Showing 245 results

File consists of records relating to the planned group exhibition of artworks by Sarah Jackson, Carol Fraser, and Aileen Meagher for 1964 which did not occur.

Records include price lists for artworks; and artist biographies and curriculum vitae for Jackson, Fraser, and Meagher.

File consists of records related to the exhibition 'Works by John Miller and Helmut Becker' presented at the Dalhousie Art Gallery in March 1965 as part of the Know Your Artist exhibition series.

Records include an invitation, exhibition pamphlets, a Dalhousie news release, biographies and curricula vitae of John Miller and Helmut Becker; and a poster for the lecture 'Henry Moore, his life and work' presented by Helmut Becker on February 12, 1964 in the James Dunn Building of Dalhousie University.

File consists of records relating to the Exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and handwritten letters from William Townsend and Charlotte Townsend (the daughter of William Townsend). Additional records include shipping receipts, insurance certificates, newspaper clippings, a photograph of the painting 'Cascade VIII' and condition reports.

File consists of records related to the planning of an exhibition of works by William Kohn, organized by the Dalhousie art Gallery through Kohn's gallery representative, The Graphics Gallery, san Francisco. The exhibition was presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between The Dalhousie Art Gallery, Kohn, and The Graphics Gallery. Additional records consist of a new release from the Oakland Museum, press about the Graphics Gallery, a loan agreement form, a C.V., biography, and list of artworks for Kohn, a photocopy of a newspaper article titled 'Austere Forms at the Graphics' about Kohn's artwork, and a copy of a review of Kohn's work by Lucian Krukowski.

File consists of records related to the exhibition of artwork by Willam Hogarth, organized and circulated by the Western Association of Art Museums at Mills College in Oakland, California. The exhibition was presented at the Dalhousie Art Gallery from June 16 to July 11, 1976.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the Western Association of Art Museums, including condition report, inventory, packing and handling instructions, a floor plan, correspondence, and a news release.

File consists of records relating to the planning, and organizing of the exhibition 'William Blake 1757-1827', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1970.

Records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a photocopy of two newspaper clippings regarding the exhibition, and exhibition materials including a list of artworks, bibliography, exhibition description, biography of Blake, packing lists, an exhibition contract, a condition report, and a publicity draft.

File consists of records related to the Chicago painting of the 1960s exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from July 15 to Aug 15, 1973.

Records consist of displaying and hanging instructions, packing and unpacking instructions, a loan agreement from the National Gallery of Canada, a list of artworks, and a condition report. Records also include two photographic prints of paintings Cave Park 1971 by Roger Brown and Pairadancycle 1971 by Gladys Nilsson.

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

File consists of records related to the Unicef Children's Art Exhibit, held at Dalhousie Art Gallery in August 1974.

Records consist of shipping receipts, letters from the Unicef Nova Scotia and the Canadian Unicef Committee, a list of dimensions, invoices, and a folded card.

File consists of records related to the exhibition 'Traditional Landscape Painting in Canada' organized and loaned by the National Gallery of Canada. The exhibition showed at Dalhousie Art Gallery in March 1969.

Records consist of exhibition documents including biographies for the included artists, a packing list, exhibition loan agreement, condition report, and list of artworks. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

File consists of records related to the Tradition Plus One: Quilts from Eastern Ontario Exhibition, circulated by the Agnes Etherington Art Gallery, Queen's University, Kingston. The exhibition was presented at Dalhousie Art Gallery from August 15 to September 15, 1975.

Records consist mainly of correspondence between Dalhousie Art Gallery and Agnes Etherington Art Gallery regarding the tour schedule and arranging the shipping and dry cleaning of the quilts from the exhibition. File also includes condition reports, a checklist of works, invoices, a list of expenses, a floor plan, newspaper and magazine clippings, packing and unpacking instructions, receipts of catalogue orders, exhibition itinerary, press releases and shipment documents.

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

File consists of records related to the exhibition 'Welded Steel Sculptures by Tom Forrestall', organized by the University of New Brunswick Art Centre for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in December 1969.

Records consist of a condition report, a newspaper clipping, a publicity sheet from the University of New Brunswick, and correspondence between Evelyn Holmes and curators of APAC member galleries.

File consists of records related to the Tom Forrestall exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of fine arts policy and a handwritten list of drawings.

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

File consists of records related to the exhibition 'The Rothman's Collection of Christmas Ornaments' organized by the Art Gallery of Ontario and presented at the Dalhousie Art Gallery in January 1969.

Records consist of an information bulletin released by Rothmans of Pall Mall Canada Limited, a condition report, a guest list, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Rothmans representatives, and a photograph of the artwork display. The condition report is accompanied by an attached copy of the exhibition catalogue with notes regarding the condition of each sculpture.

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

File consists of records related to 'The Art of Writing', an exhibition organized and prepared by UNESCO and presented at the Dalhousie Art Gallery in March 1966.

Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, correspondence of Evelyn Holmes, a packing list and mounting instructions, and a condition report.

File consists of records related to the exhibition of Inuit carvings, presented at Dalhousie Art Gallery from June 12 - 23, 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Are Gallery) and L. Legge (Principal, Halifax School for the Blind) and between Anne Nurse-Richardson and Keith Garwood, a letter from Keith Garwood with an accompanying background note, a letter to L. Legge (Principal, Halifax School for the Blind) from G. Abrahamson (Chief, Social Development Division), and shipping receipt.

File consists of records related to the Suburbia exhibition featuring works by photographer Bill Owens, organized and circulated by the Western Association of Art Museum in Oakland. The exhibition was held at Dalhousie Art Gallery from December 9, 1975 - January 4, 1976.

Records consist of draft press releases, reviews, contract documents, correspondence, and a floor plan.

File consists of records related to the annual exhibition of works by student, staff, and alumni of Dalhousie University.

Records consist of lists of entries and subsequent lists of artworks chosen for the exhibition and for prize winners.

File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 1-31, 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.

Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.

File consists of records related to an exhibition of artwork by Stephen Cruise titled 'Bitsandpieces,' organized by and presented at the Dalhousie Art Gallery from April 27 to May 22, 1976, and later at the Vancouver Art Gallery in 1980.

Records consist mainly of correspondence, financial statements, floor plans, and clippings. Also includes three photographs of Cruise's artworks, two postcards from Stephen Cruise to Bruce Ferguson (Director, Dalhousie Art Gallery), eight photographic slides, and an opening invitation.

File consists of records related to the exhibition 'Graphics of South Africa' shown att he Dalhousie Art Gallery in February 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of the Glenhyrst Arts Council.

File consists of records related to the exhibition 'Shiryu Morita' organized by Mr. Tetsuo Yamada, Director of the Yamada Art Gallery, Kyoto, Japan, and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie Art Gallery from October 13 - November 15, 1970.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and National Gallery staff, an exhibition agreement contract, a cumulative condition report, shipment invoice, and a packing list.

File consists of records related to the Sherman Hines' Nova Scotia photography exhibition, held at Dalhousie Art Gallery from June 17 to June 22, 1975.

Records consist of an opening invitation card, bi-fold pricing brochure and order form, newspaper clippings, a floor plan, and a photograph of the Alexander graham bell museum in Cape Breton.

File consists of records related to the 'Canadian Artist Series' exhibition, loaned from the National Gallery of Canada in November 1959.

Records consist of a loan agreement, exhibition description, packing lists, and biographies of Ghitta Caiserman and Ron Spickett.

File consists of records related to the exhibition 'Scrapbook Oddities' organized and circulated by the Confederation Art Gallery and Museum, Charlottetown, P.E.I.. The exhibition was presented at Dalhousie Art Gallery from February 28 to March 20, 1972.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Confederation Center Art Gallery and Museum.

File consists of records related to the exhibition 'Rorke's Drift: Woven Tapestries' arranged by the Art Gallery, Memorial University, St. John's, in collaboration with Gallery 101, Johannesburg. The exhibition was presented at Dalhousie Art Gallery in November 1969.

Records consist of a photocopy of the article 'Rorke's Drift: A New Fame' published in Fair Lady, April 17, 1968, a list of artworks and an itinerary, a Dalhousie newsletter, and correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and curators of other galleries involved in the presentation of the exhibition.

File consists of records related to the Ronald Shuebrook Exhibition as a part of the "Know Your Artists" series, held at Dalhousie Art Gallery from October 29 to November 17, 1974.

Records consist of correspondence between Shuebrook and staff of Dalhousie Art Gallery, newspaper clippings, a price list, a list of institutions and individuals to receive catalogue, and a letter to Nick Fillmore (Editor) from Shuebrook.

File consists of records related to the Ronald Kostyniuk Exhibition, held at the Dalhousie Art Gallery from April 24 to May 6, 1973.

Records consist mainly of correspondence between R. Kostyniuk, Ernest Smith (Director, Dalhousie Are Gallery), and other galleries. Records also include condition reports, waybills, and damage claims..

File consists of records related to In Black and White, a photo exhibit by Ron E. Merrick and Albert Lee, held at Dalhousie Art Gallery from October 29 to November 17, 1974.

Records consist of newspaper clippings, a list of photographs and places, draft biographies, insurance papers, a photocopy of catalogue cover, and invitation cards.

File consists of records related to the exhibition 'Rodin and His Contemporaries', sponsored by Rothmans of Pall Mall Canada. The exhibition was presented at Dalhousie Art Gallery from March 15 to April 9, 1972.

Records consist of handwritten condition notes, a condition report, a biographical essay of Rodin, biographies of artists working during the same time period as Rodin, correspondence of the Dalhousie Art Gallery, documents related to the opening event (March 14) and two photographs of Henry D. Hicks (President, Dalhousie University) and unidentified colleagues.

File consists of records related to the Robert Annand Exhibition, the second exhibition of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from April 30 to June 2, 1974.

Records consist of a draft copy for the introduction to the Robert Annand catalogue, lists and pricelists of paintings and drawings, insurance papers, a handwritten draft of Annand's biography, and a newspaper clipping. File also contain an invitation card to exhibition and an unfolded card.

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.

File consists of records related to the Progress in Conservation Exhibition, organized by the National Conservation Research Laboratory and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in May 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and George Rogers (National Museum of Canada), newspaper clipping, floor plan, insurance documents, condition report, press release, and event calendar of the exhibition at Rothmans Art Gallery of Stratford in November 1973.

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

File consists of records related to the Printed Matter exhibition, organized by the Owens Art Gallery, Mount Allison University in Sackville, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from April 22-May 11, 1975.

Records consist of an invoice, correspondence, a newspaper clipping, condition reports, and a price list.

File consists of records related to the exhibition '11 Pop artists: The New Image' organized by the Confederation Art Gallery for the Atlantic Provinces art Circuit (APAC), and sponsored by Benson & Hedges (Canada) Ltd. The exhibition was presented at Dalhousie Art Gallery in December 1968.

Records consist of an exhibition statement written by Antonio Toledo (Executive Vice-President, Benson & Hedges), a list of artworks, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, and a condition report.

File consists of records related to the exhibition 'Plaskett', a collection of pastel drawings by Joseph Plaskett organized by the Art Center of the University of New Brunswick for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in May 1970.

Records consist of two condition reports and an accompanying drawing depicting areas of damage, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of other APAC member galleries .

File consists of records related to the Nineteenth Annual Dalhousie Student, Staff, and Alumni exhibition held at Dalhousie Art Gallery from February 6 to February 18, 1973.

Records consist of letters from Evelyn Holmes (curator, Dalhousie Art Gallery) to the judges for the photographic section of the exhibition. Records also include the list of artworks.

File consists of records related to a series of exhibitions organized by the George Eastman House of Photography.

Records consist mainly of informational pamphlets about the exhibition offerings, in addition to a news release from George Eastman House regarding the exhibition 'Photographs by Mario Giacomelli' which the Dalhousie Art Gallery loaned and presented in October 1968.