Showing 18 results

File consists of two catalogues for an exhibition of photographs by Guenter Karkutt, organized and presented jointly by the Atlantic Museum of Photographic Art and Dalhousie Art Gallery.

Catalogues contain images of Karkutt's work, a C.V., and and artist statement.

Items are catalogues for a juried exhibition of printed matter from an selection of international artists, organized by the Owens Art Gallery, Mount Allison University. The exhibition was presented at Dalhousie Art Gallery in April and May 1975.

Catalogues contain images of work in the exhibition, an introduction by Christopher Youngs (Director, Owens Art Gallery), and short biographies for artists included in the show.

Item is a catalogue for the 4th Dalhousie drawing exhibition , organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

catalogue contains a forward, introduction by Carol Fraser (acting curator, Dalhousie art Gallery), biographies of each artist and quotations from them on their artworks, images of select artworks, and an exhibition list.

File consists of three catalogues for the exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Catalogues contain a biography, exhibition description, and C.V.

File consists of two catalogues for 'Exhibition of rubbings from ancient Egyptian, Mesopotamian and Hittite reliefs by Nelly B. Gray', organized and presented at Dalhousie Art Gallery in August 1972.

The catalogue in Folder 21 is a draft while Folder 22 contains the final draft. Contents include a biography of Gray, catalogue of works, and exhibition essay. Catalogue in Folder 22 also contains a photograph of Gray.

Item is a catalogue for an exhibition of scenography by Josef Svoboda presented at Dalhousie Art Gallery in October 1974.

Catalogue contains an introduction by Lionel H. Lawrence (Chairman, Department of Theatre, Dalhousie University), photographs of Svoboda and his creations, a biography and curriculum vitae, and quotes from Svoboda.

Item is a catalogue for an exhibition of paintings by Nicolas Poussin, selected from the National Gallery of Canada. The exhibition was circulated and presented at Dalhousie Art Gallery in October and November 1975.

Catalogue contains an essay by Jane Costello, photographs of Poussin's paintings, a bibliography, and a fold-out full-colour photograph of Poussin's Martyrdom of Saint Erasmus (1628).

File consists of a catalogue for the exhibition 'Eric Freifield', arranged by Bruno Bobak of the University of New Brunswick Art Center and toured through the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in April 1972.

Catalogue contains a list of artworks in the exhibition, the exhibition itinerary, two essays by Tom Lapierre and Doris Shadbolt, and a C.V. for Freifield.

File consists of three catalogues for the exhibition 'Peter Bell: The Greenhouse & After' organized and presented by Dalhousie Art Gallery in May 1972.

Catalogues contain a list of works in the exhibition, a biography of Bell, and an artist statement.

File consists of catalogues for the exhibition 'Augustus John', organized by Dalhousie Art Gallery for circulation by the National Gallery of Canada for the period of 1972-1973. The exhibition was presented at Dalhousie in November 1972.

Catalogues contain an essay by Dalhousie Art Gallery Director, Ernest W. Smith, 32 p. of b&w image plates, a catalogue of works in the exhibition, a biographical chronology of Augustus John, an a select bibliography. All text is included in English and French.

Item is a catalogue for a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, and edited by Joan Murray, Meg Hardman, and Jennifer C. Watson. Th exhibition was presented at Dalhousie Art Gallery from December 18, 1978 to January 12, 1979.

Catalogue contains a list of lenders to he exhibition, acknowledgements and an essay by Joan Murray, an exhibition itinerary, an essay by Gary Michael Dault, an essay and commentary by Louis de Niverville, b&w and colour images, and a bibliography.