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Archival Description
Theatre
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Christopher Heide fonds

  • MS-2-838
  • Fonds
  • 1975 - 2010
Fonds contains records created and collected by Christopher Heide in the course of his career as a writer, including his work with arts and cultural associations such as ACTRA and the Dramatists' Co-op of Nova Scotia. Record types include scripts for stage, radio and screen; notes; correspondence; reports; meeting minutes; and photographs.

Heide, Christopher

Love us more! / by Roselynn Akulukjuk: [manuscript]

File contains three copies of a manuscript—one marked "Director's Notes"— for a play put on by the students of Attagoyuk High School, in Pangnirtung, where Chris Heide was living and working. There is also a list of northern youth drama contacts, a 6-page story script and a photocopy of two notecards containing Inuktitut script.

Growing a Beard

File contains an annotated manuscript, poster, and chronology of events of a staged presentation by Christopher Heide given in Amherst, Liverpool, Yarmouth, Greenwood, Antigonish and Sydney as part of a sales and promotion tour of the Dramatists' Co-op.

Going Back — rehearsal draft (final copy)

File contains a manuscript titled "3rd draft / Spring 1987" with the penciled annotation "rehearsal draft - final copy"; pages labelled "rehearsal rejects" and "new original masters introduced during rehearsals; and pages of "crits/notes + rejected pages from work toward a rehearsal draft" dated September 1987.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

I Ain't Dead Yet — Catalyst

File includes correspondence, notes, manuscript, a contract, and program for the play's 1986 production by Catalyst Theatre in Edmonton, AB.

Notes about No More Gasoline

File includes a page of notes from a June meeting with Rose (13/6/82); a page of distilled notes from the workshop; 10 pages of notes written by audience members on the reverse side of Christopher Heide's printed introduction to the workshopped performance; and an annotated copy of the script.

Production drafts of Pogie

File contains production draft for Stages cabaret performance 10 April to 3 May 1980; a final touring and publication script; and a photocopy of the published script.
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