Clippings reviews of MacMechan's writings
- MS-2-82, Box 43, Folder 2
- File
- 2023
Part of Archibald MacMechan fonds
Clippings reviews of MacMechan's writings
Part of Archibald MacMechan fonds
Press and publicity records for Christopher Heide's work
Part of Christopher Heide fonds
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Book reviews, clippings, and bookmarks of the missing dog Is spotted
Part of Jessica Scott Kerrin fonds
Book reviews of the spotted dog last seen
Part of Jessica Scott Kerrin fonds
Part of Mary Vingoe fonds
Unpublished manuscripts by Alexander Leighton
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Publicity and reviews for Our Way Out: First Principles for a Post-Apocalyptic World
Part of Marq de Villiers fonds
Part of Catherine Banks fonds
Part of Mary Vingoe fonds
Two newspaper reviews of Home, by Colleen Wagner and directed by Mary Vingoe
Part of Mary Vingoe fonds
Part of Paul Cram fonds
Part of Marq de Villiers fonds
Publicity and reviews for Timbuktu: The Sahara's Fabled City of Gold
Part of Marq de Villiers fonds
Part of Christopher Heide fonds
Publicity and reviews for The Heartbreak Grape: A Journey in Search of the Perfect Pinot Noir
Part of Marq de Villiers fonds
Newspapers reviews of Underneath the Lintel, directed by Mary Vingoe
Part of Mary Vingoe fonds
Part of Christopher Heide fonds
Upstream Music Association strategic plan, 2007-2010
Part of Paul Cram fonds
I Ain't Dead Yet — Lunenburg production
Part of Christopher Heide fonds
Publicity and reviews for The Heartbreak Grape: A Journey in Search of the Perfect Pinot Noir
Part of Marq de Villiers fonds
Clippings regarding the LGBT community and the local arts community
Part of Ross Boutilier fonds
Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald
Part of Christopher Heide fonds
Publicity and reviews for Down the Volga in a Time of Troubles
Part of Marq de Villiers fonds
Going Back — correspondence, contracts and reviews
Part of Christopher Heide fonds
The Chronicle-Herald / Mail-Star review of Mary Vingoe's Living Curiosities
Part of Mary Vingoe fonds
I Ain't Dead Yet — Grand Theatre production
Part of Christopher Heide fonds
I Ain't Dead Yet — correspondence and contract
Part of Christopher Heide fonds
I Ain't Dead Yet — Great Canadian Theatre Company
Part of Christopher Heide fonds
Journal of Nervous and Mental Disease
Part of Christopher Heide fonds
I Ain't Dead Yet — Mermaid Theatre original production
Part of Christopher Heide fonds
Book reviews and publisher correspondence
Canadian Medical Association Journal
American Journal of Psychiatry
Programs, press release, and reviews of The Coady Co-op Show
Part of Christopher Heide fonds
Nova Music reviews and news stories
Part of Stephen Pedersen fonds
Part of Dalhousie Art Gallery fonds
File consists of records related to the All About Us children's art exhibition, held at Dalhousie Art Gallery from December 18 to January 15, 1975.
Records consist of correspondence between Evelyn Holmes(Curator, Dalhousie Art Gallery) and Betty Nickerson (Coordinator, All About Us) and other staff as well as photocopies of a newspaper article written by Gretchen Pierce from January 8, 1975 issue of the Halifax Mail Star and a short blurb about the exhibition for radio interviews.
Part of Dalhousie Art Gallery fonds
File consists of records related to the CODCO performance held at Dalhousie Art Gallery on March 19, 1975.
Records consist of photocopies of newspaper articles and Walter Learning(Director of Playhouse Theatre) correspondence about Halifax playing dates and invoices. The articles include "It's non-stop comedy with Cod on a stick," written by Urjo Kareda from the December 10, 1973 issue of the Toronto Star, "Newfie joke is on us, folks!" written by Frank Rasky from the November 5, 1975 issue of the Toronto Star, and six other articles regarding reviews of the previous shows.
Tony Keck musicmania exhibition files
Part of Dalhousie Art Gallery fonds
File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.
Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.