Showing 561 results

Archival Description
Upstream Music Association fonds
Print preview View:
Ascending

209 results with digital objects Show results with digital objects

The empty cup : parts

File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.

Bauer, Bob

The ravens by the Tower of London : [score]

Item is an annotated copy of Jamieson's composition, which is in five sections. Each section has textual instructions for individual instruments with four musical parts notated at the bottom: melody, accompaniment, B-flat trumpet line, and bass line.

Jamieson, Daryl

Tours

Subseries contains correspondence, budgets, travel itineraries, concert programs, and set lists relating to the organization of tours for the Upstream Ensemble and Upstream Orchestra.

Traffic continues : shadow of a tree on sand : [score]

Item is the first eight measures of the score for Fred Frith's composition "Traffic Continues: Shadow of a Tree on Sand" for flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, trumpet, baritone saxophone, piano, percussion, violin, guitar, and double bass.

Frith, Fred

Transfigured night : [parts]

File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.

Cram, Paul

Undercurrent Recordings

Series contains materials relating to the production and distribution of recordings by Upstream’s recording label, Undercurrent Recordings. Records include budgets, audio recordings, promotional materials, and minutes of meetings regarding production. Most of the records pertain to the Upstream Ensemble's first CD, "Open Waters," with the exception of two proposals and correspondence concerning other CD projects, the Steve Tittle Project and the Mark Duggan Project.
Upstream : October Summit : [poster]

Upstream : October Summit : [poster]

Item is a poster for an Upstream concert at Sir James Dunn Theatre on Sunday, October 23, 1994, featuring the Upstream Ensemble, members of Symphony Nova Scotia, and special guests Jamie Gatti and Jim Faraday.

Upstream concert : part 2 of 2

File contains the second part of a video recording of Upstream's October 31, 1993 concert with Lisle Ellis. The film was made by Brett Films, 2323 Maynard Street, Halifax.

Upstream directory

File includes contact information for members of the Upstream Music Association: Bob Bauer, Mark Bursey, Paul Cram, Laura Hoffman, Mike LaLeune, Don Lawrence, Steven Naylor, Jeff Reilly, Ken Rozee, Suzanne Saul, Steve Tittle, and Paul E. Vandall, Jr.
Upstream Ensemble poster

Upstream Ensemble poster

Item is a publicity poster for Upstream featuring a photograph of the ensemble: Paul Cram, Sandy Moore, Bob Bauer, Steve Tittle, Tom Roach, Don Palmer, Steven Naylor and Jeff Reilly. The poster also features a prominent graphic of an ear and a logo for Paiste 2000, a cymbal line.

Upstream excerpts : [audio cassette]

File contains an audio cassette of live recordings from Upstream's performances at St. Mary's University Art Gallery between May 13, 1990 and March 17, 1991. The cassette features Steve Tittle (trumpet and Flugel horn); Sandy Moore (Irish harp and synthesizers); Jeff Reilly (clarinet, bass clarinet, and alto saxophone); Don Palmer (saxophone and flute); Bob Bauer (guitar); Tom Roach (drums and percussion); Steven Naylor (keyboards); and Paul Cram (saxophone and clarinet). The pieces include: "Don't Hold Back" by Jeff Reilly; "Nocturne" by Steve Naylor; "Change is a Time for Celebration" by Sandy Moore; "Pluckstucke" by Paul Cram; "Sunrise for a Mad Afternoon" by Jeff Reilly; "Below the Surface" by Steve Naylor; "Valse Triste" by Bob Bauer; "Available Light" by Steve Tittle; "Standing in the Light" by Steve Tittle; "Entangold" by Bob Bauer; and "Immortal Coil" by Paul Cram. All compositions were funded by SOCAN.

Upstream Music Association fonds

  • MS-5-16
  • Fonds
  • 1985 - 2010 ; predominantly 1990 - 2010
Fonds contains the administrative, performance, and recording records of the Upstream Music Association; its ensemble, Upstream Ensemble or Orchestra; and its recording label, Undercurrent Recordings.

Upstream Music Association

Results 501 to 550 of 561