Showing 191 results

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

File consists of records related to the Circles from Semaja exhibition, held at Dalhousie Art Gallery from November 19 to December 15, 1974.

Records consist of correspondence between Samaja and staff of Dalhousie Art Gallery, purchase receipts for frames and postcards invitations, lists of artworks and prices, mailing lists, and an invitation card.

File consists of records related to the exhibition of works by Eric Fischel , held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memo, a floor plan, and an invitation card.

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

File consists of records related to general planning and organizing of exhibitions for the 1971-1972 academic period at the Dalhousie Art Gallery.

Records consist of correspondence, packing lists, insurance slips, and itineraries for various exhibitions including: Sketches by the Group of Seven, Six Paris Artists, The Salvation Army's 90th Year in Canada: National Art Cavalcade, Alex Colville Serigraphs, Roy Kiyooka, and Invitational Photographers.

File consists of records related to the planning, organizing, and presentation of exhibitions at the Dalhousie Art Gallery for the 1968-69 year.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery). Records also include two press releases from the National Film Board's Still Photography Division.

File consists of records related to the planning, organizing, and lending of exhibitions at the Dalhousie Art Gallery for the 1969-1970 period.

Records consist mainly of correspondence of Evelyn Holmes. Records also consist of memorandum to APAC members, and descriptive text for exhibitions available for loan from the George Eastman House, Atlantic Provinces Art Circuit, and the National Gallery of Canada.

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

File consists of exhibition records for the period of 1965-1966.

Records consist of correspondence from Dr. Usmiami, exhibition schedules, a catalogue for 'Canadian Artist Series VIII: Cowley Bobak', organized by the National Gallery of Canada, and handwritten notes for exhibition plans for the Dalhousie Art Gallery.

Files consist of records relating to exhibition planning for the period of 1966-1967.

Records consist mainly of correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada, The National Film Board, Louis Rombout (Acting Curator, Mount Allison University), Bruno Bobak, Carol Fraser, and others. Records also include an exhibition schedule for the Nova Scotia College of Art, and a list of exhibitions available for loan from the National Gallery.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1967-1968.

Records consist of notes and drafts for exhibitions schedules, lists of circulating exhibitions available through the National Gallery of Canada and the Maritime Arts Association, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), loan agreements, Dalhousie newsletters, and a programme brochure draft,

File consists of records relating to exhibitions and artworks which did not occur, despite attempt made to book them, for the 1971-1972 period of shows at the Dalhousie Art Gallery.

records consist mainly of correspondence with other galleries, especially the National Gallery of Canada, regarding exhibitions available for this period which the Dalhousie Arts Gallery wished to have circulate through their location. Additional records consist of catalogues and descriptive exhibition texts.

File consists of records related to the travelling exhibition 'Miniature Portraits of the Fathers of Confederation' presented at Dalhousie Art Gallery from October 11-21, 1967, through the Centennial Commission. The portraits were created by Juliette de Lavoys and commissioned by Samuel L. Bronfman, who donated the collection to Canada.

Records consist of an exhibition itinerary, a Dalhousie newsletter, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the Centennial Commission, and Roy King (Manager, New Bureau; representative of Mr. Bronfman), a shipping invoice, and exhibition instructions.

File consists of records related to the Ferdinand Roten Galleries Exhibition, held at Dalhousie Art Gallery in October 1974.

Records consist of correspondence between Gerry Gleason (Assistant Scheduling Director, Ferdinand Roten Galleries) and staff of Dalhousie Art Gallery, a press kit, a guide to publicity placement for the exhibitions, 2 photographs, and a postcard.

File consists of records related to the film programme presented at Dalhousie Art Gallery for the spring term of 1976.

Records consist of program schedules, invoices, and correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Tom Urguhart of the Canadian Filmmakers Distribution Centre regarding film bookings and rental rates. Also includes the film program schedule for the 1975 fall.

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.

Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

File consists of records related to the first annual Dalhousie drawing exhibition, organized and selected by Michael Snow. The show was held at Dalhousie Art Gallery from January 9 - 28, 1976. The artists that participated in this exhibition were Michael Snow, Royden Rabinowitch, Joyce Wieland, John Meredith, Ron Martin and Dennis Burton.

Records consist of a list of works exhibited, biographies of included artists, a floor plan, clippings, interdepartmental memos, insurance documents, lists of expenses, invoices, and correspondence with Michael Snow and other galleries(lenders to the exhibition). Also includes invitation cards and photographs of drawings, including "Musical Chairs" and "Drive #2" by Michael Snow and "Dream" by Joyce Wieland and a picture of "Notebook #42, 1973, pages 69-70" by Dennis Burton.

File consists of records related to the Flora Rey exhibition held at Dalhousie Art Gallery in October 1973.

Records consist of two copies of condition report and an article titled 'Rey Poetically Persuasive,' written by Ernest Smith (Director, Dalhousie Art Gallery) of the Dalhousie Gazette published on October 26, 1973. Records also include correspondence from the Embassy of Argentina in Ottawa, a copy of a paper titled 'Exciting exhibition by Argentine artist' of the Ottawa Journal published on October 17, 1973.

File consists of records related to the exhibition of drawings by Frank Nulf, held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memos, correspondence, newspaper clipping, a floor plan, catalogue materials including an introduction, biography, list of works, and a copy of an article titled "All art is at once surface and symbol. Those who go beneath the surface do so at their peril." by Ron Shuebrook. File also includes a photographic print of Nulf's drawing (untitled) and an invitation card.

File consists of records related to a poetry reading by Fred Cogswell, held at Dalhousie Art Gallery on November 17, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Fred Cogswell. File also includes interdepartmental memos, professional biography of Cogswell, and a copy of report to The Canada Council on the Public Reading.

File consists of records relating to the exhibition 'French Painting 1863-1955', organized by the National Gallery of Canada.

Records consist of exhibition texts and publicity material created by the National Gallery, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a condition report, itinerary, memo from the Maritime Art Association, and a newspaper clipping titled 'Exhibition of 50 French Paintings Open at MSVC'.

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

File consists of records related to presenting the exhibition 'Fritz Brandtner 1896-1969: A Retrospective Exhibition', sponsored by Sir George Williams University, Montreal. The exhibition was presented at Dalhousie Art Gallery in February 1972, through circulation in the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report and handwritten condition notes, an essay on Brandtner's work, an itinerary, and correspondence between Dalhousie Art Gallery and other APAC member galleries.

File consists of records related to the exhibition 'Paintings by George Wood' organized by the Atlantic Provinces Art Circuit and presented at Dalhousie Art Gallery in October 1967.

Records consist of correspondence between Evelyn Holmes Acting Curator, Dalhousie Art Gallery) and James Little (Curator, Confederation Art Gallery), and George Wood (Assistant Curator, Alberta College of Art), a biography of Wood, list of artworks, and exhibition contract agreement between Dalhousie Art Gallery and Memorial University of Newfoundland.

File consists of records related to the George Wood Exhibition, held at the Dalhousie Art Gallery from June 5 to 30, 1973.

Records consist of condition reports, a list of paintings, a packing list and instructions, and correspondence between Mark Holton (Curator, Dalhousie Art Gallery) and staff of the Memorial University of Newfoundland Art Gallery regarding transferring the exhibition.

File consists of records related to the exhibition 'Gino Lorcini', organized by the Art Gallery, Memorial University, St. John's and arranged in collaboration with Galerie Godard Lefort, Montreal. The Exhibition was scheduled to be presented at Dalhousie Art Gallery in March 1970, however was declined after significant shipping damages occurred.

Records consist of correspondence between APAC member galleries and two condition reports

File consists of records related to the exhibition of prints and drawings from the eighteenth century prepared in conjunction with the 18th Century Society of Canada , entitled "Gleams of a Remoter World," presented at Dalhousie Art Gallery from March 22 - April 14, 1976.

Records consist of lending institutions files, correspondence, insurance documents, lists of works, and lists of expenses, opening invitations, floor plan, and clippings.

File consists of records related to the exhibition 'Graham Coughtry Retrospective' organized by the Robert McLaughlin Gallery in Oshawa. The exhibition was presented at the Dalhousie Art Gallery from May 31 to June 26, 1976.

Records consist of condition report, correspondence, a floor plan, clippings, a news release, invoices, and opening invitation cards.

File consists of records related to the exhibition of sculptures by Martin Graham Dube, presented at the Dalhousie Art Gallery Sculpture Court from October 8-29, 1975.

Records consist of correspondence, Dube's handwritten biography, a floor plan, artist's statement, interdepartmental memos, list of expenses, an invitation card, invoices and purchase orders.

File consists of records related to the exhibition 'Camera in Abstract' photographs by Guenter Karkutt, organized by Dalhousie Art Gallery. The exhibition was shown at Memorial University Art Gallery in October 1972.

Records consist of an exhibition condition report, an insurance certificate, and correspondence between Alberta Mayo (Secretary, Dalhousie Art Gallery) and Peter Miskell (Administrative assistant, Memorial University Art Gallery) and Frank Lapointe (Curator, Memorial University Art Gallery).

File consists of records related to the Molinari exhibition, held at Dalhousie Art Gallery in October 1972. The following year, the exhibition was presented at Memorial University Art Gallery, St. John's, Newfoundland, from January 5 to 29, 1973.

Records consist mainly of correspondence between Mark B. Holton (Assistant curator, Dalhousie Art Gallery) and Guido Molinari, Frank Lapointe (Curator, Memorial University Art Gallery) and Ernest W. Smith (Director, Dalhousie Art Gallery). Records also include biographical information about Guido Molinari, lists and pricelists of paintings, insurance files, shipping notes, a condition report, and newspaper clipping.

File consists of records related to the Henry Moore photographic exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery from April 7-24, 1967.

Records consist of a packing list, loan agreement, condition report, and correspondence of Evelyn Holmes.

File consists of a records related to the exhibition 'Historic Buildings in Canada' organized by the National Gallery of Canada and presented at Dalhousie in March 1966.

Records consist of an exhibition catalogue, correspondence between Evelyn Holmes and the National Gallery of Canada, contractual documents, and a press release from the National Gallery regarding the exhibition.

File consists of records relating to the presentation of 'Image 6', an exhibition organized by the Still Photography Division of the National Film Board, and circulated through the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report, correspondence between Dalhousie Art Gallery and staff of the National Film Board, a review of the exhibition, French-language documents regarding the reservation of the exhibition, a price list, and French-language descriptive text for the exhibition.

File consists of records related to the exhibition 'Jordaens', a significant exhibition of Jacob Jordaens' paintings organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in October 1969.

Records consist of an invitation, a calendar of events for the National Gallery for the period of November 15, 1968 to January 15, 1969, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) including letters regarding the safety of the Jordaens' artworks during blasting activities on campus, including seismographic data, newspaper clippings regarding the exhibition, including one titled 'Jordaens Canvas Displayed After Shock Test', descriptive exhibition text provided by the National Gallery of Canada, a copy of 'Jordaens and Flemish Opulence' from Flemish Painting Volume 2, and three National Gallery press releases.

File consists of records related to the James Shirley Exhibition "Winter Visions," held at Dalhousie Art Gallery from August 15 to September 1, 1975.

Records consist of interdepartmental memos, invoices, cheques, list of expenses, a floor plan, correspondence, a photograph of Jim Shirley with four individuals at the opening night reception, and a list of works and prices. File also includes untitled photographs and an invitation card.

File consists of records related to a joint exhibition of artworks by John and Joice Hall, titled John Hall: Paintings, and Joice Hall: Celebration Landscapes. The exhibition was presented at Dalhousie Art Gallery from July 5-31, 1976.

Records consist of correspondence, a news release, a list of artworks, financial statement for exhibition expenses and interdepartmental memos, a floor plan, loan agreements, and clippings. Records also include photographic prints of paintings.

File consists of records related to a poetry reading by John Ditsky, a professor in the Department of English at the University of Windsor, held at Dalhousie Art Gallery on October 6, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and John Ditsky. Many letters are handwritten. File also includes invoices and purchase orders, interdepartmental memos, an invitation card, and a blank form of a report to The Canada Council on the Public Reading.

File consists of records related to the exhibition by John Greer, part of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from April 17 to May 19, 1974.

Records consist of correspondence between Dalhousie Art Gallery and Greer, newspaper clippings, insurance papers, list and pricelist of artworks, booklet orders, and a handwritten list of awards, solo and group exhibitions between 1964 and 1971, and descriptions of Greer's visual puns. File also contains postcard invitations to exhibition; photo of 'sceptical spectacles' used for a postcard invitation.

File consists of records related to the planning and presentation of an exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between the Dalhousie Art Gallery and John Pearson, as well as a biography of Pearson, an artist statement, C.V., and a draft press release.

File consists of records related to the planning of a joint exhibition of works by John Will and Marvin Jones, organized and circulated by Glenbow-Alberta Institute and presented at Dalhousie Art Gallery from September 4-28, 1975.

Records consist of correspondence with other galleries, a floor plan, a list of expenses, and a loan agreement form.