Showing 439 results

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series film screenings produced by the Dalhousie Art Gallery during the period of 1972-1973.

Records consist schedules for planned screenings which include the date and times of each screening, the film title, and a short description.

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series film screenings produced by the Dalhousie Art Gallery during the period of 1971-1972.

Records consist of two film screening schedules.

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.

Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series film screenings produced by the Dalhousie Art Gallery during the period of 1969-1970.

Records consist mainly of publicity notes including the date and times of each screening, the film title, a short description, and list of coinciding exhibitions open at the gallery.

File consists of records pertaining to the arrangement of guest lectures to be held at Dalhousie under the auspice of the National Gallery of Canada in 1959-1960.

Records consist mainly of correspondence between Mirko Usmiami and representatives of the National Gallery of Canada, including one telegraph. Additional records consist of a receipt, newspaper mat, and unsigned lecture report.

File consists of records related to the series of film screenings organized and presented by the Dalhousie Art Gallery for the 1967-1968 academic period.

Records consist of film program schedules and notes, summaries of films, and publicity text.

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

File consists of records related to the planning of Dalhousie Art Gallery's 'Art Film Programme' for the 1966-1967 academic period.

Records consist of event schedules and publicity text for the presented films.

File consists of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1965-1966 academic period.

Records consist of handwritten scheduling notes, copy of a correspondence between Moncrieff Williamson (Director, Confederation Art Gallery) and Jean-Rene Ostiguy (Director, Exhibition Services, National Gallery of Canada) regarding Atlantic Provinces Art Circuit programming, copy of a notice of the availability of booking Archie F. Key (Field Director, Canadian Museums Association) for a lecture, and a copy of 'The Canadian Art Fraud Case' by Nathan Stolow, reprinted from Canadian Art issue No, 64.

File consists of records pertaining to the 'Art Film' series of screenings presented by the Dalhousie Art Gallery between 1964-1966.

Records consist of program schedules for art films and exhibitions and correspondence between Evelyn Holmes (Acting Curator) and Eric Wessman regarding projection costs.

File consists of records related to the planning of lectures connected to the Dalhousie Art Gallery for the 1964-1965 academic year.

Records consist of correspondence of Dr. Mirko Usmiami (Curaotr, Dalhousie art Gallery), press for lectures by Francis Haskell and Helmut Becker, and biographical information and lecture summaries for John Steegman.

File consists of records related to the planning of guest lectures for the 1963-1964 academic period connected to the Dalhousie art Gallery.

Records consist of correspondence between Dr. Mirko Usmiani (Curator, Dalhousie Art Gallery) and Jean-Paul Morriset (Eastern Representative, National Gallery of Canada) regarding having Morisset give a lecture at the gallery, a memo from the Maritime Art Association to all member groups regarding a lecture tour by Morisset, an itinerary for Mr. Lee Johnson, and a letter from A.S Mowat (Professor of Education, Dalhousie University; prior Chairman of the Dalhousie arts Committee) to Usmiami regarding a lecture series presented by Mowat.

File consists of records related tot he planning of guest lectures under the auspice of the National Gallery of Canada by the Dalhousie Art Committee and Gallery.

Records consist mainly of correspondence between Dr. Mirko Usmiami (Curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada. Additional records consist of publicity materials for a lecture by Professor George Swinton (School of Art, University of Manitoba).

File consists of records relating to the organizing of guest lectures presented under the auspice of the National Gallery of Canada by the Dalhousie Arts Committee for the 1961-1962 academic period.

Records consist of publicity materials for a lecture by Mr. John Woodward (Keeper, Birmingham City Museum and Art Gallery), a letter and illustrated instructions for preparation of a lecture given by Professor W. O. Judkins (Chairman, Fine Arts, McGill University), and correspondence between Mirko Usmiami (Chairman, Arts Committee) and staff of the National Gallery of Canada.

File consists of records relating to guest lecture evens planned for the 1960-1961 academic year by the Dalhousie Arts Committee.

Records consist of handwritten notes, accompanying text for a lecture by Robert Rowe, M. A. (Director, Leeds City Art Gallery) including a biography, news release, and public notice. Additional records consist of correspondence between dr. Mirko Usmiami (Chairman, Art Committee, Dalhousie University) and National Gallery of Canada staff, contract agreements, and accompanying texts for a lecture from Professor G. Stephen Vickers, which was cancelled due to poor weather affecting travel.

Item is a catalogue in the form of a folding poster for an exhibition of paintings from the Montreal Museum of Fine Arts. The exhibition was circulated by the National Gallery of Canada and was presented at Dalhousie Art Gallery in 1974.

Catalogue contains a large-format, full-colour poster on one side, and an essay, list of paintings, and b&w images of select paintings.

Item is a catalogue in the form of a folding poster for an exhibition of paintings from the Montreal Museum of Fine Arts. The exhibition was circulated by the National Gallery of Canada and was presented at Dalhousie Art Gallery in February and March of 1975.

Catalogue contains a large-format, full-colour poster on one side, and an essay, list of paintings, and b&w images of select paintings.

Item is a catalogue for an exhibition of quilts by Teruko Inoue, organized by the Beaverbrook art Gallery. The exhibition was presented at Dalhousie Art Gallery from November 16 to December 9, 1979.

Catalogue contains an introduction by Ian G. Lumsden (Curator, Beaverbrook Art Gallery) and a list of works.

Item is a catalogue for an exhibition of drawings by Virgil Hammock, organized by and presented at the Dalhousie Art Gallery from December 1-23, 1977.

Catalogue contains a list of works, an artist statement by Hammock, and a chronological biography. Front and back cover contain photographs of two of Hammock's drawings.

Item is a catalogue for an exhibition of rugs originating from various regions of Asia, primarily spanning Turkmenistan, Iran, Armenia, Georgia, India, Pakistan, Turkey, and Afghanistan. This exhibition was organized by and presented at Dalhousie Art Gallery between September 23 and October 23, 1977.

Catalogue contains a foreword by Mary E. MacLachlan (Dalhousie Art Gallery), list of lenders to the exhibition, an introduction covering pattern, colour, and knotting techniques, written by Hans-Gunther Schwarz (Dalhousie University), photographs of select rugs, and descriptions of the various regions and styles of rugs in the exhibition.

Item is a catalogue for the 4th Dalhousie drawing exhibition , organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

catalogue contains a forward, introduction by Carol Fraser (acting curator, Dalhousie art Gallery), biographies of each artist and quotations from them on their artworks, images of select artworks, and an exhibition list.

Item is a catalogue for a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, and edited by Joan Murray, Meg Hardman, and Jennifer C. Watson. Th exhibition was presented at Dalhousie Art Gallery from December 18, 1978 to January 12, 1979.

Catalogue contains a list of lenders to he exhibition, acknowledgements and an essay by Joan Murray, an exhibition itinerary, an essay by Gary Michael Dault, an essay and commentary by Louis de Niverville, b&w and colour images, and a bibliography.

Item is a catalogue for an exhibition of graphics produced by the Graphic Arts Division of the Works Progress Administration Federal Art Project (WPA/FAP) between 1935 and 1942. The exhibition was organized and circulated by the Smithsonian Institute, and was presented at Dalhousie Art Gallery from July to August 1977.

Catalogue includes a preface by Regina L. Lipsky (Exhibition Coordinator), an introduction by Francis V. O'Connor, b&w photograph plates, and a catalogue list of works.

Item is a catalogue for an exhibition of 16th, 17th, and 18th century etchings and engravings, selected from the collection of John Ettlinger. The exhibition was organized by and presented at Dalhousie Art Gallery from October 26 to November 26, 1978.

Catalogue contains a note by Carol Fraser (Acting Director, Dalhousie Art Gallery), an introduction by John R. Turner Ettlinger, ehibition arrangement, description and list of prints, and select images of artworks in the exhibition.

Item is a catalogue for the 3rd annual Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from January 3-29, 1978.

Catalogue contains a foreword by Bruce Ferguson (Director, Dalhousie Art Gallery), an introduction by Greg Curnoe, biographies for included artists, b&w plates of select drawings, and a list of artworks in the exhibition.

Item is a catalogue for an exhibition of video works by 23 artists and art collectives, organized and presented by the Dalhousie Art Gallery from November 1-30, 1977. Artists include Vito Acconci, Ant Farm, David Askevold, Susan Britton, Eric Cameron, Colin Campbell, Peter Campus, Cyne Cobb, Don Druik, Pierre Falardeau, General Idea, Dan Graham, Noel Harding, Joan Jonas, John Orentlicher, Clive Robertson, Richard Serra, Tom Sherman, Alan Sondheim, Lisa Steele, Doug Waterman, William Wegman, and Rodney Werden.

Catalogue contains aa note by Bruce Ferguson (director, Dalhousie Art Gallery), an introduction and essay by Peggy Gale (Guest Curator), descriptions of each video in the exhibition, and photographs of video clips.

Item is a catalogue for an exhibition of Mayan art organized and circulated by Rothmans of Pall Mall Canada Ltd. Th exhibition was presented at Dalhousie Art Gallery from April 15 to May 13, 1979.

Catalogue contains an exhibition itinerary, statement by Miguel Alemán (Presidente, Consejo Nacional de Turismo, Estados Unidos Mexicanos), an introduction by Agustin Barrios Gomez (Ambassador of México), and a statement by Manuel Barbachano Ponce, b&w and colour photographs of pottery, sculpture, objects, and other artworks, and a glossary and acknowledgements. Catalogue also contains text describing Mayan culture, history, and crafting techniques.

Item is a catalogue for an exhibition of photographs by Cheryl Lean, organized by and presented at the Dalhousie Art Gallery from November 30 to December 18, 1978.

Catalogue includes a statement by Carol Fraser (Acting Curator, Dalhousie Art Gallery), list of works, biography of Lean, and a photograph. The file also includes a handwritten letter from Cheryl Lean regarding a photograph in the catalogue, written in November 1978.

Item is a catalogue for an exhibition of decorated Nova Scotia furnishings, organized and presented by the Dalhousie Art gallery from July 5 to August 6, 1978.

Catalogue contains an introduction by Bruce Ferguson (Director, Dalhousie Art Gallery), an essay by Thomas Lackey (Guest Curator), image plates, an an exhibition list.

Item is a catalogue for an exhibition of paintings and drawings by Molly Bobak, organized and circulated by the Beaverbrook Art Gallery. The exhibition was presented at Dalhousie Art Gallery from November 30 to December 18, 1978.

Catalogue includes images of Bobak's work, a preface by Ian G. Lumsden (Curator, Beaverbrook Art Gallery), a biography of Molly Bobak, an interview between Bobak and Lumsden, and an exhibition list.

Item is a catalogue for an exhibition of paintings and furniture by Joe Norris, organized and presented by the Dalhousie Art Gallery from July 5 to August 6, 1978.

Catalogue contains an essay by Chris Huntington, plates of Norris' work, and and exhibition list.

Item is a catalogue for an exhibition of work by Richards Jarden, organized and presented at the Dalhousie Art Gallery from March 7 to April 1, 1978.

Catalogue contains a list of works, essay by Marcia Ross Jarden, biography of Richards Jarden, and images of his works.

Item is a catalogue for an exhibition of artwork by John Taylor, organized and presented by the Dalhousie Art Gallery in February 1978.

Catalogue includes poetry and prose, and photographs of Taylor's work.

Item is a catalogue of a travelling exhibition of 20th century folk artists from Nova Scotia, organized and circulated by the Art Gallery of Nova Scotia with funding from the National Museums of Canada and the Canada Council. The exhibition was presented at Dalhousie Art Gallery in 1978. Artists in the exhibition included Charles Atkinson, Samuel Bollivar, Ralph Boutilier, Eli Croft, Evelyn dickie, Ellison Eagles, Collins Eisenhauer, Sidney Howard, Everett Lewis, Maud Lewis, Albert Lohnes, Clarence Moores, Joseph Norris, Emery Nowlan, Joseph Sleep, Charlie Suttle, Charlie Tanner, Fred Task, Ernest Harland Turner, Eli Whiteway, and Harry Wile.

Catalogue contains a foreword and acknowledgements by Bernard Riordon (Curator, Art Gallery of Nova Scotia), list of lenders, an introduction by Marie Elwood (Chief Curator of History, Nova Scotia Museum), image plates of artworks in the exhibition, biographies for each artist, and an index.