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Dalhousie University Archives Exhibitions
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Atlantic graphics exhibition

File consists of records relating to the 'Atlantic Graphics' exhibition organized by the University of New Brunswick Art Center for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery from January 6-24, 1969.

Records consist of correspondence regarding the purchase of an artwork in the exhibition by Brigid Toole, a list of artworks, two condition reports and attached correspondence regarding artwork damage due to poor quality crates.,

Atlantic award exhibition

File consists of records relating to the juried Second Atlantic Award Exhibition presented by Dalhousie Art Gallery in November 1967.

Records consist of application forms, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and artists, an invitation and programme schedule, two exhibition pamphlets, list of artworks, crate lists, photocopies of newspaper clippings, Dalhousie newsletters, and an exhibition review by Luke Rombout,

At eye level

Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.

Arts for the home exhibition

File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.

Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.

Artistes de Montréal exhibition

File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.

Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.

Artario exhibition

File consists of records related to the 'Artario 72' exhibition, organized by Ontario Arts Council and presented at Dalhousie Art Gallery in October 1972.

Records consist letters from William Poole (Co-ordinator, Ontario Arts Council), Frank Michael (Acting Press Officer, Ontario Art Council), Peeter Sepp (Visual Art Officer, Ontario Art Council) to E.W. Smith (Dalhousie Art Gallery), newspaper clippings, invitations, a pamphlet, and instructions for the assembly of the Artario exhibition.

Artario 72

File consists of two brochures for the exhibition 'Artario 72 : your instant gallery-in-a-box' sponsored by the Province of Ontario Council for the Arts and presented at Dalhousie Art Gallery in October 1972.

Art of aboriginal culture

File consists of records related to the Art of Aboriginal Australia Exhibition, organized and circulated by Rothmans of Pall Mall Canada Ltd. Th exhibition was presented at Dalhousie Art Gallery from June 28 to July 27, 1975.

Records consist mainly of correspondence between Bruce Ferguson (Director, Dalhousie Art Gallery) and Michael P. Ney (Rothmans Art Programme) regarding the installation of the show. File also includes floor plan, newspaper and magazine clippings, and invitation cards.

Art of Aboriginal Australia

File consists of a catalogue for an exhibition of artworks by Indigenous Australian artists. The exhibition was organized and circulated by Rothman's of Pall Mall Canada Limited, and was presented at Dalhousie Art Gallery in June 1975.

Catalogue contains b&w and col. photographs of the artists and of their artworks, cultural and historical descriptive text, an introduction written by Dick Roughsey, or, Goobalathaldin, a Lardil artist. The catalogue is divided into sections dedicated to artworks created by people of different Indigenous Australian localities and language groups.

Arch Williams

File consists of records related to the exhibition 'Ferryland Folk Art' by Arch Williams , organized by the Art Gallery, Memorial University, St. John's. The exhibition was presented at the Dalhousie Art Gallery from May 19 to June 11, 1976.

Records consist of condition report, correspondence, and clipping.

Appel's Appels exhibition

File consists of records related to the Appel's Appels Exhibition by Karel Appel, circulated by Rothmans of Pall Mall Canada Limited and presented at Dalhousie Art Gallery from March 9 to April 1, 1973.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the Rothmans of Pall Mall Canada Limited staff. Records also include condition reports, newspaper clippings, press release drafts, lists of artworks, and exhibition invitations.

APAC exhibition

File consists of records related to the 'APAC Exhibition' organized by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery in February 1969.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Stuart Smith (Curator, Beaverbrook Art Gallery), a list of artworks, and a price list.

Anthony Law oil paintings

File consists of records related to the Anthony Law Exhibition held at Dalhousie Art Gallery from February 12 to March 3, 1974.

Records consist of guest lists, exhibition invitation, list of artworks, a biography of Law, insurance form, correspondence from Simpson-Hurst Insurance Ltd, and two opening invitations.

Andre Bieler

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

All about us

File consists of records related to the All About Us children's art exhibition, held at Dalhousie Art Gallery from December 18 to January 15, 1975.

Records consist of correspondence between Evelyn Holmes(Curator, Dalhousie Art Gallery) and Betty Nickerson (Coordinator, All About Us) and other staff as well as photocopies of a newspaper article written by Gretchen Pierce from January 8, 1975 issue of the Halifax Mail Star and a short blurb about the exhibition for radio interviews.

Alison Parsons exhibition

The file consists of records related to Alison Parsons's exhibition Screen Printed Textiles, which was held at Dalhousie Art Gallery from March 6 to April 17, 1976.

Records consist of a clipping and invitation.

Adolf Born exhibition

File consists of records related to the Adolf Born exhibition, held at Dalhousie Art Gallery from August 29 to September 29, 1974.

Records consist mainly of correspondence between Born and staff of Dalhousie Art Gallery, letters regarding print orders, damage reports and requesting replacements, insurance documents, newspaper clippings, biography, and invoices.

Acquisitions exhibition : 1970-1973

Item is an invitation card for the Three Years Acquisitions opening night at the Dalhousie Art Gallery on December 4, 1973. Three Years Acquisitions was an exhibit of acquisitions, purchases, and gifts obtained by the Dalhousie Art Gallery between 1970 and 1973.

8 Pianos-no hands?

Item is a poster for screening selected films of '8 Pianos-no hands?' at Dalhousie Art Gallery from 27 May to 6 June 2002.

35 Days of non-Organized art

Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

35 Days of non-Organized art

Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

3 [three] from California

Item is a catalogue for an exhibition of artworks by Roy DeForest, Robert Hudson, and William Wiley, organized by and presented at Dalhousie Art Gallery from November 15 to December 15, 1976.

Catalogue contains biographies for each artist, photographs of select artworks, and a list of artworks in the exhibition.

3 [three] from California

File consists of records related to the exhibition 'Three from California' of artworks by Roy DeForest, Robert Hudson, and William Wiley, held at the Dalhousie Art Gallery from November 15 to December 15, 1976.

Records consist of exhibition documents including insurance documents, loan agreements, a list of expenses, biographies of each artists, correspondence, invoices and other administrative records. Additional records consist of newspaper clippings, photocopies of magazine clippings, and opening invitation cards.

3 Artistas Mexicanos

File consists of records related to a travelling exhibition of three notable Mexican artists, José Luis Cuevas, Xavier Esqueda, and Pedro Friedeberg, sponsored and presented by Rothmans of Pall Mall Canada, Ltd. The exhibition was presented at Dalhousie Art Gallery from June 27 to July 28, 1974.

Records consist mainly of correspondence between Michael P. Ney (Rothman's of Pall Mall Canada Ltd.) and staff of Dalhousie Art Gallery, condition report, newspaper clippings, press lists, biography, lists of artworks, and shipping receipts. Records also contain 1 invitation to the exhibition opening held at The Rothmans Art Gallery of Stratford on June 5 1973.

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