Archives Catalogue

Autograph and musical incipits by Ignaz Moscheles

MS-5-2, Box 1, Folder 27, Item 2
Item
October 3, 1844

Part of Ellen Ballon fonds

Item includes the incipits of three pieces by Ignaz Moscheles (1794-1870), signed at dated October 3, 1844.

Moscheles, Ignaz

Autograph by Ignacy Jan Paderewski

MS-5-2, Box 1, Folder 27, Item 7
Item
[19--]

Part of Ellen Ballon fonds

Paderewski, Ignacy Jan

Caprice de concert pour piano, Op. 4

MS-5-2, Box 6, Folder 8
Item
1899

Part of Ellen Ballon fonds

Item is a copy of Volpe's Caprice, dedicated to his friend Ossip Gabrilovitsch, and published by Luckhardt and Belder of New York.

Volpe, Arnold

Concerto no. 5 for piano, opus 82 : basso e violoncello

MS-5-2, Box 6, Folder 2, Item 5
Item
1786

Part of Ellen Ballon fonds

Item is the double bass and viola part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : clarinetto primo in A

MS-5-2, Box 6, Folder 2, Item 7
Item
1786

Part of Ellen Ballon fonds

Item is the first clarinet part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : clarinetto secondo in A

MS-5-2, Box 6, Folder 2, Item 8
Item
1786

Part of Ellen Ballon fonds

Item is the second clarinet part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second bassoon part.

Concerto no. 5 for piano, opus 82 : corno primo

MS-5-2, Box 6, Folder 2, Item 11
Item
1786

Part of Ellen Ballon fonds

Item is the first horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second horn part.

Concerto no. 5 for piano, opus 82 : corno secondo

MS-5-2, Box 6, Folder 2, Item 12
Item
1786

Part of Ellen Ballon fonds

Item is the second horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the first horn part.

Concerto no. 5 for piano, opus 82 : fagotto primo

MS-5-2, Box 6, Folder 2, Item 9
Item
1786

Part of Ellen Ballon fonds

Item is the first bassoon part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : fagotto secondo

MS-5-2, Box 6, Folder 2, Item 10
Item
1786

Part of Ellen Ballon fonds

Item is the second bassoon part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second clarinet part.

Concerto no. 5 for piano, opus 82 : flauto

MS-5-2, Box 6, Folder 2, Item 6
Item
1786

Part of Ellen Ballon fonds

Item is the flute part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : [piano part]

MS-5-2, Box 6, Folder 2, Item 1
Item
January 25, 1861

Part of Ellen Ballon fonds

Item is the piano part of a first edition publication of Mozart's Piano Concerto No. 23. The piano part includes cues for the orchestral instruments.

Concerto no. 5 for piano, opus 82 : viole

MS-5-2, Box 6, Folder 2, Item 4
Item
1786

Part of Ellen Ballon fonds

Item is the viola part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : violino primo

MS-5-2, Box 6, Folder 2, Item 2
Item
1786

Part of Ellen Ballon fonds

Item is the first violin part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto no. 5 for piano, opus 82 : violino secondo

MS-5-2, Box 6, Folder 2, Item 3
Item
1786

Part of Ellen Ballon fonds

Item is the second violin part of a first edition publication of Mozart's Piano Concerto No. 23.

Concerto para piano e orquestra : [autograph manuscript]

MS-5-2, Box 6, Folder 1
Item
1945

Part of Ellen Ballon fonds

Item is the bound manuscript of Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon.

Concerto para piano e orquestra : celesta

MS-5-2, Box 3, Folder 12, Item 1
Item
1945

Part of Ellen Ballon fonds

Item is the celesta part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The part was copied by Fran Averede. The instrumentation has been crossed out in pencil and re-labelled "harpa" (harp).