File is an audio cassette tape recorded by Sheila Piercey in November 1997 with handwritten notes on the label inserted in the case that reads: Mum 88 years Nov 13/97old and Sheila 64 years old Nov 18/97.
Item is an audio recording of a practice session by Sheila Piercey on February 24, 2010. The recording is on side A of audio cassette. (Side B is blank.)
File is an audio cassette tape with recordings of Sheila Piercey's rehearsal session with Elvira Gonnella and Helen Murray for a MATS recital at Oxford United Church on March 13, 2002. The recording is on side A of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey's rehearsal session with Elvira Gonnella and Helen Murray for a MATS recital at Oxford United Church on March 13, 2002. The recording is on side B of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002.
File is an audio recording of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002. The recording is on side A of audio cassette.
Item is an audio recording of a CBC Radio 2 interview with Angela Meade(soprano) and Ryan Smith(tenor), the winners of the Metropolitan Opera National Council Auditions (2007), recorded by Sheila Piercey in 2009. The last five minutes (34:52) of the recording is Sheila Piercey's practice session on October 18, 2009. (outside spine label says Practice January 3, 2003).
Item is an audio recording of a practice session by Sheila Piercey in February-March 2006. The recording is on side A of audio cassette. Side B is blank.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Item is lecture five of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture four of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture three of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture two of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Item is lecture one of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Collection comprises digital video files of four teaching series produced for television in Atlantic Canada and hosted by Dalhousie University faculty, including: series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.
Item is an annotated composer's score of Paul Cram's Fortress America for flute, clarinet, alto, baritone, trumpet 1 & 2, trombone 1 & 2, violin 1 & 2, viola, cello, guitar, piano, bass and drums.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.
