Item is a program for a concert with soprano Anna Case, Metropolitan Opera Company, accompanied by Claude Gotthelf and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a concert with soprano May Peterson, Metropolitan Opera Company, accompanied by Stuart Ross and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a concert for young people by the Boston Symphony Ensemble given under the auspices of the Director of Music, Alexander F. Cleary, and the Chelsea Teachers' Club.
File contains a program for a production of "Tip Top: A New Musical Extravaganza in Two Acts" by Anne Caldwell and R.H. Burnside, featuring Fred Stone.
File contains two copies of a program for a concert by the People's Symphony Orchestra, conducted by Emil Mollenhauer with Stuart Mason, assistant conductor. The program notes were written by Warren Storey Smith.
File contains an autographed program by the soprano Frieda Hempel. The program is for a concert that she gave with the Harvard Glee Club, conducted by Dr. Archibald T. Davison. The program includes pencil annotations by J.D. Logan. File also contains Logan's ticket stub from the concert.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
File contains three season programs and one season poster for concerts by the Boston Symphony Orchestra, conducted by Pierre Monteux. The file also includes John Daniel Logan's ticket stub from one of the performances and an annotated newspaper clipping of a review by Philip Hale on one of the Symphony's performances. One of the programs is for a concert given for the Handel and Haydn Society Centenary (1815-1915) at the Symphony Hall in Boston, Massachusetts; the program includes extensive historical notes on the Society.
File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
File contains an autographed program by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The program is for a concert given by the Chicago Symphony Orchestra at the Pabst Theatre in Milwaukee, Wisconsin, presented by the Milwaukee Orchestral Association. The program contains annotations in pencil by J.D. Logan.
File contains an autographed program by the tenor John McCormack. The program is from a recital McCormack gave at the Milwaukee Auditorium, accompanied by Lauri Kennedy (cello) and Edwin Schneider (piano). The program is annotated in pencil by J.D. Logan. The file also includes Logan's ticket stub from the concert.
File contains an autographed program by Leopold Stokowski, the conductor of the Philadelphia Orchestra. The program is for a concert given by the Philadelphia Orchestra at the Milwaukee Auditorium. File also contains J.D. Logan's ticket stub from the concert.
File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.
File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.
File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.
File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.
Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.
File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.
File contains two copies of the program, which featured Ellen Ballon as a guest pianist with the United States Military Academy Band, conducted by Captain Francis E. Resta.
File contains a program for The Town Hall concert series in New York where Ellen Ballon performed February 13, 1943; a program from the Columbus Philharmonic Orchestra, conducted by Izler Solomon, with whom Ballon performed March 20, 1944; and a poster advertising Ellen Ballon, by her personal representative, Andrew Schulhof.
File contains two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
File contains two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the fourth French horn players.
File contains two copies of the first and second trombone parts and one copy of the third and fourth trombone part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trombone players.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the third French horn players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trombone players.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first bassoonists.
Item is the third and fourth trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
File contains an autographed photograph of Antal Dorati, the conductor of the Dallas Symphony Orchestra, in commemoration of the United States' premiere of Heitor Villa-Lobos' first piano concerto.
File contains newspaper clippings that mention Ellen Ballon. Topics range from concert reviews, her favourite recipes, lifestyle, the death of her mother (Charlotte Ballon, nee Klein), and her contributions during the Second World War. One of the articles reports on her premiere performance in Rio de Janeiro of Heitor Villa-Lobos' first piano concerto.
File contains copies of the manuscripts for two untitled pieces by George Barati (born Gyorgy Braunstein), written at the MacDowell Colony between June 19 and June 22, 1948. The first composition is dedicated to his wife, Ruth.
![If love were all : [sheet music]](/uploads/r/dalhousie-university-archives/2/c/0/2c0bb5567c89d139a00e5c27f37af279987ce4afabc6523b79153eadb6111f0e/MS-5-1_3_59_access_142.jpg)
![Izler Solomon : [autographed photograph]](/uploads/r/dalhousie-university-archives/d/0/9/d0951da31a7861ee920bf0596f2be2c73be764805629543d829e762bf8cb6946/MS-5-2_9_3_access_142.jpg)
![Concerto para piano e orquestra : [autograph manuscript]](/uploads/r/dalhousie-university-archives/0/c/9/0c981dead27b37c2301c0f1b4dc2b74e90f642bd9bf175de9628394db7365c56/MS-5-2_6_1_access_142.jpg)
![Antal Dorati : [autographed photograph]](/uploads/r/dalhousie-university-archives/c/6/4/c64c9dbb2ac20184b7d7b6f6416268b3ede1b6227449ea8b42c0fc27abc5eb81/MS-5-2_9_4_access_142.jpg)