File includes a letter from the office of Her Majesty Queen Elizabeth II; Tom Garvey, Department for Culture, Media and Sport and Dr. Dimitrios Pandermalis, New Acropolis Museum.
File contains correspondence between Robert Doyle and Adirondack-Hudson Arms Co., Advance Process Supply Co., Aiko’s Art Materials Import, Anansi Press, Another Theatre Company, Patrick Anthony Consultants, Charles Armour, Army Museum Halifax Citadel, and Associated Designers of Canada.
File contains correspondence between Robert Doyle and the Banff Centre; Christopher Bank & Associates, Inc.; Samuel E. Barison; Barnes & Noble Bookstores Inc.; Bath Corporation, Personnel Officer; Bernard; Bibliotheque Nationale du Quebec; Bradford Industrial Museum; Brookes Diamond Productions; Butterick Canada Limited; Callaghan & Authors Productions Limited; Canadian Broadcasting Corporation; Canadian Converters Co., Limited; Canadian Embassy, Paris; Canadian General Tower Ltd.; Canadian Opera Co.; Canadian Theatre Review Publications; Charlottetown Festival; CIBA Dyes; CIBA Review Limited; Clarke, Irwin & Company Limited; Clydesdale Bank PLC; Commonwealth Institute; Confederation Centre of the Arts; Coppendale; Core Design Group; Costume Society; Costume Society of Nova Scotia; Court House Theatre Company; Martha Creighton; and Clary Croft.
File contains correspondence between Robert Doyle and Dalhousie Alumni; Dalhousie University; Dalhousie University Bookstore; Dartmouth Heritage Museum; Dazien’s Inc.; Mrs. Deneuse; Department of Indian Affairs and Northern Development; Distribulite Ltd.; Dixon, Moore & Associates Ltd.; Donita Enterprises; Mitch Douglas; K. R. Drummond, Bookseller; Encyclopedia Britannica; Federation of Canada-China Friendship Association; Fine Food Investments Ltd.; Foreningen Hemslojden; Fry Investment Management Ltd.; Hans Gerriets; Bill Gilmour; Guild of the St. Lawrence Centre; Haber Artists; Halifax Ballet Theatre; Halifax Grammar School; Halifax Herald Ltd.; Kelly Handerek; Harlequin Books Inc.; Arthur L. Harrigan; Julia Harrison; Hatchards Booksellers, Ltd.; Bernard Havard; Heather; H. L. Henry; Henson Associates, Inc.; Holland College; Imperial Oil Limited; Isora Integrated Ceilings Ltd.; Janus Museum Consultants Ltd.; John; Keith; Kitz, Matheson, Green & MacIsaac; Lamplough Cutlery Ltd.; Laval University; Flo Lawrence; Leicestershire Museum; Levy’s Leather; Loren W. Lillis; London Little Theatre; Longman’s Canada Ltd.; J. H. Longmire & Sons; L’Oreal; David Loynd; A. Ludwig & Sons, Ltd.; and Alan Lund.
File contains correspondence between Robert Doyle and MacCulloch & Wallace Ltd.; Manitoba Theatre Centre; Martha Mann; Marigold Guild of Needle Arts; Maritime Marionettes; Maritime Museum of Upper Canada; Mark; Max; McAllister; Gordon McCall; McCord Museum; McGuire Communications Ltd.; Metro Area Committee on AIDS; Metropolitan Toronto Library Board; Mrs. D. Langley Moore; Morris Angels Costumes; Arthur Motyer; Mulgrave Road Co-op Theatre; Museum Directory Service; Charles J. Musson Ltd.; National Arts Centre; National Geographic Society; National Theatre School of Canada; Naz Dar Canada Ltd.; Neptune Theatre; New Brunswick Craft School; New Press; Newfoundland Archives; Peter M. Nicholson & Associates; and Northwood Care Inc.
File contains correspondence between Robert Doyle and Nova Scotia Department of Culture, Recreation & Fitness; Nova Scotia Department of Industry, Trade and Technology; Nova Scotia Drama League; Nova Scotia Museum; Nova Scotia Tattoo; Nova Scotia Trust Company; Old Favorites Book Shop Limited; L’Opera de Montreal; Order of Good Cheer; Paddy; Park Hannesson Ltd.; Parks Canada; Piers, Conrod & Allen; Plaxlab Products Ltd.; Playhouse Theatre Company; Prince Andrew High School; Prudential Assurance; Public Archives of Canada; Public Archives of Nova Scotia; Raber Glove Company Ltd.; David Renton; Revenue Canada Taxation; E. Lloyd Roberts; Rolly; Denise Rooney; Roscoe Laboratories, Inc.; Rotary Club of Halifax; Royal Bank of Canada; Royal Canadian Academy of Art; Royal Winnipeg Ballet Company; Chris Russell; Russell & Harrington Cutlery Co.; St. Francis Xavier University; Screen Art Products; Scull & Bones; Sculpture Associates; Shaw Festival; Willa Shaw; Shibui Wallcoverings; Simplicity Pattern Co., Inc.; Sir Wilfred Grenfell College; Rowland Smith; Snickeriverkstad; Sports & Recreation Bureau, Ministry of Community & Social Services Ontario; Amanda Stapells; Stephenville Festival; Strand Electric & Engineering Co.; Stratford Festival; Stratford Shakespearean Festival Foundation of Canada; and SUNY, College at Purchase Dean of Theatre Arts & Film.
File contains correspondence between Robert Doyle and Targe Productions; Textile Trade Association; Theatre Ontario; Theatre Plus; Tiranti, Alec Ltd.; Tobin Lake Studios; Toronto Arts Foundation; Town of Amherst Centennial Committee; United Paper Mills Ltd.; University of Alberta; University of British Columbia; University of Iowa; University of Montreal; University of Regina Theatre Department; University of Saskatchewan Regina Campus; University of Toronto; University of Victoria; University of Waterloo; Weaver’s Loft Ltd.; Whitman Publishing, Golden Press of Canada Ltd.; Williams, David; Wimbledon School of Art; Xerox Canada; and York University.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costumes are for characters named Mr. and Mrs. Beetle. The sketch shows a male figure and a female figure wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The sketch shows an unidentified person who is wearing a cloak and holding a bright light. The sketch's caption says "An Apothecary!" The sketch is mounted on a dark red matboard.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a husband and the sketch shows one male figure wearing the costume and smoking.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a maid. The sketch shows one female figure wearing the costume. There are fabric swatches attached to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a merchant. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a watercolour sketch of a costume design for Ballet Jorgen's production of Swan Lake. The costume is a for a page who appears in Act 1 and the sketch shows a male figure wearing the costume. There is a fabric swatch stapled to the sketch.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for a page to January from "The Merchant's Tale." The sketch shows one male figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a policeman and the sketch shows one male figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a priest and the sketch shows one male figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.
Item is a watercolour of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a waiter, played by Andrew Boutilier. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Abdullin the shopkeeper. The sketch shows a male figure wearing the costume. There are fabric swatches stapled to the sketch.
