Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a character with three faces, probably a god. The sketch shows one male figure wearing the costume.
Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for an old woman and a carpet dealer and the sketch shows one female figure wearing the costume.
Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Shen-Te as a prostitute and the sketch shows one female figure wearing the costume.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 1 and the sketch shows the inside of a tobacco shop.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. Some sort of rub-on coloured film and dots have also been used. The sketch is of the inside of a courthouse.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a male figure in a pilot outfit standing on top of a pile of people. There is a speech bubble coming from the male figure that says "I'd like to thank all the little people!!!" There is a caption next to the figures that says "The road to success is paved with well-intentioned people!!!"
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a field with two trees and a trash can. Some portions of the sketch are photocopied from an original. There are some portions of the sketch which have been cut out and reattached or covered with other pieces of paper.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a figure sitting on a bench in a field with a trees and a trash can. The figure is holding a can.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Ligurio. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Fra Timoteo. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Siro. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Lucretia. The sketch shows a large close-up of the mask and a small figure wearing the entire costume. There are also some details of the character's hair.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a character named Zacharie Moirrow (Moirroiv?). The sketch shows a male figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a courtier. The sketch shows a male figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a character named Madeleine Bejart. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for an unidentified woman with a black mask, dress, and veil. The sketch shows a female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a husband and the sketch shows one male figure wearing the costume and smoking.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a carpenter named Lin To and the sketch shows one male figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Mrs. Mi Tsu, a property owner, and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a priest and the sketch shows one male figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a niece who is a prostitute and the sketch shows one female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costumes are for two prostitutes and the sketch shows two female figures wearing the costumes.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for an unidentified man with a fur muff and the sketch shows one figure wearing the costume.
Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Shen-Te as "granola" and the sketch shows one figure wearing the costume.
Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Wong the water seller and the sketch shows one figure wearing the costume.
Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Mrs. Yang and the sketch shows one female figure wearing the costume.
Item is a pen and marker sketch of a design for Dalhousie Theatre's production of the Good Woman of Setzuan. The left side of the sketch is for scene 7 and shows an empty thought bubble. The right side of the sketch is for scene 4 and also shows an empty thought bubble. The left side of the sketch is folded underneath the rest of the sketch.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 4A and the sketch shows a female figure who is being manipulated like a marionette by a male figure. There is a speech bubble coming from the male figure which says "You are free to do anything you wish... as long as you do what I say!!!" There is also a female figure, probably a prostitute, who is leaning against a lamppost and has the word "Cheap!!!" next to her head.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 9, in Yan Sun's office. The scene is mostly blank except for a framed portrait hanging on a wall.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mandragola. The costume is for a character named Callimaco. The sketch shows a large close-up of the mask and a small figure wearing the entire costume.
File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Hanna Kennedy and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a character named Mariette Rivale. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a member of the Order of the Holy Writ. The sketch shows a figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a woman in the ensemble. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a woman in the ensemble. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a man in the ensemble. The sketch shows a male figure wearing the costume.
File contains various documents related to Robert Doyle's activities at Dalhousie University. The documents include information about retirement benefits, correspondence about the Blackmore Award, a character sketch assignment description, reviews of the Costume Studies program, and unit reviews. Correspondence include letters and memorandums to and from Robert Doyle, Peter Perina, Lynn Sorge, Amy Sampson, Ray D. Byham (Assistant Dean, Student Matters), John T. O'Brien, and Tanis Delaney. The file contains several student letters of endorsement for the Costume Studies program. The file also contains a photocopied map of the Halifax Metro Centre.
File contains documents from costume design courses taught by Robert Doyle between 1995 and 1997. The documents include completed assignments written by students, class schedules, photocopied handouts about ancient costumes, and course outlines. The course represented by these documents include History of Costume, The Aesthetics of Ritual Costume, Tailoring, Textile Fabrications, and The Designer's Language, and others.
File contains a variety of documents related to Robert Doyle's activities at Dalhousie University and the course that he taught in the 1996-1997 academic year. The documents include: class lists; student grades; examination books; course outlines; photocopies of articles; Dalhousie Faculty Association documents; departmental meeting agendas; production notes; several letters to students about whether they were returning to the program; two unopened pay stubs; photographs of a ball gown; a pamphlet about the Costume Studies program; an issue of "Explorer: Research News at Dalhousie"; and an issue of "Focus: on University Teaching and Learning." The courses represented by these documents include History of Costume, The Designer's Language, Tailoring, and Textile Fabrication.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
File contains appointment letters, contracts, and other correspondence related to Robert Doyle's activities at Dalhousie University. The file contains correspondence between Robert Doyle and Bonnie Best-Fleming (Reserve Assistant, Dalhousie University Library); Donald D. Betts (Dean, Faculty of Arts and Science); Dr. Howard Clark (President); Basil Cohen; Brian C. Crocker (University Secretary and Legal Counsel); Leland Crowell (Co-ordinator, Employee Benefits); Henry Hicks (President); James Grey (Dean); D. Johnson (Officer); L. H. Lawrence (Chair, Department of Theatre); W. Andrew MacKay (President); Oriel C. L. MacLennan (Information Services, Dalhousie University Library); Susie Manthey; Dr. Overton; Peter Perina; Richard Roy (Director, Paris American Academy); Cindy Russel; Alasdair M. Sinclair (Vice President, Academic & Research); Rowland Smith (Dean, Faculty of Arts and Social Sciences); Lynn Sorge; Graham D. Taylor (Dean, Faculty of Arts and Social Sciences); and Patrick Vallee.
File contains documents related to grievances by students in the Department of Theatre against Robert Doyle, referred to as "the Doyle Case." The documents include letters, memorandums, reports, and other documents.
File contains documents related to grievances by students in the Department of Theatre against Robert Doyle, referred to as "the Doyle Case." The documents include letters, memorandums, reports, and other documents about the situation as well as the complaint statements submitted by students.
File contains various documents related to the Faculty of Arts and Social Sciences and the Dalhousie Faculty Assocaiton. The file contains a spiral bound book called "A Collective Agreement between the Board of Governors of Dalhousie College and University and the Dalhousie Faculty Association. The file also contains several memorandums to the Faculty of Arts and Social Sciences. Lastly, the file contains Robert Doyle's membership card to the Dalhousie Faculty Club.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
