Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a husband and the sketch shows one male figure wearing the costume and smoking.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The sketch shows an unidentified person who is wearing a cloak and holding a bright light. The sketch's caption says "An Apothecary!" The sketch is mounted on a dark red matboard.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costumes are for characters named Mr. and Mrs. Beetle. The sketch shows a male figure and a female figure wearing the costumes.
File contains six collages of photographs which were used as research for set designs and costumes. The collages were part of Robert Doyle's teaching portfolio. The photographs are mounted on matboards and show various unidentified people and locations.
Item is a watercolour sketch of costume designs for the Pan-American Games. The sketch shows six figures wearing the costumes in six different colours in front of a colourful backdrop. Fabric swatches are stapled to the sketch.
File contains two magazine clippings from the New York Times and the National Enquirer. One clipping is an advertisement for men's shirts and the other is an article about Nancy Reagan's outfits. The clippings include colourful photographs of the clothing and may have been used as research material for costumes.
File contains posters for the "1864" Historical Costume Showcase, a letter about the 1864 Costume Workshop, a schedule for Charlottetown Heritage and History Day, a paper called "Re-creating our Heritage: A paper, presented to the Charlottetown Confederation Players on the merits of recreating an image of the island historical heritage," other correspondence with the Charlottetown Confederation Players and the Historical Costume Initiative, correspondence with the Capital Commission, several fabric samples, and photocopies of a notebook with notes about the construction of various objects (possibly set pieces). The file also contains documents related to Doyle's participation in the Citizen Ambassador Program Theatre Education Delegation to the People's Republic of China, including an application for life and disability insurance and information about a short term travel grant from the Canada Council.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
File contains a folder of pamphlets from the Bermuda Department of Tourism, a bulletin of the Canadian Federation for the Humanities, a sabbatical leave and research grants information brochure, a folder of information about a course in writing for children and teenagers from the Institute of Children's Literature, and photocopies of information about historical hats.
Sub-series contains correspondence and working notes (rehearsal schedules, fitting dates, measurements) as well as costume designs from Doyle's work on Ballet Jorgen's 25th anniversary production of Swan Lake, which toured across Canada in 2012. There are thirty-one 27 x 35-cm watercolour costume sketches rendered on heavy-weight paper, four of which are signed and dated, and most of which have textile swatches attached. There are also two 27 x 35-cm pencil sketches of headdresses and one program from the original production.
File contains set designs and one colour costume design for Neptune Theatre's production of "Alice in Wonderland, with designs by David B. Ingraham and Andrew Murray. The file includes original drawings and annotated copies.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
