Archives Catalogue

MS-5-16,Oversize Folder 9, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles. The score was used by [Jim Faraday] for the premiere of the composition.

Guy, Barry

Nasca lines : part 6 : percussion

MS-5-16, Oversize Folder 9, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Percussion / Part 6 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : percussion

MS-5-16, Oversize Folder 9, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains the percussion part for part 4 of Nasca Lines in standard notation. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass

MS-5-16, Oversize Folder 9, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the rhythm section for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured green for the rhythm section. This copy of the score was used by [Jim Faraday] for the premiere performance.

Guy, Barry

Nasca lines : part 2 : percussion

MS-5-16, Oversize Folder 9, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Percussion / Part 2 / Tacet" written in marker.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 9, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 8, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : bassoon

MS-5-16, Oversize Folder 8, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the trumpet part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 8, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts. «

Guy, Barry

Nasca lines : part 4 : bassoon

MS-5-16, Oversize Folder 8, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the bassoon part for part 4 of Nasca Lines in standard notation. The bassoon part includes microtones. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 3A : bassoon

MS-5-16, Oversize Folder 8, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Bassoon / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 8, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 8, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 8, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 8, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 7, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : trumpet in C

MS-5-16, Oversize Folder 7, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the trumpet part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 7, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : trumpet in C

MS-5-16, Oversize Folder 7, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the trumpet part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 7, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 7, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 2 : trumpet in C

MS-5-16, Oversize Folder 7, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Trumpet in C / Part 2 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 7, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 7, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 6, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : clarinet in B-flat

MS-5-16, Oversize Folder 6, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is the clarinet part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 6, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : clarinet in B-flat

MS-5-16, Oversize Folder 6, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the clarinet part for part 4 of Nasca Lines in standard notation. The clarinet part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 6, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 6, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 6, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer ) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 1: [full score]

MS-5-16, Oversize Folder 6, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 6, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 5, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 5, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : oboe

MS-5-16, Oversize Folder 5, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the oboe part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 5, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : oboe

MS-5-16, Oversize Folder 5, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the oboe part for part 4 of Nasca Lines in standard notation. The oboe part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 5, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 5, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 5, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 4, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : part 6 : flute

MS-5-16, Oversize Folder 4, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is the flute part for part 6 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 4, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 4 : flute

MS-5-16, Oversize Folder 4, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the flute part for part 4 of Nasca Lines in standard notation. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation. The flute part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 4, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3 : flute, oboe, clarinet, trumpet, and bassoon

MS-5-16, Oversize Folder 4, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the wind quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured yellow for the wind quintet.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 4, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 4, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : the pelican flashcard

MS-5-16, Oversize Folder 3, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a graphic representation of the pelican geoglyph from the Nazca Desert, Peru. The conductor implements this flashcard in part 5 of the composition to indicate that an instrument group (string quintet, percussion, voice, sax quartet, or wind quintet) should improvise using "slow/ sustained" articulations. The flashcard is double-sided.

Guy, Barry

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