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Drawings by Semaja (James Hulbert)

File consists of records related to the Circles from Semaja exhibition, held at Dalhousie Art Gallery from November 19 to December 15, 1974.

Records consist of correspondence between Samaja and staff of Dalhousie Art Gallery, purchase receipts for frames and postcards invitations, lists of artworks and prices, mailing lists, and an invitation card.

Drawings by Carol Fraser exhibition

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir from 1992 to 2020.

Documents include track listings and timestamps for audiocassette recordings from 1992 to 1993, membership lists, song listings and guest artist names for each episode of the television program, "Hallelujah," from 1996 to 1997, track listings, dates, and names of artists for videocassette recordings

Guest artists include Hart Rouge, Lorraine Klaasen, the Holmes Brothers, Martha Reeves, Joe Sealy, the Gospel Heirs Quartet, and others.

Song titles include "Amazing Grace," "Battle Hymn," "Gospel Train," "Go Tell it on the Mountain," and others.

File includes an official event program for "A Conversation With Barack Obama." The live event took place at Scotiabank Centre in Halifax, Nova Scotia on November 13, 2019. The Nova Scotia Mass Choir performed at the close of the event.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1994.

Documents include newspaper clippings, correspondence, programs, and ephemera related to the Southern Christian Leadership Conference in Dallas, Texas, the sixteenth annual Financial Post Business in the Arts Awards ceremony

File also includes membership lists and a report by choir president, Linda Carvery.

Didactic prints

File consists of records related to the exhibition 'Didactic Prints' organized by the Confederation Art Gallery and presented at Dalhousie Art Gallery in October 1968.

Records consist of a list of artworks including descriptive texts, an exhibition schedule, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Mrs. H. Kennedy (Registrar, Confederation Art Gallery).

David Silverberg - batiks and sketches

File consists of records related to the exhibition 'Silverberg: A Canadian in Japan', an exhibition of batik prints and sketches by David Silverberg organized through the Atlantic Provinces Art Circuit (APAC) and presented at Dalhousie Art Gallery in October 1968.

Records consist mainly of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and David Silverberg (Artist, Professor, Department of Fine Arts, Mount Allison University), as well as correspondence with other curators in the APAC membership. Additional records consist of a list of artworks, a condition report, room booking confirmation for a lecture by Silverberg, and a catalogue for Silverberg's exhibition at Waddington Gallery in Montréal.

Data analysis

Subseries includes data for and analyses of socioeconomic aspects of Yoruba women's lives (education, migration, social class, health, children, husbands, religion, family, etc.). The 1963 data seems to be part of another study, referred to in several files as "The 1963 study on the role of Yoruba women," that either piggybacked off the Cornell-Aro study or was somehow included as a sub-project.

Dalhousie seminar on wheels

File contains discussion outlines, lecture schedules, to-do lists, reading lists, bibliographies, agendas, memoranda and correspondence regarding the "seminar on wheels" lecture series. Also includes 10 photos : colour; 4 x 6 in and smaller.

Craig Wright jewellery

File consists of records related to the Craig Wright jewellery exhibition, held at Dalhousie Art Gallery from January 24 to March 6, 1976.

Records consist of invoices, insurance documents, a list of works and prices, interdepartmental memos, artist's statement, correspondence regarding insurance, a pamphlet, and handwritten thank you letters from Craig Wright to Mary Meagher (secretary, Dalhousie Art Gallery) and Bruce W. Ferguson (Director, Dalhousie Art Gallery). Also included are photographs and slides of a few items exhibited; envelope annotated "Wright 263-9021 for Friday 19th" and date stamped December 11, 1975.

Correspondence between Helen Balcom, Dalhousie Alumni Secretary, and Bertha G. Oxner, Director of Women's Work at University of Saskatchewan

Item is a letter from Dalhousie Alumni Secretary, Helen Balcom, to Bertha Oxner at the University of Saskatchewan regarding the latter's written query about the history of early women graduates of Dalhousie University. Her letter makes reference to recently made lists, which are likely those listed elsewhere in this file (UA-32, Box 9, Folder 1, Items 3, 4, 6, 7, 8, and 9). Bertha Oxner's letter of response is also included.

Cornell-Aro Mental Health Research Project in the Western Region, Nigeria (1961) and the Study on the Role of Women (1963)

Series is comprised of materials related to the 1961 Cornell-Aro Research Project in the Western Region and the 1963 Study on the Role of Women. In the Cornell-Aro study, modeled on the Stirling County Study, Leighton’s team analyze the mental health trends of Nigerians living in both major cities and small rural villages via interviews, surveys, and observations. The Role of Women study may possibly be considered a ‘sub-study’ of the Cornell-Aro study, as it uses much of the same research material supplemented by new data. Materials present include correspondence, memoranda, datasets, research notes, fieldnotes reports, speeches, photographs, forms, applications, surveys and questionnaires, medical documents, affiliated studies, and comparative analyses.

Clyde McConnell photo exhibition

File consists of records related to the Clyde McConnell Photo Exhibition, held at Dalhousie Art Gallery from September 4 to September 28, 1975.

Records consist mainly of correspondence between Bruce Ferguson (Director, Dalhousie Art Gallery) and Clyde McConnell (Photographer) regarding plans to have a showing of Clyde's photographs and drawings at the art gallery in 1975. File also includes a floor plan, a newspaper clipping, and a list of expenses. Many letters from Clyde are handwritten, including notes of artworks and a price list.

Claude Tousignant exhibition

File consists of records related to the Claude Tousignant exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 1 to March 31, 1974.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the National Gallery of Canada, a letter from Claude, a newspaper regarding the exhibition at the Van Guard Vancouver art gallery in July 1973, postcard invitation, press releases, a condition report, a list of artworks, and packing and unpacking instructions.

Christian Gaudernack jewellery exhibition

File consists of records related to the exhibition 'Christian Gaudernack Jewellery,' held at the Dalhousie Art Gallery in October 1972.

Records consist of biography, lists of jewellery, newspaper clipping, and an invitation.

Children's art exhibition

File consists of records related to an exhibition of artworks by children from Halifax schools, held at Dalhousie Art Gallery in February 1966.

Records consist of newspaper clippings, a list of artworks, a Dalhousie newsletter, and a press release draft.

Cartoons of the 60's by Robert William Chambers

File consists of records related to the exhibition 'Cartoons of the 60's by Robert William Chambers'. The exhibition was presented at Dalhousie Art Gallery in October 1969.

Records consist of publicity for the exhibition in the form of a Dalhousie newsletter and news release from the New Brunswick Museum, an invitation, a list of artworks, and a biography of Chambers.

Carceri d'Invenzione of Piranesi exhibition

File consists of records related to the 'Carceri d'Invenzione of Piranesi' exhibition loaned from the National Gallery of Canada in February 1960. Records consist of correspondence from Ruth Henderson (Maritime Arts Association), a loan agreement, packing list, exhibition itinerary, and exhibition text.

Canadian Council on International Law

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.

Bruno Bobak - 'humanism' exhib[ition]

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

Bruce Parsons exhibition

File consists of records related to the Bruce Parsons exhibition, held at Dalhousie Art Gallery from February 23 - March 14, 1976.

Records consist of correspondence, invoices, insurance documents, a newspaper clipping, a photocopy of invitation card, handwritten draft for a list of works, footnotes, and photo credits, memos, and other administrative records.

Bernard Chaudron

File consists of records related to the exhibition 'objets d'art' by Bernard Chaudron, presented at the Dalhousie Art Gallery in October 1969 as part of the Atlantic Provinces Art Circuit.

Records consist of a list of artworks and prices, a list of purchased works including a note about a stolen piece, a condition report, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Ghislain Clermont (Curator, Art Gallery of the University of Moncton), and a handwritten transcription of Chaudron's biographical notes.

Beecher Weld and Catherine Weld "Know your artist"

File consists of records related to the exhibition of paintings and drawings by Catherine and Beecher Weld presented at Dalhousie Art Gallery from March 13 - 29, 1974.

Records consist of insurance documents, newspaper clipping, press release, and handwritten notes of artworks and pricelist, and invitation lists.

B.C. paintings 1966

File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.

Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.

Batik tapestries by Louis Steyn

File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.

Atlantic graphics exhibition

File consists of records relating to the 'Atlantic Graphics' exhibition organized by the University of New Brunswick Art Center for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery from January 6-24, 1969.

Records consist of correspondence regarding the purchase of an artwork in the exhibition by Brigid Toole, a list of artworks, two condition reports and attached correspondence regarding artwork damage due to poor quality crates.,

Atlantic award exhibition

File consists of records relating to the juried Second Atlantic Award Exhibition presented by Dalhousie Art Gallery in November 1967.

Records consist of application forms, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and artists, an invitation and programme schedule, two exhibition pamphlets, list of artworks, crate lists, photocopies of newspaper clippings, Dalhousie newsletters, and an exhibition review by Luke Rombout,

Appel's Appels exhibition

File consists of records related to the Appel's Appels Exhibition by Karel Appel, circulated by Rothmans of Pall Mall Canada Limited and presented at Dalhousie Art Gallery from March 9 to April 1, 1973.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the Rothmans of Pall Mall Canada Limited staff. Records also include condition reports, newspaper clippings, press release drafts, lists of artworks, and exhibition invitations.

APAC exhibition

File consists of records related to the 'APAC Exhibition' organized by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery in February 1969.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Stuart Smith (Curator, Beaverbrook Art Gallery), a list of artworks, and a price list.

Anthony Law oil paintings

File consists of records related to the Anthony Law Exhibition held at Dalhousie Art Gallery from February 12 to March 3, 1974.

Records consist of guest lists, exhibition invitation, list of artworks, a biography of Law, insurance form, correspondence from Simpson-Hurst Insurance Ltd, and two opening invitations.

Andre Bieler

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

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