Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Item is lecture five of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture four of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture three of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture two of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture one of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Collection comprises digital video files of four teaching series produced for television in Atlantic Canada and hosted by Dalhousie University faculty, including: series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.
Item is an annotated composer's score of Paul Cram's Fortress America for flute, clarinet, alto, baritone, trumpet 1 & 2, trombone 1 & 2, violin 1 & 2, viola, cello, guitar, piano, bass and drums.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.
Item is a composer's score of Paul Cram's The Tyranny of Interest—with eleven movements and a key to formings—for voice, soprano sax, alto sax 1 & 2, tenor sax, baritone sax, trumpet 1 & 2, trombone 1, 2 & 3, piano, guitar, cello. bass 1 & 2, and drums.
Item is a concert score for Paul Cram's Hall of Mirrors for koto, shakuhachi, soprano sax, tenor sax, bass clarinet, synthesizer/Irish harp, synthesizer/piano, and percussion. Koto tuning: C F G C# D E G# A B D# F# A# C.
Item is a revised concert score for Paul Cram's Hall of Mirrors for harp/synth, koto, shakuhachi, soprano sax, tenor sax, clarinet, cello, guitar, synth/piano, electric bass, and drums.
Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, flute, clarinet, violin 1 & 2, viola, cello, bass, timpani, guitar, piano, bass, drums.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.
File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.
