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Archival Description
Centre for Art Tapes tape collection Item Video art
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101 television celebrities

Item contains a collection of 30 second video portraitures, started in the spring of 1972 in Halifax, Nova Scotia, as an attempt to put as many people as possible on television. Each portrait starts with the individual's name, and then they say or do whatever they want for 30 seconds.

MacNevin, Brian

101 television celebrities

Item contains a collection of 30 second video portraitures, started in the spring of 1972 in Halifax, Nova Scotia, as an attempt to put as many people as possible on television. Each portrait starts with the individual's name, and then they say or do whatever they want for 30 seconds.

MacNevin, Brian

Brian MacNevin compilation

Item contains nine videos by Brian MacNevin, including Elvis, Louie, 20 Images, Great Moments in Television No. 86, No. 4 Canadian Television Celebrity of 1972, No. 1 Canadian Television Celebrity of 1972, Nine Portraits, and Freezing Snow. The name of one of the videos is illegible.

MacNevin, Brian

Brian MacNevin compilation

Item contains six videos by Brian MacNevin: Louie (1970); 2D Images (1971); Peggy's Cove Revisited (1974); Self Portraits (1975); The Human Condition; and Mount Rundle. The Human Condition was videoed in St. John's, Newfoundland and Halifax, Nova Scotia, and Mount Rundle was taken in Banff, Alberta.

MacNevin, Brian

New art resources

Item contains "New art Resources" for the Eye Level Gallery, including interviews with Bernice Purdy and Eric Walker on ASN (ATV) (July 30, 1984); Satire as Discontent by Dan Lander August 29, 1984); and Such Wonderful Times, a performance documentation with video by Bob Tonks and sound by David Barteaux.

Lander, Dan

Early works

Item contains three videos by Brian MacNevin: Louie (1970); 2D Images (1971); and Peggy's Cove Revisited (1974), as well as photos and other materials used in these works.

MacNevin, Brian

A matter of style

Item contains a short experimental film by Anthony Cristiano with original music by Jerome Blais and editing by Craig Sheppard. Ray Cook was the sound engineer with John Preketes (film services) and Lucas Dambergs (technical services). The first minute of the tape is blank. The tape includes two copies of the film, with the second copy starting at 52:40 minutes.

Cristiano, Anthony

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