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South America Music
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Concerto para piano e orquestra : celesta

Item is the celesta part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The part was copied by Fran Averede. The instrumentation has been crossed out in pencil and re-labelled "harpa" (harp).

Guia prático : [for piano]

File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.

Villa-Lobos, Heitor

Bachianas Brasilieras no. 3 : [conductor's score]

Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.

Villa-Lobos, Heitor

University of the Air

  • UA-46
  • Collection
  • 1976 - 1983
Collection comprises digital video files of four teaching series produced for television in Atlantic Canada and hosted by Dalhousie University faculty, including: series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).

Dalhousie University. University of the Air

Concerto para piano e orquestra

Subseries contains scores and parts for Villa-Lobos's first piano concerto, dedicated to Ellen Ballon. It includes the autograph manuscript, copies of the manuscript, a two-piano reduction of the concerto, and parts for each of the orchestral instruments (piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 4 trombones, tuba, timpani, tam-tam, triangle, bass drum, harp, strings). The concerto premiered on October 11, 1946 at the Teatro Municipal in Rio de Janeiro, featuring Ellen Ballon as the piano soloist with Heitor Villa-Lobos conducting the Orquestra do Teatro Municipal. The score and orchestral parts were presumably used at the premiere performance as well as a few subsequent performances, indicated on several of the individual instrumental parts.

Villa-Lobos, Heitor

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