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File consists of records related to the exhibition 'objets d'art' by Bernard Chaudron, presented at the Dalhousie Art Gallery in October 1969 as part of the Atlantic Provinces Art Circuit.

Records consist of a list of artworks and prices, a list of purchased works including a note about a stolen piece, a condition report, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Ghislain Clermont (Curator, Art Gallery of the University of Moncton), and a handwritten transcription of Chaudron's biographical notes.

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

File consists of records related to presenting the exhibition 'Fritz Brandtner 1896-1969: A Retrospective Exhibition', sponsored by Sir George Williams University, Montreal. The exhibition was presented at Dalhousie Art Gallery in February 1972, through circulation in the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report and handwritten condition notes, an essay on Brandtner's work, an itinerary, and correspondence between Dalhousie Art Gallery and other APAC member galleries.

File consists of records related to the exhibition 'Jordaens', a significant exhibition of Jacob Jordaens' paintings organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in October 1969.

Records consist of an invitation, a calendar of events for the National Gallery for the period of November 15, 1968 to January 15, 1969, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) including letters regarding the safety of the Jordaens' artworks during blasting activities on campus, including seismographic data, newspaper clippings regarding the exhibition, including one titled 'Jordaens Canvas Displayed After Shock Test', descriptive exhibition text provided by the National Gallery of Canada, a copy of 'Jordaens and Flemish Opulence' from Flemish Painting Volume 2, and three National Gallery press releases.

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

The file consists of records related to an exhibition of photographs by Mario Giacomelli organized by George Eastman House of Photography and presented at Dalhousie Art Gallery from October 8-25, 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of George Eastman House, an exhibition report form, descriptive text for the exhibition, and a list of artworks.

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.