- MS-5-20
- Fonds
- 1950-2010
Piercey, Sheila Kathleen
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Piercey, Sheila Kathleen
Part of Sheila Piercey fonds
Item is a reel-to-reel recording of a recital by Sheila Piercey (soprano) and John Linn (music director) at Chateau Lake Louise. Handwritten notes inside of the box lid read: Chateau Lake Louise
"Laughing song"
"Songs my mother taught me"
"My fair lady"
"The poplar tree"
Mozart - "Alleluia" - Sheila Piercey
Puccini - "O mio Babbino Caro" - Sheila Piercey
"When Love is Kind" A.L - Sheila Piercey
Schumann - John Linn (played) 7 pieces (from Kinderszenen "Scenes from Childhood")
George Gershwin - John Linn
Ritual fire dance - John Linn
Malagueñ (a song by Cuban composer Ernesto Lecuona) - John Linn
Mendelssohn - "On Wings of Song"
"Still as the Night"
"Songs My Mother Taught Me"
"The Whispering Poplar"
"As I Went a Roaming" - By May H. Brahe
Portuguese bits - Spanish old maid rehearsal with George Brough
Part of Sheila Piercey fonds
The prodigal son and the widow
Part of Sheila Piercey fonds
File consists of three audio recordings containing recorded CBC radio broadcastings of the opera "The Prodigal Son" at the Guelph Spring Festival in 1968 and the opera "The Widow" at the CBC Toronto Summer Festival in 1967, and backstage interviews at the Toronto Canadian Opera Festival. Originally labelled "the widow" and handwritten notes on the label inserted in the case read:
Joan Maxwell(mezzo-soprano), Sheila Piercey(soprano), Maurice Brown(baritone), John Arab(tenor)
(Track) 1. The prodigal son / by Benjamin Britten / music directed by Nicholas Goldschmidt - Peter Ginkel, Maurice Brown, Garnet Brown, John Arab
(Track ) 2. The widow / by Calixa Lavallée - John Arab and Sheila Piercey duet, 1967 CBC festival - Barbini
Othello backstage interviews : track 3
Part of Sheila Piercey fonds
Part of Sheila Piercey fonds
Part of Sheila Piercey fonds
Act 1 Finale "Die Fledermaus" (side A)
Part of Sheila Piercey fonds
Part of Sheila Piercey fonds
Practice session "God So Loved The World" church solo
Part of Sheila Piercey fonds
Practice at 76 years old - February 2010
Part of Sheila Piercey fonds
Rehearsal for MATS recital at Oxford United Church - March 13, 2002 (side A)
Part of Sheila Piercey fonds
Rehearsal for MATS recital at Oxford United Church - March 13, 2002 (side B)
Part of Sheila Piercey fonds
Practice Verdi duet for MATS - March 9, 2002
Part of Sheila Piercey fonds
Practice Verdi duet for MATS - March 9, 2002 (side A)
Part of Sheila Piercey fonds
CBC radio recording and Sheila's practice session
Part of Sheila Piercey fonds
Practice - inspired by music festival
Part of Sheila Piercey fonds
Sheila's concert for the deWolfes
Part of Sheila Piercey fonds
File is an audio cassette tape recorded by Sheila Piercey of the opera "Die Fledermaus," undated with handwritten notes on the label inserted in the case that reads:
Side A: Act I Finale - Die Fledermaus, What a joy to be here, Laughing Song, Champagne's Delicious Bubbles, Sing to Love. Act II Finale - Die Fledermaus, Sonia's entrance Merry Widow, Vilia, Love in My Heart, Quite in the modern style, Merry Widow Waltz.
Side B: other surprises." Side B contains an audio recording of Sheila Piercey's recitals, practice sessions, and CBC radio recording between the 1950s and 1970s. She re-recorded those old recordings on April 5, 1989 and April 8, 1990, her thoughts and comments are included.
Practice session for "Oh quante volte" by Bellini (side A)
Part of Sheila Piercey fonds
Practice session for "O sleep, why dost thou leave me?" (side B)
Part of Sheila Piercey fonds
Rehearsal with Helen Murray for MATS teachers recital (side A)
Part of Sheila Piercey fonds
"Amahl" second rehearsal with Diana Torbert - May 11, 1990 (side B)
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997 (side A)
Part of Sheila Piercey fonds
Practice sessions for MATS recital
Part of Sheila Piercey fonds
Rehearsals - MATS October 1993 & CBC Radio Play 1998
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997 (side B)
Part of Sheila Piercey fonds
Audition for Georg Tintner at Bethany, May 28, 1988 (side A)
Part of Sheila Piercey fonds
Audition for Georg Tintner at Bethany, May 28, 1988 (side B)
Part of Sheila Piercey fonds
CBC radio recording of "Le Rossignol" and few thoughts (side B)
Part of Sheila Piercey fonds
"Amahl" second rehearsal with Diana Torbert - May 11, 1990 (side A)
Part of Sheila Piercey fonds
Audition for Georg Tintner at Bethany, May 28, 1988
Part of Sheila Piercey fonds
Dress rehearsal of Orphée by Gluck - February 1, 1988
Part of Sheila Piercey fonds
CBC radio recording of "Le Rossignol" and few thoughts
Part of Sheila Piercey fonds
CBC radio recording of "Le Rossignol" and few thoughts (side A)
Part of Sheila Piercey fonds
"Amahl" second rehearsal with Diana Torbert - May 11, 1990
Part of Sheila Piercey fonds
Vivaldi - Gloria (conclusion) (side B)
Part of Sheila Piercey fonds
Von Stade from Roy Thomson Hall - July 5, 1987 (side B)
Part of Sheila Piercey fonds
Gluck's Orphée - February 2, 1988
Part of Sheila Piercey fonds
Gluck's Orphée - February 2, 1988 (side A)
Part of Sheila Piercey fonds
Vivaldi - Gloria with Bethany United Church Choir - November 15, 1987
Part of Sheila Piercey fonds
Dress rehearsal, Orfeo by Pergolesi - June-July, 1987
Part of Sheila Piercey fonds
Gluck's Orphée - February 2, 1988 (side B)
Part of Sheila Piercey fonds
Practice Gloria and Gluck - October 19, 1987 (side B)
Part of Sheila Piercey fonds
Vivaldi - Gloria, Mozart - Divertimento in D, K. 136 (side A)
Part of Sheila Piercey fonds
Cavalleria rusticana - November 16, 1986 (side B)
Part of Sheila Piercey fonds
Cavalleria rusticana - November 16, 1986 (side A)
Part of Sheila Piercey fonds
Practice Gloria and Gluck - October 19, 1987 (side A)
Part of Sheila Piercey fonds
Cavalleria rusticana rehearsal - October 16,1986
Part of Sheila Piercey fonds
Cavalleria rusticana rehearsal - October 16,1986 (side A)
Part of Sheila Piercey fonds