File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
Item consists of a programme of events celebrating the inauguration of Alexander Enoch Kerr as the new President of Dalhousie University, November 13, 1945. Includes the text of speeches by D.L. Sutherland (President of the Council of the Students), Dean Vincent C. MacDonald (University Senate), George J. Trueman (Chairmain for the Central Advisory Committee on Education in the Maritime Provinces and Newfoundland), Lieutenant-Colonel K.C. Laurie (Chairman of the Board of Governors), and Alexander Kerr's inaugural address. Also includes a list of delegates from other institutions.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Council of Europe and the European Court of Human Rights. Subseries contains periodicals, reports, press releases, photographs, and other materials.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.
Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
This folder consists 2 programmes; Finian's Rainbow, February 27-March 1,1958 and Paint your wagon, February 25-28, 1959. This are musical that were performed the the Dalhousie Glee and Dramatic Society.
Fonds is primarily comprised of artistic programs from musical and theatrical events held predominantly in Nova Scotia, specifically in the Halifax area. Fonds also includes some music school syllabi, event competition forms and regulations, newspaper clippings, and correspondence.
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.
File contains programs for Dalhousie's 4th annual High School Invitational Basketball Tournament; Dalhousie 's athletic awards dinner; and a Saint Thomas vs Dalhousie Tigers game.
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.
The series consists of calendars and programs for various Dalhousie Art Gallery events from 1965 to 2008, with one or two copies of each issue. Information includes schedules of exhibitions, films, lectures, presentations, concerts, lunch-hour events, special events, gallery hours and contact information.
File contains programs for exhibitions and events held at Dalhousie Art Gallery between September 1965 and December 1971. Information includes exhibition schedules, art film programmes, lectures, and gallery hours.
This collection consists of records pertaining to the management and the productions of the Dartmouth Players from 1967-1975. The records include administrative documents, financial statements, correspondence, programs, and newsletters.
File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.
Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Subseries consists of Ronald St. John Macdonald's records regarding awards and honours he received during his career as a jurist, judge, and professor, including his appointment for the Order of Canada. Subseries contains correspondence, photographs, certificates, periodicals, and other materials.
File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series film screenings produced by the Dalhousie Art Gallery during the period of 1969-1970.
Records consist mainly of publicity notes including the date and times of each screening, the film title, a short description, and list of coinciding exhibitions open at the gallery.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the American Society of International Law. Subseries contains newsletters, reports, programmes, and other materials.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.
File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.
File contains draft copies of lunch hour screening schedules produced by the Dalhousie Art Gallery from 1970-1971. Also includes newspaper clipping, billing to Art Gallery, and time report from technical manager.
File contains unsorted correspondence with different individuals, including Franklin Berman, Hebert Petzold, Wilbur F. Bowker, Jianming Shen, Timothy T. Daley, Charlotte Ku, Ian M. MacKeigan, Ivan L. Head, John E. Read, John K. Akpalu, Emile K.M. Yakpo, Bozidar Bakotic, Donald S. MacDonald, W. Andrew MacKay, Eileen Janzen, B.A. Pollard, W.A. Charles, Ganshof van der Meersch, J. King Gordon, Kurt Herndl, Pierre Elliot Trudeau, Horace E. Read, C. Trevor Anderson, Thomas R. Berger, Dawn Russel, Arnold W. Zeman, C. Rhodes Smith, Susan Mann, Wang Tieya, Niki Tobi, Sienho Yee, A. Kolodkin, Frank Milligan, M.L. Friedland, Brian Dickson, George C. van Roggen, D.H.N. Johnson, Lun S. Wong, Allan J. MacEachen, J. Zourek, Pierre Charpentier, John E.C. Brierley, Henry D. Hicks, Sandra Liebel, Marcel Cadieux, Alfred E. von Overbeck, Philip Girard, T.H.B. Symons, Edward McWhinney, Philip C. Jessup, Edward.G. Lee, E.E. Appiah, M. Jean Houston, David L. Johnston, John J. Quinn, Charles B. Bourne, L. Ferrari Bravo, John M. Davison, Edgar Gold, James C. Gervais, Ko Swan Sik, D.P. Verma, G.A. Klassen, Kathleen Fisher, Peter Malanczuk, Michael D. Harris, Alexander Marschik, Manfred Lachs, Thea E. Smith, J.S. Castel, Paul E. Martin, R.M. Warren, Hideo Takabayshi, and others, regarding a wide range of topics. File includes a transcript of an interview with Innis Christie in 1988, the Halifax Club pamphlet, a United Nations Economic and Social Council report of 1991, the British Institute of International and Comparative Law director's report for 1989, the Africa Society of International and Comparative Law supplement to the application for funding submitted to the Canadian International Development Agency of June 1988, the Africa Society of International and Comparative Law annual report of 1989, University of Western Ontario Faculty of Law newsletter vol. 1, no. 2, of May 1977, and vol. 5, no.1, of January 1981, Osgoode Hall Law School Continuum periodical, vol. 2, no. 1, of 1974, the American Society of International Law newsletter vol. 21, issue 4, of August/ October 2005, the World Academy of Art and Science newsletter of winter/spring 1999, the International Ocean Institute Across the Oceans newsletter, vol. 1, issue 1, of January 1982, Cyprus Bulletin, vol. 34, no. 23 and 24, of November 1996, University of Toronto Nexus periodical of February 1991, Dalhousie University Hearsay of January 1976, Amnesty International bulletin, vol. 1, no. 1, of January 1974, McGill University Quid Novi periodical, vol. 4, no. 9, of November 1983, Dalhousie Faculty Association Dialogue, vol. 3, no. 8, of March 1990, Dalhousie Law School programme for indigenous, blacks, and Mi'kmaqs of January 1994, Dalhousie University Marine Affairs Program, Dalhousie University Faculty of Graduate Studies meeting minutes, Dalhousie University Faculty of Law special meeting minute of January 1973, Council of Europe 67th plenary administrative session meeting minute of March 1989, Lester B. Pearson College Board of Trustees meeting minute of February 1979, Council of Europe report on the functioning of the organs of the European Convention on Human Rights of 1984, the editor's agreement between Koninklijke Brill NV., Douglas M. Johnson, and Ronald St. John Macdonald regarding the book "towards world constitutionalism: issues in the legal ordering of the world community" of 2003, photograph of John E.C.B. in front of Killam Memorial Library in 1985, a photograph of John Peters Humphrey possibly in 1995, two photographs of Ronald St. John Macdonald with a group of unidentified individuals in Calgary in 1974, a photograph of Ronald St. John Macdonald with Bozidar Bakotic and an unidentified man possibly in the late 1970s, a photograph of Charles B. Bourne in 1995, three photographs of Dalhousie University Law School Students of 1982-1983, a drawing of an unidentified man - possibly a judge, a transcript of an interview with Myres S. McDougal in 1994, a transcript of an interview with Charles B. Bourne in 1992, annotated typescripts, handwritten notes, newspaper clippings, and other materials. File includes a letter from Bozidar Bakotic to Ronald St. John Macdonald reporting that censorship forbade him to contribute to the development of one of Ronald St. John Macdonald's book.
The file contains draft copies of exhibition schedules and descriptions, newspaper clippings, a list of paintings, a list of works in permanent collection, and course descriptions for African studies.
File contains programs for The Banff School of Fine Arts (Hansel and Gretel and The Festival Orchestra, 1970) and for the Atlantic Symphony Orchestra Choral Concert Series, 1970/71.
File contains several programs and calendars for events held at the Dalhousie Arts Centre as part of the Dalhousie cultural activities series between September 1971 and April 1974. Information includes schedules for exhibitions, films, concerts, and lunch-hour events.
