File contains candidates' advertising materials including Randall Smith and James Barlow, Chris Thurrott, Robbie Shaw and Liz Campbell, Ed Hearn and Geoff Fulton, Andy Winstanley and Mike Curtis, Robbie Shaw and Liz Campbell, and others.
File contains unsorted correspondence with different individuals, including Krystyna Kowalik-Banczyk, R.P. Anand, Dieter Tietz, Jeremy Thomas, Hugo Caminos, Peter H. Rohn, H.D. Hicks, W.A. MacKay, Matthew Garfield, Martin Cohn, Andrew J. Peter, Pierre Elliot Trudeau, Richard N. Gardner, Paul E. Martin, Stephen Hanson, Gerald A. Beaudoin, H. Wade MacLauchlan, J.D. Arnup, H. David Archibald, Ian G. Baxter, M.I. Bateman, G.V.V. Nicholls, Colonel Wendell Blanchard, J.F. Edmonds, Ivan L. Head, J.S. Nutt, M.B. Dymond, Eiichi Fukatsu, L. Brothers, John R. Cartwright, Diana Maughan, Amber Pashuk, Alexandre Kiss, Reem A. Bahdi, Wolgang Strasser, Tauno Bergholm, A. Ch. Kiss, Eileen Janzen, Suzanne Lalonde, Marianne Scott, Manuel Rama-Montaldo, Donat Pharand, Walter Truett Anderson, Barry L. Mawhinney, Hans Corell, and others, regarding a wide range of topics. File includes the American Society of International Law newsletter of March and May 1994, the American Society of International Law newsletter vol. 21, issue 3, of May and July 2005, the Society of Legal Scholars newsletter of winter 2003, the Canadian Council on International Law bulletin vol. 27, no. 2, of spring 2001, the Canadian Council on International Law bulletin vol .31, no. 1 and 2, of spring and summer 2005, a United Nations General Assembly reports of 1965 and 1970, a photograph of Ronald St. John Macdonald with an unidentified man in 2001, a photograph of Ronald St. John Macdonald receiving his Doctor of Laws degree at McGill University in 1988, a photograph of Ronald St. John Macdonald with B.L. Laskin and J.B. Milner in 1965, annotated typescripts, handwritten notes, and newspaper clippings.
File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.
Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.
File contains research notes and articles collected by Kenneth Leslie in the mid-1960s related to fluoridation. File contains correspondence written by Miss Jean M. Ross submitted to The Rt. Hon. L[ester] B. Pearson and The Hon. Judy LaMarch, as well as Dr. G.D.W. Cameron [Deputy Minister of National Health], a copy of Miss Ross's 12-page publication 'The fluoridation fraud', as well as pamphlets and articles from the the Fraser Burgh Herald, the New York Times, Pure Water Association of Santa Clara County, and the Greater Milwaukee Committee Against Fluoridation.
File contains correspondence with different individuals, including Ronald Thomas Donald, G.R. George, Kenneth Strand, G.H. Crouse, Mitchell Sharp, Allan Leal, and others.
File consists of records related to the planning of a solo exhibition at the Dalhousie Art Gallery of Carole Fraser’s drawings and paintings. Arranged by the Dalhousie Art Gallery for the 1965 rotation, this exhibition travelled with the Atlantic Provinces Art Circuit (APAC) from 1966 to 1968.
Records include a pamphlet for the cancelled 1964 exhibition ‘Works by Sarah Jackson, Carol Fraser and Aileen Meagher’; newspaper clippings discussing Fraser’s work and solo exhibition; box and artwork lists; correspondence with Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery, regarding Fraser’s works; two Dalhousie newsletters; and exhibition pamphlets from APAC member galleries.
File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.
Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).
File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.
Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.
File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes
Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.
File contains correspondence with different individuals, including H.C. Eastman, John Durnford, G.F. Curtis, R.T. Donald, Stanley Schiff, R.E. Scane, R.C.B. Risk, A.W. Mewett, Bradley Crawford, and others. File includes handwritten notes, typescripts, and other materials related to the subject.
File consists of records related to the exhibition 'Paintings, Drawings and Prints by Christopher Pratt' arranged and presented by Dalhousie Art Gallery in February 1966.
Records consist mainly of correspondence, including a letter from Pratt to Evelyn Holmes. Records also include newspaper clippings, receipts, a list of artworks, and an exhibition itinerary.
File consists of Ronald St. John Macdonald's biographical materials collected by him during his life. File includes Ronald St. John Macdonald's statutory declaration in the matter of membership in the Law of Society of Upper Canada, materials submitted to the Canadian Who's Who, newspaper clippings, periodicals, typescripts, publications lists, and other materials.
File consists of records related to 'exhibition by Members of Faculty: Nova Scotia College of Art' presented at Dalhousie Art Gallery in January 1967.
Records consist of an exhibition pamphlet, an informational brochure about the College's offerings for 1966-1967, entry forms, a price list, and a newspaper clipping of a review by Marion Moore.
File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.
Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.
File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.
Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.
File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.
Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).
File includes newspaper clippings about Ronald St. John Macdonald's work and his writings, including the articles "security council memberships", "fishing zones", "Canada-US disputes needs new solutions", "important step forward at Western", and "individual rights overlooked in quest to protect groups". File includes two issues of the University of Toronto Versity News periodical of 1967, an issue of the University of Toronto Staff Bulletin of 1968, and the issue vol. 77, no. 3, of October 1997, of the McGill News periodical which contains an article mentioning Mairi St. John Macdonald, and other materials. File contains a letter from Ronald St. John Macdonald to Craig Scott related to lunch arrangements.
Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).
Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.
File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.
Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.
File consists of records relating to the exhibition 'French Painting 1863-1955', organized by the National Gallery of Canada.
Records consist of exhibition texts and publicity material created by the National Gallery, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a condition report, itinerary, memo from the Maritime Art Association, and a newspaper clipping titled 'Exhibition of 50 French Paintings Open at MSVC'.
File consists of records related to the exhibition 'Paintings, Drawings, Sculpture by David Paton and Alex Tissington' organized by and presented at the Dalhousie Art Gallery from April 1-18, 1968. This exhibition was a part of the Know Your Artist Series.
Records consist of correspondence with Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), and Curators of other galleries in the Atlantic Provinces Art Circuit, a photocopy of a newspaper article titled 'Perspectives in Art' by Rae Perlin, two newspaper clippings promoting the exhibition, a packing list, a guest list, biographies for Paton and Tissington with handwritten notes, and a draft exhibition pamphlet.
File contains correspondence, posters, programs and contracts for recitals and concerts in which Stephen Pedersen performed solo, with his wife, Virginia Beaton, and with groups including Scotia Winds, Chebucto Symphony Orchestra, Atlantic Symphony Orchestra and the Hamilton Philharmonic Orchestra Symphony.
File consists of records related to the exhibition 'Welded Steel Sculptures by Tom Forrestall', organized by the University of New Brunswick Art Centre for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in December 1969.
Records consist of a condition report, a newspaper clipping, a publicity sheet from the University of New Brunswick, and correspondence between Evelyn Holmes and curators of APAC member galleries.
File consists of records related to the exhibition 'Jordaens', a significant exhibition of Jacob Jordaens' paintings organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in October 1969.
Records consist of an invitation, a calendar of events for the National Gallery for the period of November 15, 1968 to January 15, 1969, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) including letters regarding the safety of the Jordaens' artworks during blasting activities on campus, including seismographic data, newspaper clippings regarding the exhibition, including one titled 'Jordaens Canvas Displayed After Shock Test', descriptive exhibition text provided by the National Gallery of Canada, a copy of 'Jordaens and Flemish Opulence' from Flemish Painting Volume 2, and three National Gallery press releases.
File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.
Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).
File consists of records related to the planning of an exhibition of works by William Kohn, organized by the Dalhousie art Gallery through Kohn's gallery representative, The Graphics Gallery, san Francisco. The exhibition was presented by the Dalhousie Art Gallery in December 1971.
Records consist primarily of correspondence between The Dalhousie Art Gallery, Kohn, and The Graphics Gallery. Additional records consist of a new release from the Oakland Museum, press about the Graphics Gallery, a loan agreement form, a C.V., biography, and list of artworks for Kohn, a photocopy of a newspaper article titled 'Austere Forms at the Graphics' about Kohn's artwork, and a copy of a review of Kohn's work by Lucian Krukowski.
File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.
Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.
File contains correspondence with different individuals including Roger Carter, Simon R. Fodden, Niel Gold, John E.C. Brierley, Guy Henson, R.T. Donald, W.A. MacKay, Henry D. Hicks, J. Alan Beesley, Marc Schreiber, Sidney Goldenberg, Manfred Lachs, C.H.C. Edwards, Geral L. Fridman, M.L. Friedland, H.D. Stewart, Roland Michener, D.W. Fulford, Donald S. Macdonald, and others, regarding a wide range of subjects.
