Item contains an annotated score of Paul Cram's "The Point of Sympathy." The file includes a handwritten conductor's key and a photocopied key to formings.
File comprises 26 parts for chamber orchestra with improvisors; each part contains a key for the section of the score (@ letter E + F) that changes from traditional to graphic notation.
File contains a score for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999.
File contains parts for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999. Parts include: guitar; tenor sax; solo electric cello; piano; accordion; alto sax; bass clarinet; drums; electric bass; violin 1; violin 2; viola; cello; contrabass; flute 1; flute 2; oboe 1; oboe 2; clarinet 1; clarinet 2; bassoon 1; bassoon 2; trumpet 1; trumpet 2; French horn 1; French horn 2; timpani; and marimba. The parts were copies for a Halifax Grammar School concert or workshop in 2012/2013.
File contains annotated parts for Paul Cram's "Beyond Benghazi," first copyright in 1981 and revised in 1993. Parts include: soprano/flute; tenor/clarinet; bass; oboe; bass clarinet; bassoon; trumpet; violin 1; violin 2; viola; cello; guitar; harp/synthesizer; piano/synthesizer; and drums.
File contains a score for "Transfigured Night - Part 2," arranged by Paul Cram for voice, flute, oboe; clarinet; bassoon; trumpet; alto sax; tenor sax; baritone sax; bass clarinet; solo cello; accordion; solo piano; guitar; electric bass; drums; timpani; violins 1 & 2; viola; cello; and contrabass. There is also a one page cello part arranged by Paul Cram.
File contains two spiral-bound scores; one is marked "old" and the other is annotated and marked "new score." The work was commissioned by Canada Council and written for Upstream Orchestra, which premiered it in the fall of 2000. The score is written for voice; flute 1; oboe 1; clarinet; bassoon; trumpet; alto sax; tenor sax; baritone sax; bass clarinet; accordion; piano 1; guitar; electric bass; drums; marimba; timpani; violin 1; violin 2; viola; cello; and contrabass.
File contains four copies of Paul Cram's "The Point of Sympathy," for chamber orchestra with improvisers, written for: flute 1 & 2; oboe 1 & 2; clarinet 1 & 2; bassoon 1 & 2; trumpet 1 & 2; French horn 1 & 2; violin 1 & 2; viola; cello; contrabass; marimba; timpani; guitar; drums; accordion; and electric bass. The scores includes a key for forming parts E and F. Two scores are spiral bound, two are loose, and one is marked as a transposed score.
File contains parts for "Dminor Diner," written by Paul Cram for the Paul Cram Orchestra. Parts include cello; trombone; trumpet; bass; alto saxophone (reed one); tenor saxophone (reed two); bass clarinet (reed three); drums; and guitar.
File contains annotated bass and concert parts for "Campin' Out"; "Under the Double Standard"; "Heads Up"; "In Murti"; "Monk on Time"; "On the Lam"; "Tango Oreo"; "Telescope"; "Zones"; "Confederation"; "Live it Up"; "Nijinsky's Dancing Shoes." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains five parts for Paul Cram's "High Ground," including drums; bass clarinet; soprano sax; tenor sax; guitar; and piano. Each part is composed of the same concert part, followed by a page of musical notation, followed by a page of graphic notation containing all the parts.
File contains an original handwritten score for Paul Cram's "Wrapped Around Eternity," written for concert saxophone, synthesizer, pipes, bass, and drums. There is also an original handwritten score for "Jazz in the Zebra Zone," for four instruments.
File contains two original handwritten scores for Paul Cram's "Free Fear," which is written in form of graphic notation. Page 4 is missing from the ink version and the final page of the pencil copy is a photocopy.
File includes a concert part with lyrics and a Bb part for Ornette Coleman's 1959 jazz composition, with lyrics by Toni Pigot. The piece was performed at a 2007 concert by the Guerrillas (Paul Cram on clarinet and tenor; Dawn Hatfield on baritone sax; Rick Waychesko on trumpet; Lee Park on electric violin; Toni Pigot on vocals; Dave Burton on drums; Lukas Pearse on bass and electronica; and Jeff Torbert on guitar and electronica.
File includes a set list for Guerrilla Vacation, which was a 2007 concert by the Guerrillas (Paul Cram on clarinet and tenor; Dawn Hatfield on baritone sax; Rick Waychesko on trumpet; Lee Park on electric violin; Toni Pigot on vocals; Dave Burton on drums; Lukas Pearse on bass and electronica; and Jeff Torbert on guitar and electronica. The file includes guitar and concert parts for "Jungle Trek"; "Factory Overload"; "Black Dog"; "Vanishing"; "Free Fear"; "Underwater Highway"; "Out and About"; "Ruminations"; "Home Free"; "Ohmygod!"; "Side Order from Bb Restaurant"; "Bb Restaurant Redux"; "Round One"; "Telescope"; "Silent Movies"; and "Ambulatory."
File contains two scores by Paul Cram with clarinet, trumpet, guitar, piano, bass and marimba parts. One version is annotated to read: "Over Here, Mr. Bond."
File contains pages 1-36 and 57-108 of a score for clarinet solo, grand piano, and solo cello; and parts for clarinet solo, grand piano, and solo cello.
File includes concert parts for "Ambulatory"; "Lamnations"; "The Problem"; "Groucho Joe"; "Happy Talk"; "Caravan"; "In the Bosom of the Bubble"; "Somewhere in Between"; "Wave Surface"; "Volga Boat Race"; "Walk!!!"; and "Campin Out."
Item is an original handwritten composition with eight movements, which include both traditional musical notation and directional text. For example, the first movement simply reads: "Coda I = material from Western Front."
File contains an original handwritten score for Paul Cram's "Man with the 7 Toes," written for voice; trumpet; alto and tenor sax; guitar; piano; bass; and drums. There are two additional pages marked #28 written for voice and two instruments.
File contains Paul Cram's original handwritten scores for "Moonlight in Rio" (2 copies); "Inside Passage"; "The Lost City" ; Shanghai Express"; "Scotch Drinkers from Hell"; "Have a Heart or Invitation to an Aztec Sacrifice"; and "Concord Ave."
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.
File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.
