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Susan Kerslake fonds Authors
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Correspondence between Susan Kerslake and George Peabody

File contains correspondence with George Peabody. Materials include one handwritten letter to Kerslake requesting permission to reprint "Soft Body Parts" (as well as "Did You Ever ...") from "The Book of Fears," and one blank permission to reprint form.

To waste a wave / Susan Kerslake : [manuscript]

File contains an unpublished manuscript and an unsigned handwritten review suggesting edits and a rewrite, as well as a typed review with handwritten suggestions. The quote on the cover page reads "For here alone in all the world was found Moria-silver, or true silver as some have called it: Mithril is the Elvish name ..."

Susan Kerslake's published manuscripts

Series contains manuscripts of published novels, including heavily annotated drafts of Middlewatch and Penumbra. There is also related correspondence, including royalty payments, requests for inclusion in anthologies, and letters of acceptance and rejection.

Penumbra / Susan Kerslake : [second draft manuscript]

File contains a substantially annotated second draft as well as black-and-white photograph of a sea creature under a boat and a colour photograph of two houses. There are minor and major edits, predominantly towards the end.

Susan Kerslake's unpublished manuscripts

Series contains manuscripts of unpublished novels, including edited drafts. Other materials include letters from third parties with suggested edits, and rejections or comments from publishing agencies.

Creance / Susan Kerslake : [manuscript]

File contains an unpublished manuscript, a rejection letter from The Women's Press , a letter containing criticisms and suggestions from Oberon Press, and a small poem by David Rook.

Susan Kerslake's rejection letters

File contains assorted personal and generic rejection letters from various publishers, including Canadian Fiction Magazine, Room of One's Own and The Long Story.

Correspondence between Susan Kerslake and Leslie Fielder

File contains correspondence with Leslie Fielder, Kerslake's teacher in 1960-61 and a professor in the English department at Samuel Clemens, New York. Materials include a brief letter from Kerslake updating Fielder about her writing and professional work, and a thank you letter in response.
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