File contains original and annotated copies of set designs for Neptune Theatre's production of "Chicago," directed by Ron Ulrich and designed by Art Penson. Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains the original set designs for Neptune Theatre's production of "To Kill a Mockingbird," directed by Ted Dykstra and designed by Patrick Clark. Eleanor Creelman was the technical director.
File contains set designs for Neptune Theatre's production of "The Sound of Music," directed by Marcia Kash and designed by John Dinning. Eleanor Creelman was the technical director.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Soul Alone," directed by Anthony Black and designed by Corey Mullins. Eleanor Creelman was the technical director. The designs are drawn to scales of 1/2" = 1' and 1" = 1'. The file includes a colour drawing of one of the props, a set of double doors.
File contains annotated copies of set designs for Neptune Theatre's production of "The Love List," directed by Ron Ulrich and designed by Corey Mullins. The designs are drawn to scales of 1/4" = 1' and 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Tuesdays with Morrie," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney. Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf?," directed by Ron Ulrich and designed by Art Penson. Eleanor Creelman was the technical director.
File contains set designs for Neptune Theatre's production of "The Vertical Hour," directed by Ron Ulrich and designed by Doug Paraschuk. The designs are drawn to the scale of 1/4" = 1'. The technical director for the production was Eleanor Creelman.
File contains set designs for Neptune Theatre's production of "The Miracle Worker" for the 2007-2008 season, directed by Ted Dykstra and designed by Michael Gianfrancesco. The designs are drawn to the scale of 1/2" = 1'. The technical director for the production was Eleanor Creelman.
File contains set designs for Neptune Theatre's production of "High School Musical," directed by David Connolly, designed by Julia Tribe, and drawn by Jung-Hye Kim.
File contains set designs and the light plot for Neptune Theatre's production of "No Great Mischief," directed by Richard Rose and designed by Charlotte Dean (set) and Graeme Thomson (lights).
File contains original set design drawings and a copy of the light plot design for Neptune Theatre's production of "Mesa," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Susan Ferley and designed by John Dinning. The file also includes a copy of a note from John [Dinning] to Ron [Ulrich?].
File contains copies of touring set and light designs for Neptune Theatre's studio production of "La Sagouine," directed by Linda Moore and designed by Kathleen Irwin (set) and John Munro (lights).
File contains a copy of a set design for the Young Neptune production of "Land of Trash and Square Eyes," directed by J. White and designed by M. Hoeschen.
File contains original and annotated copies of set and prop designs for Neptune Theatre's lunchtime production of "Village Wooing," directed by D. Schurman and designed by L. Preston.
Item is a marker sketch of a design for Dalhousie Theatre's production of the Good Woman of Setzuan. The left side of the sketch is for scene 6 and shows an empty thought bubble. The right side of the sketch is for scene 5 and also shows an empty thought bubble. The left side of the sketch is folded underneath the rest of the sketch.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure tied to a chair with a gag in her mouth.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure leaning on a table with a hole in her body while a male figure eats her heart. Another female figure sits at the table and there is a light hanging over them. There is a speech bubble coming from the male figure which says "Mmmm!!! A good heart is a terrible thing to taste!!!"
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 8 and the sketch shows the inside of a tobacco factory, with a conveyor belt and other machinery.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 9, in Shui Ta's office. The scene is mostly blank except for a framed portrait hanging on a wall.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a male figure, a female figure, and another female figure holding two children. The male figure is holding several cigarette boxes and smoking several cigarettes. There is a speech bubble coming from the male figure that says "if it's free... then yes... we need it!!!" The group of figures are standing in front a building that says "take and ye shall receive."
Item is a sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is composed of a photocopy of an original sketch which has been cut apart and recoloured in some places. The sketch shows a male figure, a female figure, and another female figure holding two children. The male figure is holding several cigarette boxes and smoking several cigarettes. There is a speech bubble coming from the male figure that says "if it's free... then yes... we need it!!!"
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is of the inside of a restaurant.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch is of the inside of a restaurant.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a field with a park bench and a house in the distance.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for outside the gym at Rydell High in act I, scene II. The sketch shows a large door with steps in front of it and a sign that says "GYM." There are notes about the design on the front and back of the sketch.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.
Item is a program from an exhibit called "Design is a Six Letter Word: Works of Robert Doyle." The exhibit ran from March 25th 1988 to June 26th 1988 at the Dalhousie Art Gallery. The program features a black and white reproduction of a set design painted by Robert Doyle.
File contains the original set designs for Neptune Theatre's production of "Tonight at 8:30" directed by John Neville with designs by Robert Doyle for "Still Life" and "Hands Across the Sea".
File contains the original set designs for Neptune Theatre's production of "Much Ado about Nothing," directed by Denise Coffey with set designs by Robert Doyle.
File contains set designs for Neptune Theatre's production of the "Wizard of Oz," directed by Ron Ulrich with designs by Art Penson. The file includes Penson's original drawings and annotated copies. File also includes two copied sheets of set designs for "Special Occasions," another Neptune Theatre production directed by Ulrich and designed by Penson (see MS-3-1, OS Folder 156).
File contains set designs for Neptune Theatre's production of "Come Back," with designs by Art Penson. The file includes Penson's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Sea Horse," directed by Tom Kerr and designed by Ted Roberts. File contains original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Present Laughter," directed by Tom Kerr with designs by Jim Guedo. The file includes Guedo's original drawings and annotated copies.
