking Doyle for his help in 2005 and looking forward to working with him in 2006
Correspondence to Robert Doyle from Irene Kerr, Exhibit Design Coordinator, First Nations Gallery rejecting his proposal
Correspondence to Robert Doyle from Irene Kerr, Exhibit Design Coordinator, First Nations Gallery rejecting his proposal
Correspondence to Robert Doyle from Marilyn McLaren concerning costuming
Correspondence to Robert Doyle from Marilyn McLaren concerning costuming
Correspondence to Robert Doyle from McInnes Cooper & Robertson concerning copyright for the costume patterns from the Fortress of Louisbourg
Correspondence to Robert Doyle from McInnes Cooper & Robertson concerning copyright for the costume patterns from the Fortress of Louisbourg
Correspondence to Robert Doyle from Ross G. Randall, Maryhill Museum of Art thanking him for his interest in the "Theatre de la Mode"
Correspondence to Robert Doyle from Ross G. Randall, Maryhill Museum of Art thanking him for his interest in the "Theatre de la Mode"
Correspondence to Robert Doyle from various people
Correspondence to Robert Doyle from various people
Correspondence with Charles Armour and others
Correspondence with Charles Armour and others
Correspondence with Clarke, Irwin & Company Limited and others
Correspondence with Clarke, Irwin & Company Limited and others
Correspondence with Dalhousie University and others
Correspondence with Dalhousie University and others
Correspondence with Neptune Theatre and others
Correspondence with Neptune Theatre and others
Correspondence with Nova Scotia Tattoo and others
Correspondence with Nova Scotia Tattoo and others
Correspondence with University of Saskatchewan Regina Campus and others
Correspondence with University of Saskatchewan Regina Campus and others
Costume desgin for Mr. and Mrs. Beetle
Costume desgin for Mr. and Mrs. Beetle
Costume design : an Apothecary
Costume design : an Apothecary
Costume design for 1910 scene : Female dancer #1
Costume design for 1910 scene : Female dancer #1
Costume design for 1910 scene : Female dancer #10
Costume design for 1910 scene : Female dancer #10
Costume design for 1910 scene : Female dancer #11
Costume design for 1910 scene : Female dancer #11
Costume design for 1910 scene : Female dancer #2
Costume design for 1910 scene : Female dancer #2
Costume design for 1910 scene : Female dancer #3
Costume design for 1910 scene : Female dancer #3
Costume design for 1910 scene : Female dancer #5
Costume design for 1910 scene : Female dancer #5
Costume design for 1910 scene : Female dancer #6
Costume design for 1910 scene : Female dancer #6
Costume design for 1910 scene : Female dancer #7
Costume design for 1910 scene : Female dancer #7
Costume design for 1910 scene : Female dancer #8
Costume design for 1910 scene : Female dancer #8
Costume design for 1910 scene : Female dancer #9
Costume design for 1910 scene : Female dancer #9
Costume design for 2 and 4 "Muscovites"
Costume design for 2 and 4 "Muscovites"
Costume design for a husband
Costume design for a husband
Costume design for a maid
Costume design for a maid
Costume design for a merchant
Costume design for a merchant
Costume design for a Page : Act 1
Costume design for a Page : Act 1
Costume design for a Page to January
Costume design for a Page to January
Costume design for a policeman
Costume design for a policeman
Costume design for a priest
Costume design for a priest
Costume design for a prostitute
Costume design for a prostitute
Costume design for a scholar
Costume design for a scholar
Costume design for a waiter
Costume design for a waiter
Costume design for Abdullin the shopkeeper
Costume design for Abdullin the shopkeeper
Costume design for Abigail
Costume design for Abigail
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