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Dalhousie University Convocation Programme, Saturday, October 17th, 1998

Item consists of the Saturday, October 17th, 1998, Dalhousie University convocation programme. Includes convocation proceedings first for the Physical and Life Sciences, Architecture, Computer Science, and Engineering programs; later, for the Arts & Social Sciences, Management, Health Professions, Education, and Law programs.

Dalhousie University Convocation Programme, Wednesday, May 20, 1998 and Thursday, May 21, 1998

Item consists of the afternoon of Wednesday, May 20th, 1998, and of all day Thursday, May 21st, 1998 Dalhousie University convocation programme. Includes convocation proceedings for the Health Professions and Education (2:30pm, May 20th), Management (9:30am, May 21st), and Health Professions (cont'd, 2:30pm, May 21st).

Dalhousie University Convocation Programme, Tuesday, May 19, 1998 and Wednesday, May 20, 1998

Item consists of the Tuesday, May 19th, 1998, and morning of Wednesday, May 20th, 1998 Dalhousie University convocation programme. Includes convocation proceedings for the Physical Sciences (9:30am, May 19th), Life Sciences (2:30pm, May 19th), and Arts & Social Sciences (9:30am, May 20th).

Convocation program : Saturday, October 17, 2009 [and] Sunday, October 18, 2009

Item consists of the Convocation program for the following proceedings: Architecture and Planning, Dentistry, Health Professions, Law, Medicine, Graduate Studies, 9:30 am, October 17, 2009; Arts and Science, Computer Science, Engineering, Graduate Studies, 2:30 pm, October 17, 2009; [and] Management, Arts and Science, Graduate Studies, 9:30 am, October 18, 2009.

Dalhousie Theatre Productions presents : A midsummer night's dream : [program]

Item is a program created by Dalhousie Theatre Productions for the 1983 season production of William Shakespeare's A Midsummer Night's Dream. The production was directed by Roger Blay and features a cast and crew of Dalhousie University students. The program contains a list of the cast and crew, and advertisements from Neptune Theatre and organizations at Dalhousie University.

Photograph of Dalhousie Dramatic Club

Item is a photograph of the 1914 Dalhousie Dramatic Club. The photograph shows the principals in the cast of "The College Widow". The portrait incudes C. R. Hawkins (as Tommy Parsons); R. St. C. Jones (as President Witherspoon); Jack MacDonald (as Billy Bolton); G. R. Smith (as Jimmie Hooper); D. A. Guildford (as Frank McAllister); T. A. Lebetter (as Copernicus Talbot); Harry Britton (as Silent Murphy); W. B. Coulter (as Hon. Elam Hicks); D. L. Dwyer (as Bub Hicks); J. S. Fraser (as Hiram Bolton); W. R. Auld (as Jack Larrabee); M. M. Currie (as Mrs. Primley Dalzelle); Hattie Boak (as Bessie Tanner); J. F. O'Connell (Director); Gladys Billman (as Jane Witherspoon); Emma Gillies (as Flora Cameron); R. D. Graham (as Stubby Talmadge); C. K. Fuller (as Matty MacGowan); M. Fraser (as L. Chubbs); Georgene Faulkner (as Flora Wiggins); Louise Power (as Bertha Lyson); and Mary Ross (as Josephine Borkley). The cast members are sitting or standing in four rows and wearing their costumes.

Young people's concert

Item is a program for a concert for young people by the Boston Symphony Ensemble given under the auspices of the Director of Music, Alexander F. Cleary, and the Chelsea Teachers' Club.

Costume design for Parasite

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.

Costume design for Fly

Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Fly. The sketch shows a male figure wearing the costume.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Holofernes and Sister Nathaniel

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Henry, Sabine, and Mother Metz

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.

Costume design for the Flotes

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the Flotes. The sketch shows three figures wearing the costumes. One of the figures is playing a horn and another is sitting on the ground.
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