Item consists of a short video recording by Rick Jansen that aimed at introducing the Halifax North Branch Library as a community-based institution. Through a series of interviews the video looks at Adult Upgrading, Reading Support, inter-organizational co-operation and the need to focus events such as puppet shows in local history. As well, the video provides short excerpts of library programs in action and a short look at the community in which the branch is located.
Item consists of a video recording by Marie Koehler entitled "Body Talk". The video belongs to a series of works that were created by NSCAD alumni at the Centre for Art Tapes.
Item consists of a video recording by Roger Lewis entitled "A Portrait of Survival". This video is a collage portraiture of survivors of AIDS, Cancer, and Child Abuse. Due to the nature of some of the participant's conditions, all of their names are withheld to protect their anonymity within the video.
Item consists of a video recording by Ariella Pahlke and the Women Down Prospect entitled "Never Too Late!: Adult Learners Talk About Going Back to School".
Item consists of a video recording by Clive Robertson entitled "Lunar Re-Appraisal". The work describes the fictional story of a woman astro-scientist who was meant to travel to the moon in 1969 using factual information about the NASA manned space program.
Item consists of a video recording by Tonya Mais of the Audio by Artists Festival. The recording includes "I’m so Sorry", "Pure Vert", and "Half Human".
Item consists of a video recording entitled "LOVE: Leave out violence" by Video to Go, which was sponsored by the Centre for Art Tapes inn April, 2002.
Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.
Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.
Item consists of a video by Douglas Waterman. An insert in the U-matic tape box describes the video as follows:
"A static electrical charge is generated by shuffling my clothed feet over an insulator, and by postponing contact with elements having characteristics which would operate as outlets for the charges being generated. The stored charge emits an electrical fields that draws the particles (ashes) toward it. A proportion of the charge from my hand jumps to the particles as the particles rise to and contact my hand. The particles have received an overcharge which opposes it to its source, so is driven back to its resting place. Dispersal time for the particles' energy is (approx. 10 sec.) allowing it to be activated again, initiating another cycle as the particles slowly spread out."
Item consists of a video, produced by Ron Gerold, that documents an innovative, multi-layered dramatic presentation on the life of Martin Luther King Jr. This inspiring play was produced for the Cultural Awareness Youth group which is dedicated to teaching black youths their own history.
Item contains "New art Resources" for the Eye Level Gallery, including interviews with Bernice Purdy and Eric Walker on ASN (ATV) (July 30, 1984); Satire as Discontent by Dan Lander August 29, 1984); and Such Wonderful Times, a performance documentation with video by Bob Tonks and sound by David Barteaux.